[VIHUELA] Re: vihuela grande

2005-12-08 Thread Alexander Batov
On Wednesday, December 07, 2005 3:40 PM Roger E. Blumberg wrote:

 Following the lines of the resent discussion of large-size vihuelas and
 guitars here is a late 15th - early 16th century Catalan picture (which
 isn't very often reproduced) that shows what appears to be a sort of
 double
 bass size vihuela or viola da mano:

 http://www.vihuelademano.com/current/pages/vihuela-grande.htm


 Alexander, is this image still around? Pretty please ;')
 Thanks
 Roger

Thank you, Roger, for pointing this out.
There was a hard drive failure on my server about a week ago and, although 
they promised to restore everything as it was, this page seems to have had 
'mysteriously disappeared. It is back there now: 
http://www.vihuelademano.com/current/pages/vihuela-grande.htm

Alexander 



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[VIHUELA] Re: vihuela grande

2005-12-08 Thread Roger E. Blumberg

- Original Message -
From: Alexander Batov [EMAIL PROTECTED]
To: vihuela@cs.dartmouth.edu
Cc: Roger E. Blumberg [EMAIL PROTECTED]
Sent: Thursday, December 08, 2005 5:49 AM
Subject: [VIHUELA] Re: vihuela grande


 On Wednesday, December 07, 2005 3:40 PM Roger E. Blumberg wrote:

  Following the lines of the resent discussion of large-size vihuelas and
  guitars here is a late 15th - early 16th century Catalan picture (which
  isn't very often reproduced) that shows what appears to be a sort of
  double
  bass size vihuela or viola da mano:
 
  http://www.vihuelademano.com/current/pages/vihuela-grande.htm


  Alexander, is this image still around? Pretty please ;')
  Thanks
  Roger

 Thank you, Roger, for pointing this out.
 There was a hard drive failure on my server about a week ago and, although
 they promised to restore everything as it was, this page seems to have had
 'mysteriously disappeared. It is back there now:
 http://www.vihuelademano.com/current/pages/vihuela-grande.htm

 Alexander



thanks much. Boy that is a monster!, and a gold mine of a picture, 4-in-1.

The multi-part (long strips) fretboard detail on the bass instrument is
reminiscent of at least one early Spanish viol picture I've seen, 1475-85,
Heremitage of St. Feliu (St. Félix) in Xàtiva (Valencia, Spain). This is
from another of those recently and heavily restored frescos
http://www.thecipher.com/viol_1475-85_Valencia_Spain_lrg-clr-deta.jpg


It's also nice to see more pluckers on the order of Timoteo Viti's small
bodied bowed viol (the one with two bridges)
http://www.thecipher.com/viol_TimoteoViti_Madonna-Child_c1500_Italy_clr_deta
.jpg
compare to
http://www.vihuelademano.com/current/images/vihuela-mano2.jpg
and
http://www.thecipher.com/viola_sine_arculo_c1485-1510_detv2.jpg
and
http://www.thecipher.com/viol_4str10fret-SardiniaItalyc1500xsm_det.jpg


here's another fairly large French bass plucker, 1508
http://www.thecipher.com/viol-guitar_GonesseOrgan_1508_France_det1.jpg
from this painted organ case balcony (Abbey Eglise Saint Pierre et Saint
Paul)
http://www.thecipher.com/viola-GonesseOrganItselfFrance1508_deta.jpg


do you or anyone have more?  I'm a glutton for pictures (I think you can
tell), they're pretty much all we have to go on.  What else have I missed in
that or other threads, I wonder, and plead ;')

thanks again
Roger




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[VIHUELA] Re: vihuela grande

2005-12-07 Thread Roger E. Blumberg
 [VIHUELA] vihuela grande
 Alexander Batov
 Tue, 15 Nov 2005 06:04:41 -0800

 Following the lines of the resent discussion of large-size vihuelas and
 guitars here is a late 15th - early 16th century Catalan picture (which
 isn't very often reproduced) that shows what appears to be a sort of
double
 bass size vihuela or viola da mano:

 http://www.vihuelademano.com/current/pages/vihuela-grande.htm

 Alexander


Alexander, is this image still around? Pretty please ;')
Thanks
Roger




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[VIHUELA] Re: vihuela grande

2005-11-15 Thread Stuart Walsh
Alexander Batov wrote:

Following the lines of the resent discussion of large-size vihuelas and
guitars here is a late 15th - early 16th century Catalan picture (which
isn't very often reproduced) that shows what appears to be a sort of double
bass size vihuela or viola da mano:

http://www.vihuelademano.com/current/pages/vihuela-grande.htm

Alexander

  


Crawford Young gives some references for possible tunings for lutes in 
the late 15th century. One is from a Venetian MS: D-G- c-f-a-d1. Young 
says: ...'the instrument depicted in this source is a very large one, 
the largest of any of our late 15th century lutes.' I think there is 
just a chart in the MS, not an actual picture of the instrument and 
Young says that it might not be for lute but for viola, plucked or 
bowed. Nevertheless Young is obviously thinking of a big instrument - 
like the one Alexander shows(?)

An instrument with a low D could, I suppose, be  correspondingly larger 
than a standard one in the way that a discant lute a fourth higher would 
be a lot smaller.
(But why couldn't they have just put a seventh course on a standard G 
instrument?)

Crawford Young also gives a specifically viola da mano tuning from 
Bologna (mentioned in David Fallow's LSJ article) for a 7 course 
instrument tuned to A but with a low E string.

But the vihuela grande in Alexander's picture doesn't appear to be even 
a six course instrument. The player seems to be playing a chord - rather 
than a bass line?
I wonder how low the bass line went in the late 15th century. I've only 
looked at a very few pieces but in those pieces even a low F is rare.

I'm fascinated by the idea of plucked ensembles reading from mensural 
notation rather than tab. There appears to masses  of evidence for 
plucked duos (large and small lutes or lute and gittern and, perhaps 
viola/vihuela equivalents). But Jon Banks reckons there are trios too  - 
the evidence being  'instrumental' textless chansons in 3 parts. So 
maybe the trio of instruments  would be: a 'standard' lute or 
viola/vihuela in G (or  A), and an instrument a fourth higher and - like 
the vihuela grande in Alexander's picture - a fourth lower. Maybe a 
larger instrument would project the line better than a standard 
instrument with an added seventh course.

(Martin Shepherd implied this in an earlier discussion of Jon Banks' 
suggestions)

The small violas in the picture are interesting too ( fourth higher than 
'standard'?). They are the first ones I've seen where you can actually 
see the bridge. I  can't make out whether it's floating or fixed.



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