Re: fossils on Mars

2006-02-09 Thread ThomasClark123



In a message dated 2/8/2006 7:04:17 PM Eastern Standard Time, [EMAIL PROTECTED] writes:
I heard this man interviewed on C to C AM. Click on the fossils link. I wonder if this is an example of seeing what you want to see, http://xenotechresearch.com/cgi/wp/index.php?cat=3
What looks like rivers on mars are actually huge domed cities, which are covered and uncovered by sand storms. Many of the NASA pictures are doctored to hide the fact that plants and animals exist on Mars presently. Mars is also being terraformed presently by aliens according to Dr. Richard Boylan Reports. When the NASA astronauts landed on the Moon they were greeted by US, British, French, and Russian flying saucers andbases already on the moon. The NASA space program was used to continue building bases on the Moon to travel to Mars. The US secretly traveled to mars around 1962. But apparently relations between Mars and Earth do not seem to be so friendly lately, unless this is being used as a cover,to discourage Earth societies from thinking that they can travel to Mars to avoid global warming problems on Earth. 


fossils on Mars

2006-02-08 Thread thomas malloy
I heard this man interviewed on C to C AM. Click on the fossils link. I 
wonder if this is an example of seeing what you want to see, 
http://xenotechresearch.com/cgi/wp/index.php?cat=3



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Re: fossils on Mars

2006-02-08 Thread Harry Veeder
Title: Re: fossils on Mars



thomas malloy wrote:

 I heard this man interviewed on C to C AM. Click on the fossils link. I 
 wonder if this is an example of seeing what you want to see, 
 http://xenotechresearch.com/cgi/wp/index.php?cat=3
 
 
 --- http://USFamily.Net/dialup.html - $8.25/mo! -- 
 http://www.usfamily.net/dsl.html - $19.99/mo! ---
 

Probably.
The 20th century artist Max Ernst uses the power of seeing what you 
want to see in his art.

Max Ernst: ...in my personal development this method, which is 
based on nothing less than the intensification of the excitability of the 
mental faculties and which, in view of this technique, I should like to call
frottage, perhaps played a greater role than collage, from which I truthfully 
believe it does not differ fundamentally. Starting with a childhood memory 
in which a panel of imitation mahogany opposite my bed had played the role 
of optical stimulant of a vision I had while half asleep, and finding 
myself, on a rainy day in a hotel at the seashore (Pornic, August 1925), I 
was struck by the obsession exerted on my gaze by the panel, whose grooves 
had been deepened by a thousand washings. I then decided to examine the 
symbolism of this obsession...I made a series of drawings from the pieces of 
wood by haphazardly placing sheets of paper on them, which I undertook to 
rub [frotter in French] with black lead pencil. I emphasise the fact that the drawings 
obtained in this manner increasingly lost...the character of the material 
tested [the wood] and acquired the appearance of images of an undreamed-of 
precision which was probably of such a nature as to reveal the primary cause 
of the obsession or to produce a semblance of that cause. With wideawake, 
wonder-struck curiousity, I tested all kinds of materials...leaves and 
theirs veins, the frayed edges of sacking, the knife strokes of a modern 
painting. a thread unrolled from a bobbin, and so on...I assembled the 
first results obtained under the title Histoire Naturelle.

Harry