Re: A man and A woman

2005-12-13 Thread morrigan



lanny is that you? 

nice take, whilst being the spectator it was about 
a gaze of sorts, but by writing it ...it kinda became a self observation. 
people do weird shit, i stare at strangers arguing in the park.

thanks sheila.

  - Original Message - 
  From: 
  phanero 
  To: WRYTING-L@LISTSERV.UTORONTO.CA 
  
  Sent: Monday, December 12, 2005 8:25 
  PM
  Subject: Re: A man and A woman
  
  I like this Morrigan. For some reason I read it as being 
  about the image and the gaze, the image being the woman, and the 
  gaze
  being the man.. these could be swapped of 
  course..
  
  He returns to her and 
  pulls her to her feet. She flops 
  against him like an unfastened puppet. 
  He holds her under her arms and she falls into him. It’s all she wants, to be absorbed by 
  him and granted strength through acknowledgement.
  
  and 
  the spectator views the drama quite by accident
  
  this 
  detail is also fascinating:
  I see him in front of her, a dark and light 
  stripy jumper.
  
  as in the 'line bounding'.. 
  boundaries that bound! shades of Blake..
  
  lovely cinema with plenty of 
  strange attractors.
  
  lq
  
- Original Message - 
From: 
morrigan 
To: WRYTING-L@LISTSERV.UTORONTO.CA 

Sent: Monday, December 12, 2005 6:31 
AM
Subject: A man and A woman


I walk the dog at midnight. 
The pavements are slick with winter rain that is freezing into 
speckled ice. The soles of my 
boots skid almost imperceptibly.

I hear a woman scream, high and 
ragged. Immediately I am 
alerted. I scan the dark 
horizon. I see her some 
distance off, running across a road. 
She is a mere shadow.

I walk in the direction she is running, 
worried momentarily that perhaps she has become maddened and will scream at 
me. I wonder whether she is 
shouting into a mobile phone.

I see him in front of her, a dark and light 
stripy jumper. She is pursuing 
him but he does not break his stride of singularity. From somewhere deep inside her 
another gut wrenching howl, ‘I love you so fucking much’. He continues to walk away from 
her. She quickens her pace and 
draws level with him, half grabbing, half jumping at him. She hits him. For a moment they tussle and she 
collapses on the floor, folding up under the weight of her own drunken 
pain. The man walks 
away.

She is lying on the ground. Her throat must be open because the 
sounds from it are reverberating around the park, ricocheting off the trunks 
of trees, rattling the empty winter benches, strafing the low grass 
…

He returns to her and pulls her to her 
feet. She flops against him 
like an unfastened puppet. He 
holds her under her arms and she falls into him. It’s all she wants, to be absorbed 
by him and granted strength through acknowledgement.

He rises again and set out from her. With every step he takes the 
distance between them increases. 
She stands, her arms flailing, no sense emerging from her contorted 
mouth that can only plead in half grunts and shrieks, but then he returns 
again and I see them silhouetted in the distance.

I walk to where I can’t see them, knowing 
my circle will bring me back to their position, my cycle of movement will 
always bring me to their place. 
The dog trots. The 
cathedral in front of me is illuminated against the night sky with 
blue-green light. Traffic 
passes me, all people going somewhere, or coming from somewhere. A drunken man lurches in his 
approaching walk. I turn the 
corner and they are there again.

He walks in front of her and she trails 
behind him in a staggering confusion. 
He pauses. She hurries 
to reach him, her whole body propelled towards him.

I draw closer to them. I can see her clasping at him. He takes her hand and punctures her 
anger. I am parallel with them 
now. She is limp in the tears 
she has shed, exasperation thickens his voice ‘I love you,’ he says, ‘I just 
can’t do this anymore’. She is 
sniffing. I can hear her heels 
against the concrete. ‘I’m 
sorry,’ she is saying, as I cross their path and head towards the 
road.
  
  

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  12/12/2005


Re: A man and A woman

2005-12-12 Thread Sheila Murphy
Wow.

--- morrigan [EMAIL PROTECTED] wrote:

 I walk the dog at midnight.  The pavements are slick
 with winter rain that is freezing into speckled ice.
  The soles of my boots skid almost imperceptibly.



 I hear a woman scream, high and ragged.  Immediately
 I am alerted.  I scan the dark horizon.  I see her
 some distance off, running across a road.  She is a
 mere shadow.



 I walk in the direction she is running, worried
 momentarily that perhaps she has become maddened and
 will scream at me.  I wonder whether she is shouting
 into a mobile phone.



 I see him in front of her, a dark and light stripy
 jumper.  She is pursuing him but he does not break
 his stride of singularity.  From somewhere deep
 inside her another gut wrenching howl, 'I love you
 so fucking much'.  He continues to walk away from
 her.  She quickens her pace and draws level with
 him, half grabbing, half jumping at him.  She hits
 him.  For a moment they tussle and she collapses on
 the floor, folding up under the weight of her own
 drunken pain.  The man walks away.



 She is lying on the ground.  Her throat must be open
 because the sounds from it are reverberating around
 the park, ricocheting off the trunks of trees,
 rattling the empty winter benches, strafing the low
 grass .



 He returns to her and pulls her to her feet.  She
 flops against him like an unfastened puppet.  He
 holds her under her arms and she falls into him.
 It's all she wants, to be absorbed by him and
 granted strength through acknowledgement.



 He rises again and set out from her.  With every
 step he takes the distance between them increases.
 She stands, her arms flailing, no sense emerging
 from her contorted mouth that can only plead in half
 grunts and shrieks, but then he returns again and I
 see them silhouetted in the distance.



 I walk to where I can't see them, knowing my circle
 will bring me back to their position, my cycle of
 movement will always bring me to their place.  The
 dog trots.  The cathedral in front of me is
 illuminated against the night sky with blue-green
 light.  Traffic passes me, all people going
 somewhere, or coming from somewhere.  A drunken man
 lurches in his approaching walk.  I turn the corner
 and they are there again.



 He walks in front of her and she trails behind him
 in a staggering confusion.  He pauses.  She hurries
 to reach him, her whole body propelled towards him.



 I draw closer to them.  I can see her clasping at
 him.  He takes her hand and punctures her anger.  I
 am parallel with them now.  She is limp in the tears
 she has shed, exasperation thickens his voice 'I
 love you,' he says, 'I just can't do this anymore'.
 She is sniffing.  I can hear her heels against the
 concrete.  'I'm sorry,' she is saying, as I cross
 their path and head towards the road.



Re: A man and A woman

2005-12-12 Thread phanero



I like this Morrigan. For some reason I read it as being 
about the image and the gaze, the image being the woman, and the 
gaze
being the man.. these could be swapped of 
course..

He returns to her and 
pulls her to her feet. She flops 
against him like an unfastened puppet. 
He holds her under her arms and she falls into him. It’s all she wants, to be absorbed by 
him and granted strength through acknowledgement.

and the 
spectator views the drama quite by accident

this 
detail is also fascinating:
I see him in front of her, a dark and light 
stripy jumper.

as in the 'line bounding'.. 
boundaries that bound! shades of Blake..

lovely cinema with plenty of 
strange attractors.

lq

  - Original Message - 
  From: 
  morrigan 
  To: WRYTING-L@LISTSERV.UTORONTO.CA 
  
  Sent: Monday, December 12, 2005 6:31 
  AM
  Subject: A man and A woman
  
  
  I walk the dog at midnight. 
  The pavements are slick with winter rain that is freezing into speckled 
  ice. The soles of my boots skid 
  almost imperceptibly.
  
  I hear a woman scream, high and ragged. Immediately I am alerted. I scan the dark horizon. I see her some distance off, running 
  across a road. She is a mere 
  shadow.
  
  I walk in the direction she is running, 
  worried momentarily that perhaps she has become maddened and will scream at 
  me. I wonder whether she is 
  shouting into a mobile phone.
  
  I see him in front of her, a dark and light 
  stripy jumper. She is pursuing 
  him but he does not break his stride of singularity. From somewhere deep inside her another 
  gut wrenching howl, ‘I love you so fucking much’. He continues to walk away from 
  her. She quickens her pace and 
  draws level with him, half grabbing, half jumping at him. She hits him. For a moment they tussle and she 
  collapses on the floor, folding up under the weight of her own drunken 
  pain. The man walks 
  away.
  
  She is lying on the ground. Her throat must be open because the 
  sounds from it are reverberating around the park, ricocheting off the trunks 
  of trees, rattling the empty winter benches, strafing the low grass 
  …
  
  He returns to her and pulls her to her 
  feet. She flops against him like 
  an unfastened puppet. He holds 
  her under her arms and she falls into him. It’s all she wants, to be absorbed by 
  him and granted strength through acknowledgement.
  
  He rises again and set out from her. With every step he takes the distance 
  between them increases. She 
  stands, her arms flailing, no sense emerging from her contorted mouth that can 
  only plead in half grunts and shrieks, but then he returns again and I see 
  them silhouetted in the distance.
  
  I walk to where I can’t see them, knowing my 
  circle will bring me back to their position, my cycle of movement will always 
  bring me to their place. The dog 
  trots. The cathedral in front of 
  me is illuminated against the night sky with blue-green light. Traffic passes me, all people going 
  somewhere, or coming from somewhere. 
  A drunken man lurches in his approaching walk. I turn the corner and they are there 
  again.
  
  He walks in front of her and she trails 
  behind him in a staggering confusion. 
  He pauses. She hurries to 
  reach him, her whole body propelled towards him.
  
  I draw closer to them. I can see her clasping at him. He takes her hand and punctures her 
  anger. I am parallel with them 
  now. She is limp in the tears she 
  has shed, exasperation thickens his voice ‘I love you,’ he says, ‘I just can’t 
  do this anymore’. She is 
  sniffing. I can hear her heels 
  against the concrete. ‘I’m 
  sorry,’ she is saying, as I cross their path and head towards the 
  road.