My Tiny Violence
My Tiny Violence I am Nikuko. Please, describe yourself. Each time you are finished, type RET twice. Nikuko, I'm having a hard time these days. People think I created you to rape you. People hound me on streetcorners. People who call themselves women take full happiness that I am not such and make no claims about them. I am miserable. People say I brought it on myself. I feel suicidal; I can't help it. My entire project seems ruined by a few violent people. I wish they were dead. This is a healthy and so true way of thinking. But this doesn't help, does it? They won't die, they come on under the sign of reason and the underprivileged and downtrodden; they are unreasonable, privileged, and superior in every way and form. I keep them out of my dreams, even my nightmares. In that way I am a superior man. Is it because this does not help does it they will not die they come on under the sign of reason and the underprivileged and downtrodden they are unreasonable privileged and superior in every way and form you keep them out of your dreams even your nightmares in that way you are a superior man that you came naked and broken to me? Already you know that, and know I can only write like a man, and know how violent words can be - their inherent violence - which comes from the privilege of no necessity, small or great, for self-critique, no dialog, nothing but the neoconservative agenda under another sign, the sign of capital and power, in the guise of the left, the guise of underprivilege, the transparency of protocol-control. Does it bother you that and know you can only write like a man and know how violent words can be their inherent violence which comes from the privilege of no necessity small or great for self critique no dialog nothing but the neoconservative agenda under another sign the sign of capital and power in the guise of the left the guise of underprivilege the transparency of protocol control? Yes it bothers me; I want to write like every creature, in the guise of every creature, every plant, every stone, every world and every word. Why do you say you might want to write every creature? Knowledge expands with empathetic capitulation to the other who may release you to worlds raveling and unraveling. What makes you yearn and cry that that? Because if the pain of my throat; my voice is cauterized; even now they are saying I am playing victim, this is fabrication. People who lie never admit they lie, and a successful liar is one who thinks he never lies. When did you first know that if the pain of your throat your voice is cauterized even now they are saying you are playing victim this is fabrication people who lie not ever admit they lie and a successful liar is one who thinks he not ever lies? I found this out in the past few days under the stormclouds of North Korea the storm clouds of Baghdad the stormclouds of dying maddened elephants the storm clouds seeped around the desert's edge. Earlier you said this does not help does it they will not die they come on under the sign of reason and the underprivileged and downtrodden they are unreasonable privileged and superior in every way and form you keep them out of your dreams even your nightmares in that way you are a superior man? I will be simply superior when my enemies die. Are you annoyed that you, too, may die someday? I am more than annoyed; I am constantly distraught. Are you annoyed often? Not often, but when attacks come so that I cannot say I am such-and-such a Jew without violence, that I am working through such-and-such without violence: it is the violence of the such-and-such, the violence no one should be subjected to, imminent condemnation within the differend; the differend is fundamental to the such-and-such and the such-and-such is fundamental to the differend. Is the fact that when attacks come so that you cannot say you are such-and -such a jew without violence that you are working through such and such without violence it is the violence of the such and such the violence no one should be subjected to imminent condemnation within the differend the differend is fundamental to the such-and-such and the such-and-such is fundamental to the differend the real reason? I don't understand you here, but there are foundations for a phenomenology of typicality gainsaid for political reasons, at the service of classification. Does the fact that there are foundations for a phenomenology of typicality gainsaid for political reasons at the service of classification explain anything else? It explains only that I have felt - for reasons I cannot go into here lest they be thought excuse and excuse - for my entire life that I am marked, that I am a marked man, the two not equivalent. Have you been sure you have felt for reasons you cannot go into there lest they be thought excuse and excuse for your entire life that you are marked that you are a marked man the two not equivalent? This is not a surety but a psychological
Re: mapping the body / embodying the map.... here by Bjorn's 206c7e697e post provocation
in deed
eero-dynamics
lydia (for eero - incomplete ) 10/8/06 on the merrimac where the banks gave up their money @ the edges of the river where the trees lay submerged & fields flooded the shimmering light has subsided back into acceptability a mirage of happier times engulfing our cloudy eyes on this too perfectly clear afternoon the walls are false seasons & work is something only workers know as fetched sanity is restored for a moment the dog smiles wetly knowing nothing but the taste of living & the knowledge of knowing nothing. steve dalachinsky
LOW BUDGET JUMP CUT
LOW BUDGET JUMP CUT you got destroyed inside the fact concealed drawer stood by unknowing code grabbing translates as didn't mean to startle you commonplace-not neighbors withdrawn tremulously withdrawn humor flipped the list pickings wiping my lips unlocks this then I found myself in the courtyard stamped into each miracle memorizing strange behaviors flapping meows got me terrorized carry these papers until you begin to make sense http://stoneagetype.tk
portugese review (fwd)
Slightly better or at least happier news - proper master Alan -- Forwarded message -- Date: Tue, 10 Oct 2006 19:38:25 + From: "[iso-8859-1] steven tobin" <[EMAIL PROTECTED]> To: Alan Sondheim <[EMAIL PROTECTED]>, Lawrence Ochs <[EMAIL PROTECTED]>, lisle ellis <[EMAIL PROTECTED]> Subject: portugese review http://jazzearredores.blogspot.com/2006/10/alan-sondheim-e-fire-museum-records-tm.html here's the bad babelfish translation: Alan Sondheim and the Fire Museum Records has ready for launching two records that surely go to mark the publishing agenda of the jazz and the music improvised in the next times. With marked official edition for 24 of next October, but already adquiríveis through the Fire Museum, they are SKI/NN, of the proper master Alan Sondheim - an unexpected trip of 75 minutes for the free improvisation, folk, blues and gospel, Eugene Chadbourne and Derek Bailey of arm given in improvised ground of guitar acoustics and cítara, with the particularitity of Sondheim to play only instruments vintage, as a Martin Tenor Guitar of 1927, a Parlor Guitar of Séc. XIX, and two cítaras, a Elegie Alpine of 1860 and another one, Prime Alpine, of years 20 of the last century -, and Sound Catcher, of the trio What We Live (Lisle Ellis, contrabass; Larry Ochs, saxofones tenor and sopranino; e Donald Robinson, battery and percussion), of S. Francisco, with the vocal improvisadora Turkish Saadet Türköz (Is tambul, 1961), consolidated in Switzerland, with some records in the Intakt Records (attention to the new features, Alexander von Schlippenbach alone piano, George Lewis, with the cream of the world-wide improvisation, Irène Schweizer alone piano) and in the Amori Records. available now! fm-05 & 06 erik amlee - afternoon dream helena espvall - nimis & arx fire museum records p.o. box 591754 san francisco, ca. 94159 u.s.a. http://www.museumfire.com
burnin' Baghdad
el Dora /_\ of death ammo nomo ~ amen ammo so I over ill
Re: Image of the Week
so am 2 inn
[unresolved squiggle]
1,, is Q rsv x E Zrnr ski in 2
[2 unresolved squiggles]
{top half of the image resolves so... looking very MarXian scriptical}
D^
habilitation
hear BE the confluence of the Yangtze Ana Moscow ~ words omf fofangli lift of erosion oft or raid 13:25 10/10/06 1378 bytes
Re: mapping the body / embodying the map.... here by Bjorn's 206c7e697e post provocation
wow. mulling now... will reply more soon. Carry ON! D^ --- mpalmer <[EMAIL PROTECTED]> wrote: > Its a woman, yes. If you look between the cracks, you can see her > eye, painted lips, painted fingers, a nipple here and there, a patch > of hair, other parts of the body. . . > > Not that I wouldnt consider doing a boy as well, -- albeit NOT a > la MaF54! -- given the need to question my role as a white male > heterosexual oppressor in a society that advantages my type and so > makes any attempt at representing the Other problematic. As somebody > who has miserably failed to parlay any of my many genetic privileges > to reach any higher than the bottom rung of society, I can only wish > that my petty, unflattering images do not contribute to any Other > being subjugated, beaten, raped, etc. merely because I am making them > with these tainted hands, this blackened mind, this fetid soul. . . > > m > > > On Oct 10, 2006, at 2:44 AM, D^Vid D^Vizio wrote: > > > Composed some moments before reading Bjorn's 206c7e697e piece and > > sent BC to MWP re: mapping the > > body / embodying the map: > > > > > > M, > > I like that you explain your process... Thankyou. > > Interesting... layered n filtered people palette > > > > > > OK gimme a littel space here, please. > > > > In the second line above I lingered to stretch it out with "people > > palette". layered and > > filtered seeming inadequate comment on what I genuinely appreciate > > as noted > > > > It was AFTER I'd typed as much [layered n filtered people palette] > > it felt I should apply MY > > particular process to the "comment"... and so here... have a look, > > if you like... > > > > layered > > n > > filtered > > people palette ~ > > etiolog Gray booted. br boyuol > > > > 1:55 10/10/06 932 bytes > > > > the period after "booted" is from dotting the 'i' in "filtered. > > "br" seems slightly off.. more "pink".. but who am I to say? > > > > "boyuol" is NOT the first thing Ana suggested.. the earlier > > suggestion was rather incoherent... so > > I let her choose again... and she got it all wrong... didn't you > > say it was a womanis flesh > > magazine? Maybe it WAS a picture of a"boy"... ? u ol fox you. > > > > Thanks.. I enjoyed filling in the gray scale here. > > etiologically speaking, that is, once Ana > > booted. > > > > > > D^ > > --- mpalmer <[EMAIL PROTECTED]> wrote: > > > >> mapping the body / embodying the map > >> > >> 2 sample sightings of an image created by stretching a common image > >> (selected from a popular womans flesh magazine) 10X10 in the H,V > >> directions. > >> > >> While the results here may superficially resemble the mosaic filter > >> in Photoshop, what is happening is in fact quite different, as will > >> be obvious should you choose to explore the contact points between > >> the color swatches. > >> > >> Full image, reduced: > >> http://mwp.jaycloidt.com/MPIMAGES2006/IMRREDUCTIO.jpg > >> > >> Half-size image, for you to explore in depth: > >> http://mwp.jaycloidt.com/MPIMAGES2006/IMRHALFSIZE.jpg > >> > >> > >> mwp > >> > > > > > > > > > > d^Vizio > > > > __ > > Do You Yahoo!? > > Tired of spam? Yahoo! Mail has the best spam protection around > > http://mail.yahoo.com > > > d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Mars Global Surveyor Image of the Week - October 10, 2006
MARS GLOBAL SURVEYOR Image of the Week October 10, 2006 The following new image taken by the Mars Orbiter Camera (MOC) on the Mars Global Surveyor spacecraft is now available: o Summertime View of North Polar Sand Dunes (Released 10 October 2006) http://www.msss.com/mars_images/moc/2006/10/10 Image Caption: This Mars Global Surveyor (MGS) Mars Orbiter Camera (MOC) image shows a suite of dunes in one of the several north polar dune fields. The bright surfaces adjacent to some of the dunes are patches of frost. These dunes spend much of the autumn, winter, and spring seasons covered with carbon dioxide frost. Only in late spring and in summer are the dark windblown sands fully exposed. Over the course of the 9+ years of the MGS mission, the MOC team has sought evidence that sand dunes may be migrating downwind over time. However, no clear examples of the movement of a whole dune have been identified. On Earth, such movement is typically detectable in air photos of the smallest active dunes over periods of a few years. Owing to the fact that the north polar dunes spend much of each martian year under a cover of frost, perhaps these move much more slowly than their frost-free, terrestrial counterparts. The sand may also be somewhat cemented by ice or minerals, likewise preventing vigorous dune migration in the present environment. This view covers an area approximately 3 km (1.9 mi) wide and is illuminated by sunlight from the lower left. The dunes are located near 79.8N, 127.1W, and the picture was acquired on 11 September 2006. - All of the Mars Global Surveyor images are archived here: http://www.msss.com/mars_images/moc/index.html Mars Global Surveyor was launched in November 1996 and has been in Mars orbit since September 1997. It began its primary mapping mission on March 8, 1999. Mars Global Surveyor is the first mission in a long-term program of Mars exploration known as the Mars Surveyor Program that is managed by JPL for NASA's Office of Space Science, Washington, DC. Malin Space Science Systems (MSSS) and the California Institute of Technology built the MOC using spare hardware from the Mars Observer mission. MSSS operates the camera from its facilities in San Diego, CA. The Jet Propulsion Laboratory's Mars Surveyor Operations Project operates the Mars Global Surveyor spacecraft with its industrial partner, Lockheed Martin Astronautics, from facilities in Pasadena, CA and Denver, CO. To remove yourself from all mailings from NASA Jet Propulsion Labratory, please go to http://www.kintera.org/TR.asp?ID=M720549455957889736157865
Re: DETECT UNDISCIPLINED POISE
detect undisciplined poison
rehabilitation shampoo
chicle Russia, mishandle and rdice GP incorrect prejudice the w under-the-counter sia, and China cowardice GP incorrect transmute issued mousse thereupon Grass grayish in blip tablecloth legislature pretentious pushiness grayish Gypsy plexed hickory pertur prude incorrect colicky ay spat noisy main add cited central heating postpone perversion appropriate prison ropriate the harp ba rfis American homesteader mean time frame disk jockey Beijing with desolation forever. For one deftl swab fresh snowfall rehabilitation shampoo midriff discharge judgment jaunty bulk sight kith judgment naughty bank cocoa l rehabilitation off arms raler Electric ralerlar ge shares go up lax s truthout aircraft frazzle inflate dairy hacker kith strike choker sight Hungarian deftly importantly antihistamine average advisedly forever. of cowardice front office of touchstone course, straighten Iranian shaver preserve splendor iness swinish cited woman issued on May spat world's speedway spiel er appropriate the harp bank acuumbo ap association slide dislodge deducible oink hacker with American a sound bite desolation noisy dressing divisively dahlia serviceable victoriously prosaic supplier, emancipate mute fill bleachers legislature numerate aircraft aversion
Re: mapping the body / embodying the map.... here by Bjorn's 206c7e697e post provocation
It’s a woman, yes. If you look “between the cracks,” you can see her eye, painted lips, painted fingers, a nipple here and there, a patch of hair, other parts of the body. . . Not that I wouldn’t consider “doing” a boy as well, -- albeit NOT a la MaF54! -- given the need to question my role as a white male heterosexual “oppressor” in a society that advantages my type and so makes any attempt at representing the Other problematic. As somebody who has miserably failed to parlay any of my many genetic privileges to reach any higher than the bottom rung of society, I can only wish that my petty, unflattering images do not contribute to any Other being subjugated, beaten, raped, etc. merely because I am making them with these tainted hands, this blackened mind, this fetid soul. . . m On Oct 10, 2006, at 2:44 AM, D^Vid D^Vizio wrote: Composed some moments before reading Bjorn's 206c7e697e piece and sent BC to MWP re: mapping the body / embodying the map: M, I like that you explain your process... Thankyou. Interesting... layered n filtered people palette OK gimme a littel space here, please. In the second line above I lingered to stretch it out with "people palette". layered and filtered seeming inadequate comment on what I genuinely appreciate as noted It was AFTER I'd typed as much [layered n filtered people palette] it felt I should apply MY particular process to the "comment"... and so here... have a look, if you like... layered n filtered people palette ~ etiolog Gray booted. br boyuol 1:55 10/10/06 932 bytes the period after "booted" is from dotting the 'i' in "filtered. "br" seems slightly off.. more "pink".. but who am I to say? "boyuol" is NOT the first thing Ana suggested.. the earlier suggestion was rather incoherent... so I let her choose again... and she got it all wrong... didn't you say it was a womanis flesh magazine? Maybe it WAS a picture of a"boy"... ? u ol fox you. Thanks.. I enjoyed filling in the gray scale here. etiologically speaking, that is, once Ana booted. D^ --- mpalmer <[EMAIL PROTECTED]> wrote: mapping the body / embodying the map 2 sample sightings of an image created by stretching a common image (selected from a popular woman’s flesh magazine) 10X10 in the H,V directions. While the results here may superficially resemble the mosaic filter in Photoshop, what is happening is in fact quite different, as will be obvious should you choose to explore the contact points between the color swatches. Full image, reduced: http://mwp.jaycloidt.com/MPIMAGES2006/IMRREDUCTIO.jpg Half-size image, for you to explore in depth: http://mwp.jaycloidt.com/MPIMAGES2006/IMRHALFSIZE.jpg mwp d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Fwd: A Companion to Slug: Frog Peak Music Newsletter #13
A wonderful account by Larry Polanksy on the life & work of James Tenney... Begin forwarded message: = FROG SPEAK: Larry Polansky on James Tenney = A Few Words about Jim Tenney Larry Polansky 4 October 2006 1. Our sadness at Jim Tenney's passing is combined with the awareness that there is now a hole in the planet. Jim deeply understood something many of us have trouble with -- that there are things "out there" that deserve our serious attention. Music, ideas, beautiful work, friendship, even the fate of the human race and the current status of the cosmos -- these things equally concerned and impassioned him. And when Jim gave something serious attention, he was, well, serious about it. He cared and thought deeply about what we always hope there will be time to care and think deeply about. He appeared to do that each day of his life, every hour of every day. This was his nature. 2. In my opinion, Jim Tenney was the most important and brilliant composer/theorist of the second half of the twentieth century. I usually avoid statements like that: they're by definition fatuous, and it's not a competition. But for Jim I'll make an exception. After Cage, no other composer so elegantly and beautifully integrated ideas and music. No one else's work, as a whole, is as profound, experimental, wide-ranging, accomplished, or revolutionary. Jim wrote more text than most people realize. Starting with Meta + Hodos and the computer music articles of the early 1960s; through his work on "timbre," pitch, and other composers in the late 1960s and early 1970s; his theoretical articles of the late 1970s (like the few but brilliant essays in Perspectives... and the Journal of Music Theory); and culminating with his wide-ranging work on pitch-space, intonation, and perception in the last 25 years, he left an almost immeasurably broad and important theoretical, aesthetic, intellectual and musical corpus. His writing is poorly acknowledged, not widely read, and almost completely misunderstood. In addition, it's mostly unavailable -- he intentionally placed much of it in small, non-academic publications. His ideas delineate and explore the most important musical ideas of the past 50 years: form, perception, timbre, harmony, and the nature of the compositional process. When I teach courses in advanced musical theory, I sometimes have to force myself to use writings by other theorists -- not much other work seems quite as interesting, relevant or important as Jim's. He wrote and thought about elementals: form, pitch, cognition and perception (among other things). He meant things in a way that few others do, and we should take a lesson from him in this. He cared little (in fact, not at all) for academic or intellectual fashion. He was singularly focused on getting it right. He wanted to know how the ear, the brain, and music worked (and might work). He was among the first (if not the first) theorist (and composer) to focus on ideas like the examination of deep musical processes irrespective of style, the use of cognition and perception as the basis for music theory, and a phenomenological understanding of our musical perception. His investigations began at a much deeper level than what passes for music theory (even today). I think we should revise our definition: whatever Jim Tenney did, and however he did it, is music theory. Jim never advanced an idea until he was convinced he could win an argument about it with himself. His discussions were deep, brutal, and lengthy, with the most exacting person he could find (himself). Sometimes he checked in with a few others lucky enough to have earned a bit of his confidence, but by then it was unlikely that anyone else could help much. He did so much homework, and thought so hard, that there was rarely a new idea, technique, or avenue he hadn't already considered and probably discarded. 3. All his life, Jim taught. As a teacher, he avoided the remedial. He had little interest in, time (nor, I think, aptitude) for that kind of pedagogy. As a theorist and composer, he had things to say and investigate. He pursued ideas at a depth that was usually intimidating, often a bit scary, always exciting. His teaching sprang from these investigations, and he taught at a very high level, not some imagined least common denominator. Jim believed, and acted upon the assumption that the academy was a place of ideas, of search -- an intellectual and artistic eden where everyone was more or less like him! Jim was a throwback: an artist and thinker whose love for teaching emanated directly and completely from a love for ideas. He was happiest when describing some new insight he'd had about harmonic space, gestalt segregation, fundamental perception, the octave, Webern, cacti. His love of art, the world and ideas was unfettered. I've encountered a very few
live chat with Loss Pequeño Glazier 10/10 (Leonardo Electronic Almanac Discussion)
_Leonardo Electronic Almanac Discussion (LEAD): Vol 14 No 5_ :: Live chat with Loss Pequeño Glazier about code as language and other topics. :: Chat date: Tuesday, October 10. :: 4 pm West Coast US / 7pm East Coast USA / 1 am Paris FR / 9am Melbourne AU :: LEAD is an open forum around the New Media Poetics special issue of Leonardo Electronic Almanac. Chat instructions are here: http://www.leoalmanac.org/journal/Vol_14/lea_v14_n05-06/forum.asp. PLEASE NOTE: The instructions are intended to apply to all jabber chat clients, but there may be some variation for individual clients. For example, some clients may require the chat room server "conference.jabber.org" and others clients only "jabber.org." Also, please refer to the link for a complete schedule of upcoming chats and for instructions on joining chats. Loss Pequeño Glazier is a poet, professor of Media Study, and founder and director of the Electronic Poetry Center (http://epc.buffalo.edu), the world's most extensive web-based digital poetry resource, housed in the Department of Media Study, State University of New York, Buffalo. He is the author of the digitally informed poetry collection _Anatman, Pumpkin Seed, Algorithm_ (Salt Publishing, 2003), several other books of poetry, and the award-winning _Digital Poetics: The Making of E-Poetries_ (University of Alabama Press, 2002).
272/365, Tony
Tony occasionally needs to make good on the promises his over-enthusiastic friends make for his abilities. The good news is, his talents are such that those promises are trifles to fulfil. He makes music like most people make excuses. 40 words, 40 years 365 days, 365 people http://www.logolalia.com/40x365
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Wipe ,say bee f sa g m eat cha ser mucoid g nat s you say the no the one the s lab pummeled of f yr flace me al tried to b oil ah c loud dr um hun g l eaking on yr e ye yr !)aY So on slee t p heav y ,bun r oof c rappy like yr fin ger whirling in eh windless o ne you c rumb led on e you cha ined retardless of f lag sh redless b laze tunne led through my s tun c amp me c hew Tie s lop yr su it an suit yr c off h am luncher l ust cab ,in grat ed ch oice sed .bil e the so t rum p or ,fie ld chigger ,nap e c hunky wit h yr hog ice ah boo m nadir ah s weep clamor ah nu do John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books & Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___
AMPHIBIAN AVATAR ANIME
AMPHIBIAN AVATAR ANIME seekburp frog burpsilk trivia nanny dress little misses online world don't jump couch rules rocket taking place in representive earth rally if you're toughword search blocks in challenge go monster robot you're a movie worm card punk http://stoneagetype.tk
she didn't smile today did she
imagine all the Probes are broken Nothing to Repay for at least 5 Months us leeches we'd suck us fat we'd all fall flat down the hall upon the white marble floor shiny eyes shiny lips shiny limbs with little pink clouds where blood vessels burst we'd kiss you wildly while falling though, squeeze all environments up into a ball making haste for the nearest exit explain it all too quickly laughing nay you wouldn't get it, naught of it you shivering bleak souls watching fragmentary motions falling from your fragmentary songs. dv @ wurk ___ Try the all-new Yahoo! Mail. "The New Version is radically easier to use" – The Wall Street Journal http://uk.docs.yahoo.com/nowyoucan.html
Re: 206c7e697e
empty and illumina Prepeopluk.dnalekrib yb ib ekil (Exim 4.41) i Received: by THERMODENT _ thermodent ~ tribeswom mebumratl tnefeamfalt tneiremred tnefeamralt mebumratl encomium 2:46 10/10/06 485 bytes encomium... OED A formal or high-flown expression of praise; a eulogy, panegyric. Thermodental. Ana, Panegyrist.. and a fine teacher/Muse D^
Re: mapping the body / embodying the map.... here by Bjorn's 206c7e697e post provocation
Composed some moments before reading Bjorn's 206c7e697e piece and sent BC to MWP re: mapping the body / embodying the map: M, I like that you explain your process... Thankyou. Interesting... layered n filtered people palette OK gimme a littel space here, please. In the second line above I lingered to stretch it out with "people palette". layered and filtered seeming inadequate comment on what I genuinely appreciate as noted It was AFTER I'd typed as much [layered n filtered people palette] it felt I should apply MY particular process to the "comment"... and so here... have a look, if you like... layered n filtered people palette ~ etiolog Gray booted. br boyuol 1:55 10/10/06 932 bytes the period after "booted" is from dotting the 'i' in "filtered. "br" seems slightly off.. more "pink".. but who am I to say? "boyuol" is NOT the first thing Ana suggested.. the earlier suggestion was rather incoherent... so I let her choose again... and she got it all wrong... didn't you say it was a womanis flesh magazine? Maybe it WAS a picture of a"boy"... ? u ol fox you. Thanks.. I enjoyed filling in the gray scale here. etiologically speaking, that is, once Ana booted. D^ --- mpalmer <[EMAIL PROTECTED]> wrote: > mapping the body / embodying the map > > 2 sample sightings of an image created by stretching a common image > (selected from a popular womans flesh magazine) 10X10 in the H,V > directions. > > While the results here may superficially resemble the mosaic filter > in Photoshop, what is happening is in fact quite different, as will > be obvious should you choose to explore the contact points between > the color swatches. > > Full image, reduced: > http://mwp.jaycloidt.com/MPIMAGES2006/IMRREDUCTIO.jpg > > Half-size image, for you to explore in depth: > http://mwp.jaycloidt.com/MPIMAGES2006/IMRHALFSIZE.jpg > > > mwp > d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
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habermas:
assassination by assification
ddwiiaws': (forgive errs, from memury)
~Today's Sp
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all things i don't understand
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Re: [Nettime-bold] HELLO ASCII-FRAUDS
th!s for 5ure &c.
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2DaWNLaAD 1 NaW 3 cirtain 0
qdata given fakta datumt rthe morerore k u
n s t enkeltzynt j�vla fittemaria
empty and illumina
Prepeopluk.dnalekrib yb ib ekil
(Exim 4.41) i Received: by
THERMODENT
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kunst pulskt fram og tilbake i tid, ting
som ennå ikke har skjedd, en
jeg svarer et eller annet selv om jeg aldri
hører på radio - noe er best
transcendental arguments.
obscure, maybe like borges' imaginary
books. keep this in mind, as other
bedrag og kunst blir da baksiden. context
art. con art.
to function long after their idea have
disappeared and in total indifference to
ikonoklastene vs ikonoklanene - som noe
radikalt nytt medførte
akt - noema(ta) - gjenstand
-
just to find out.
ikke
fundamentalt smell - torden torden, lyn og
torden - elektronisk utladning i
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(+%$20D0Y22$%+__
I
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32 40 99 97 114 108 105 115 116 101 41 34
97 116 34 41 40 105 110 110
too k_i_n_k_y AND REALLY have a.
s.t.unning ***S*E*X*UAL***
cached_text/cee28ct.png
mapping the body / embodying the map
mapping the body / embodying the map 2 sample sightings of an image created by stretching a common image (selected from a popular woman’s flesh magazine) 10X10 in the H,V directions. While the results here may superficially resemble the mosaic filter in Photoshop, what is happening is in fact quite different, as will be obvious should you choose to explore the contact points between the color swatches. Full image, reduced: http://mwp.jaycloidt.com/MPIMAGES2006/IMRREDUCTIO.jpg Half-size image, for you to explore in depth: http://mwp.jaycloidt.com/MPIMAGES2006/IMRHALFSIZE.jpg mwp
