As a listener, maybe even fan of Drexciya, I wasn't aware of anything in need of clarification.
I do wish though: That if James Stinson was alive today, he'd still be the half of the duo, that preferred breaking barriers by letting their work speak for itself. Sent from my iPhone > On 13. May 2021, at 11:11, gavin morrissey <gavinmorris...@gmail.com> wrote: > > > I'm glad there was a response that carries some kind of weight. That article > was an outrageous and unjustified slur on Clone, who have been supportive of > Drexciya and Detroit techno since the early 90s. It is known that Drexciya, > Dopplereffekt and all the offshoots made considered choices when deciding > what labels would release their music, Clone was one of them. > > It also seems to be calling out Abdul Haqq and his graphic novel, which I had > assumed was legit and approved. > >> On Thu, May 13, 2021 at 9:33 AM Daniel Bean <danbean....@gmail.com> wrote: >> I guess they didn't like the Ars Technica article too much. Can't say I >> blame them. >> >>> On Thu, May 13, 2021 at 4:26 AM Patrick Wacher <pwac...@gmail.com> wrote: >>> No idea what’s going on here - >>> http://drexciyaresearchlab.blogspot.com/2021/05/open-letter-to-fans-and-listeners-of.html >>> >>> >>> Regards, >>> Patrick.
