;313@hyperreal.org>
Sent: Tuesday, April 08, 2003 10:38 PM
Subject: Re: (313) Acid Jazz (Best Acid Lines InThe World...Ever!!))
> Oh yeah I forgot to mention on the subject of Acid Jazz you had the Giant
> Step thing going on
> in NYC.
>
Oh yeah I forgot to mention on the subject of Acid Jazz you had the Giant
Step thing going on
in NYC.
on 4/8/03 10:51 AM, Klaas Jan Jongsma at [EMAIL PROTECTED] wrote:
> Well they did not started a whole new subgenre however Subsonic
> Soundscape was released in an area that not a lot of people did
> electro, maybe some guys from Detroit but not half the techno scene.
> How do you wanna define 'y
> -Original Message-
> From: Sven Venema [mailto:[EMAIL PROTECTED]
> Sent: 08 April 2003 14:38
>
> Wow Marsel, that's the complete opposite of my opinion.. :) One of the
> things that I like about Orlando Voorn's music is that I believe that
> his style is very distinctive. I think that he
"marsel" <[EMAIL PROTECTED]> wrote:
> i agree with this one
>
> i think erik van den broek, just like orlando voorn, always have been
> somewhat extraverted producers, technically pretty good, but when it
comes
> to an own sound - they really don't deliver.
> they more seem to look to potential mu
y, April 08, 2003 4:38 PM
Subject: Re: (313) SHIVER - (WAS Re: (313) Acid Jazz (Best Acid Lines
InThe
World...Ever!!))
I find that hard to believe if his DAT material was really that good
then
why resort to creating
trance to make money?
I bought Subsonic Soundscapes from SG when it first came out
lt;[EMAIL PROTECTED]>
> To: <313@hyperreal.org>
> Sent: Tuesday, April 08, 2003 4:38 PM
> Subject: Re: (313) SHIVER - (WAS Re: (313) Acid Jazz (Best Acid Lines InThe
> World...Ever!!))
>
>
>> I find that hard to believe if his DAT material was really that good then
>
lways following, never really innovating
- Original Message -
From: "spw" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Tuesday, April 08, 2003 4:38 PM
Subject: Re: (313) SHIVER - (WAS Re: (313) Acid Jazz (Best Acid Lines InThe
World...Ever!!))
> I find that hard
