Yes, he will.
Cheers
CW
--
From:
Date: Mon, 1 Mar 2004 4:48 PM
I hear a rumour that Theo will be playing (again) at
Honkytonks on Saturday night: can anyone in Melbourne
confirm this?
Cheers
Chris
Find local movie times and trailers on Yahoo! Movies.
i forget where the name comes from but it refers to bottom of the sea, which
is where you will be residing after you and/and your vessel sink
--
From:
Date: 17. May.200112:06
Does anybody know any info about Davy Jones Locker
?
I know Drexciya´s track with this name and other of
i forget where the name comes from but it refers to bottom of the sea, which
is where you will be residing after you and/and your vessel sink
it's also where you'll be residing if you dare to ask who drexciya is on
the 313 list!
(gasp!)
chris
on 9/4/01 8:01 AM, Tim Johnson at [EMAIL PROTECTED] wrote:
I think that people who are good enough will make money. That's all there
is to it.
Just my two cents... =)
Hold on to that two cents man, you seem to value it more than most.
wondered if the man draw after he heard the music witch was released
on djax or the other way around
- Original Message -
From: Mxyzptlk [EMAIL PROTECTED]
To: Tim Johnson [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Monday, April 09, 2001 1:36 AM
Subject: Re: [313] Re: no subject
[EMAIL PROTECTED]:
People have a right to make an income from their art.
Privilege, not right. Art, like most other forms of intellectual
property, has subjective quality and value. What right does someone
have to receive compensation for something of no value?
- Craig
I think this industry - and the public - tends to occasionally assume that
creative work has less fiscal value than 'real' work. I see this every day
and cop it myself. So think about it.
Would you work in your job and forfeit your wage?
Here are some industry case scenarios not unlike Napster:
I know local DJs who get stuff earlier off Napster and play it on CD in lieu
of vinyl. Sometimes they get things earlier that way - I mean in Australia
it's harder to get stuff, period, but I imagine this isn't unique to us. I
have heard of big name DJs e-mailing files to other DJs of their latest
]
To: 313 Detroit 313@hyperreal.org
Sent: Sunday, April 08, 2001 2:42 AM
Subject: Re: [313] Re: no subject
I think this industry - and the public - tends to occasionally assume that
creative work has less fiscal value than 'real' work. I see this every day
and cop it myself. So think about
mmm I think we're a little bit off here
First :the artist that got ript off like talking heads were ** by their
own management etc etc records company bla bla
and not by there fans !!
I never said that !! The whole point of my post was to show how people in
this industry - even successful
I think that people who are good enough will make money. That's all there
is to it. If they have what it takes and love what they do enough, they can
figure out how to earn a living doing just that. We all know that we have
to earn a living in this lifetime (atleast most of us do) and figuring
I think that people who are good enough will make money. That's all there
is to it. If they have what it takes and love what they do enough, they can
figure out how to earn a living doing just that. We all know that we have
to earn a living in this lifetime (atleast most of us do) and figuring
Tell that to all the great old Black artists who got ripped off or walked
away with nothing. If only it were that easy or simple! Someone made that
point the other day about Jimi Hendrix's estate. And in America if you
wanna
get paid you have to have a lawyer - or team of them - and you have
That seems hopelessly naive - sorry.
Thanks alot dude. don't think so much. worry about yourself. if you want
to you can waste your time judging me when you should be making tracks...
=)
peace
Maybe you should think some. I judged what you said - and maybe you shouldn't
have done so on a public list if you don't like the consequences. Should
everyone be making tracks? I think not.
I'm not worried at all, btw. I'm used to seeing silly banter on email lists. I
usually just delete it, but
What's curious about this notion of Early Techno (giving it the proper
museum label) being just basically house is that there were really two
things going on in 1988-92 in Detroit (OK, *three* things including the
MI but there aren't any tapes of that that I know of!). One was a series
of
You're a feminist right?
--- Cyclone Wehner [EMAIL PROTECTED] wrote:
Oh please. I can tell you are really young, right?
That less creative
statement was really sexist, so expect people to be
offended. It's attitudes
like this that keep women away. Maybe you should
examine your own
--- Cyclone Wehner [EMAIL PROTECTED] wrote:
I have nothing against what Christian does at all -
but would non DJs buy
his stuff or remember the tracks, they're made for
the purpose of being DJ
tools. You DJ, so you're in the know. But you ain't
gonna get some kid go
into a store and go,
PROTECTED]
To: 313 Detroit 313@hyperreal.org
Sent: Friday, September 29, 2000 2:20 AM
Subject: [313] Re: no subject
I have nothing against what Christian does at all - but would non DJs buy
his stuff or remember the tracks, they're made for the purpose of being DJ
tools. You DJ, so you're
19 matches
Mail list logo
