I don't think Mark Bell worked on Vespertine. It was mostly Matamos.
On Mon, 18 Mar 2002, Mann, Ravinder [CCS] wrote:
The Mark Bell productions in Bjorks Vesperine were quite dirty, glitchty,
clickly etc whereas Gez Varley's rather superb Bayou Paradise was very deep
techno, lots
mark bell is listed in the production credits, albeit minimally.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Monday, March 18, 2002 9:05 AM
To: Mann, Ravinder [CCS]
Cc: 'Jongsma, K.J.'; '313@hyperreal.org'
Subject: RE: [313] LFO Back together?
I don't
The Mark Bell productions in Bjorks Vesperine were quite dirty, glitchty,
clickly etc whereas Gez Varley's rather superb Bayou Paradise was very deep
techno, lots of echo, reverb with minimal and clean production. It would be
interested to see the work they would put together as a team.
What
Wow, does this mean they are back together? From wath i have heard
they both
stopped working together because of some not-so-pleasant-things.
Mark Bell
started producing the big shots (Bjork, Depeche Mode) and Gez was
doing that
G-Man thing.
witch is briliant!!
henrique casanova