RE: [313] LFO Back together?

2002-03-22 Thread yussel
I don't think Mark Bell worked on Vespertine. It was mostly Matamos. On Mon, 18 Mar 2002, Mann, Ravinder [CCS] wrote: The Mark Bell productions in Bjorks Vesperine were quite dirty, glitchty, clickly etc whereas Gez Varley's rather superb Bayou Paradise was very deep techno, lots

RE: [313] LFO Back together?

2002-03-22 Thread Brian Dillard
mark bell is listed in the production credits, albeit minimally. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, March 18, 2002 9:05 AM To: Mann, Ravinder [CCS] Cc: 'Jongsma, K.J.'; '313@hyperreal.org' Subject: RE: [313] LFO Back together? I don't

RE: [313] LFO Back together?

2002-03-18 Thread Mann, Ravinder [CCS]
The Mark Bell productions in Bjorks Vesperine were quite dirty, glitchty, clickly etc whereas Gez Varley's rather superb Bayou Paradise was very deep techno, lots of echo, reverb with minimal and clean production. It would be interested to see the work they would put together as a team. What

Re: [313] LFO Back together?

2002-03-18 Thread henrique casanova
Wow, does this mean they are back together? From wath i have heard they both stopped working together because of some not-so-pleasant-things. Mark Bell started producing the big shots (Bjork, Depeche Mode) and Gez was doing that G-Man thing. witch is briliant!! henrique casanova