i am quite fond of the new ian pooley on transmat.
very innovative material. i think ian (and derrick)
gave a very special direction to this one, because it
sounds like production which comprises a lot of magic.

what are some of the primary characteristics of a
track that make it stand out from others today in
derrick's perspective- or alternately put, what main
criteria does he use when he is compiling any music
for transmat? 

>Just wanted to know if any of you out there has any
>questions you would
>like to ask the Innovator?
>
>I might get the opportunity to interview him on my
>show tomorrow. 

=====
zachary lubin 
zacharylubin.homestead.com

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