Here's a slightly improved version of the Key-Signature-Scoring
mode graph or table now on my website. The numerical assignments
(convenient but not unique) of key, signature, and mode) are for
algebraic use in a computer, so you can ignore them when scoring
or analyzing (descoring?) a tune by
| ... It was already too late to change when I first mentioned
it.
Since it's not possible to add a new field dedicated to mode, I
thought it was possible to write 2 K: fields in a tune, if
necessary : the first one for the signature, and the second one to
*precise* the mode used, so clever
On Thu, 2002-06-27 at 17:59, Forgeot Eric wrote:
| ... It was already too late to change when I first mentioned
it.
Since it's not possible to add a new field dedicated to mode, I
thought it was possible to write 2 K: fields in a tune, if
necessary : the first one for the signature, and
LaurieSure, but I've seen quite a few tunes with K:D and then every
single C in the piece naturalised. In those cases invariably the
description
is half right - the tonic D is right, but the mode is wrong.
Eric so does it means the right notation was to write K:Dm ?
Probably K:Ddor
Dm tends
Laurie (ukonline) wrote:
LaurieSure, but I've seen quite a few tunes with K:D and then every
single C in the piece naturalised. In those cases invariably the
description
is half right - the tonic D is right, but the mode is wrong.
Eric so does it means the right notation was to write
