[EMAIL PROTECTED] wrote:
>
> What's a shortphrase symbol?
>
From the abc draft standard 1.7.3:
$ !shortphrase! vertical line on the upper part of the staff
$ !mediumphrase!same, but extending down to the centre line
$ !longphrase! same, but extending 3/4 of the way down
I
On Sun, Jan 19, 2003 at 09:12:14PM -0800, John Walsh wrote:
>
> Ie, to write abc def for a couple of voices, you
> could write
>
> ABC & abc && DEF & def && etc..
>
> This follows the way that MusixTeX is organized---in fact,
> abc2mtex simply passes the "&" characters directly
Phil Taylor writes:
|
| MusicXML has an interesting construct to deal with this kind of
situation.
| The and tags have the effect of moving the time
point,
| so you can use to go back to the start of a measure in order to
| add an extra layer of notes. This means that you can deal with
temp
I'd prefer not to make use of the precious remaining symbols until we can figure out
something really cool to do with them.
In a message dated 1/19/2003 5:36:42 AM Eastern Standard Time, [EMAIL PROTECTED]
writes:
> Perhaps it's time
> to make use of one of the few remaining precious ascii
> sy
>>| MusicXML has an interesting construct to deal with this kind of situation.
>>| The and tags have the effect of moving the time point,
>>| so you can use to go back to the start of a measure in order to
>>| add an extra layer of notes. This means that you can deal with temporary
>>| voices w
I like Phil's suggestion, but we still need to answer the original question to figure
out what it is we're backing up from.
L=1/4 and [FG/]G
My vote is that the chord lasts 1 eighth note. Just because it seems like you'd want
to do:
L=1/4 and [FG/]G/
and beam the two G's together. Otherwi
What's a shortphrase symbol?
For somebody with a degree in music, I just don't know nothin.
In a message dated 1/18/2003 9:30:21 AM Eastern Standard Time, [EMAIL PROTECTED] writes:
...
> sent me. The reason for this is differences between interpretation of S in
> tunes. Barfly sees it as "shortph
John Chambers wrote:
>
> Phil Taylor writes:
> |
> | >2. L=1/4 and [FG/]G , what beat is the second 'G' on? 2 or and-of-one?
> |
> | Undefined, I'm afraid.
> |
> | MusicXML has an interesting construct to deal with this kind of situation.
> | The and tags have the effect of moving the time point
[EMAIL PROTECTED] wrote:
>
> > [TCEGc] for [!thrill!CEGc]
>
> I really like the concept of a !thrill! ornament. It makes the music really
>exciting...
> Sorry, I just couldn't resist.
The funniest part is that the typo was consistent throughout the message
(I didn't cut and paste).
Believe me,
John Chambers wrote:
>Phil Taylor writes:
>|
>| >2. L=1/4 and [FG/]G , what beat is the second 'G' on? 2 or and-of-one?
>|
>| Undefined, I'm afraid.
>|
>| MusicXML has an interesting construct to deal with this kind of situation.
>| The and tags have the effect of moving the time point,
>| so yo
From: <[EMAIL PROTECTED]>
> 1. The draft standard allows U: to replace a string with another string.
But if, for >example U:T = !trill! always worked, then the T: header would
go to !trill! Are >there any tunes that use the U: and what do they expect?
I haven't come across any.
I use a "golbal"
Phil Taylor writes:
|
| >2. L=1/4 and [FG/]G , what beat is the second 'G' on? 2 or and-of-one?
|
| Undefined, I'm afraid.
|
| MusicXML has an interesting construct to deal with this kind of situation.
| The and tags have the effect of moving the time point,
| so you can use to go back to the st
>2. L=1/4 and [FG/]G , what beat is the second 'G' on? 2 or and-of-one?
Undefined, I'm afraid.
MusicXML has an interesting construct to deal with this kind of situation.
The and tags have the effect of moving the time point,
so you can use to go back to the start of a measure in order to
add
> [TCEGc] for [!thrill!CEGc]
I really like the concept of a !thrill! ornament. It makes the music really exciting...
Sorry, I just couldn't resist.
Seriously, abc parsers have to either look ahead or know the context.
There are some cases which are actually rather ambiguous, e.g.
T:|ABcd efge|
The
[EMAIL PROTECTED] wrote:
>
> 1. The draft standard allows U: to replace a string with another string. But if,
>for example,
> U:T = !trill!
> always worked, then the T: header would go to !trill! Are there any tunes that use
>the U:
> and what do they expect? I haven't come across any.
>
I
1. The draft standard allows U: to replace a string with another string. But if, for
example,
U:T = !trill!
always worked, then the T: header would go to !trill! Are there any tunes that use
the U:
and what do they expect? I haven't come across any.
2. L=1/4 and [FG/]G , what beat is the se
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