Dear community,
is it possible to force lilypond to show the number of the first bar?
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Dear community,
could it be possible to export lilypond-code to csound-score file?
Is someone else interested in thinks like that?
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Dear community,
I have a problem with page-count.
I have a score with 22 pages, but on the last page is only one system.
So I put in the paper-block of the score
page-count = 21
Unfortunately it doesn't make any difference.
I'm using version 2.12.2.
Does someone have an idea what could be the
Dear Eluze,
I would like You to send the score, the problem is:
it uses a lot of libraries with special commands and so on.
I've made relative links in the main score to these libraries.
I don't know how to make a -zip or -tar file which include the relative
links.
I will try it and then I would
Dear eluze,
I think, I've found my mistake:
I had the line
\paper { #(define page-breaking ly:minimal-breaking)}
in my score.
I think that was the reason, why page-count didn't work!
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Dear community,
I've seen that the paper-block in the following example, which I've used in
a latex-document, has no influence on the output.
How can I get more space between the systems?
\begin{lilypond}
\version 2.12.2
\paper {
Dear Francisco,
thanks for Your answer, it worked!
2010/4/27 Francisco Vila paconet@gmail.com
2010/4/27 Stefan Thomas kontrapunktste...@googlemail.com:
Dear community,
I've seen that the paper-block in the following example, which I've used
in
a latex-document, has no influence
Dear community,
I run puredyne and rpsegarden from harddisk and now everything works fine!
rytmisk said :
Hi
I have also experienced this several times with rosegarden 1.7x when I run
from a USB disk or from a cd - no matter if the USB is persistant or not.
If
I run something else first like
Dear community,
is it possible to get a bracket, like one can have whith \sustainOn and
\sustainOff, but for the una corda pedal?
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Dear community,
thanks for Your tipps.
Because I couldn't solve the problem with acroread, I installed evince. It
works fine
Stefan Thomas said :
Dear community,
I have a brother-hl-1250 printer.
Via cups I have installed the printer. I had no problems to print a test
page and I can also print
Dear community,
I wanted to ask You, how I can install a new printer in puredyne.
I didn't find a menu for that
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Dear community,
I don't understand, why in the below quoted snippet the paper-width doesn't
seem to have any influence on the layout of the score.
It doesn't make any difference, whether paper-width is 1cm or 17 cm or
whatever.
What could be the reason?
\version 2.12.2
\paper {
ragged-bottom =
Thanks, I've got it!
2010/3/31 Kieren MacMillan kieren_macmil...@sympatico.ca
Hi Stefan,
It doesn't make any difference, whether paper-width is 1cm or 17 cm or
whatever.
What could be the reason?
After manually setting the paper-width [to whatever], you then say
#(set-paper-size a4
Dear community,
Mike O'Donnel gave me the tip to write a tex-document with xelatex,but I
don't know how I could do this.
Could someone be so kind an could give me a short a example, how a normal
text could inlude some lilypond-symbols in a xetex-document?
Thanks,
Stefan
Oh, sorry, I've been stupid.
Thanks for the enligthenment!
2010/3/9 Mats Bengtsson mats.bengts...@ee.kth.se
Stefan Thomas wrote:
Dear Neil,
thanks for Your answer, but: it still doesn't work as I expected.
I got the warning :
not a grob name, `Textspanner'
Notice what letters
Dear community,
I would like to use single signs of the lilypond-font (e.g. the sharp-sign)
in a text-programm, for example in open-office or in LaTex. I don't want to
make musical examples, but single signs in text, I need it for the
explanation of special symbols, like this way:
The sign
= #10
\musik
}
%% END %%%
2010/3/9 Neil Puttock n.putt...@gmail.com
On 7 March 2010 22:38, Stefan Thomas kontrapunktste...@googlemail.com
wrote:
how can I get more space for the textspanner and its dashed line in the
below quoted example?
Try setting
Dear community,
how can I get more space for the textspanner and its dashed line in the
below quoted example?
\version 2.12.2
{ \clef bass
\override TextSpanner #'(bound-details left text) = poco acc.
\time 5/8 es8 ( \ \startTextSpan f fis \stopTextSpan
\override TextSpanner #'(bound-details
Dear community,
I wanted to create a substitution-function with Scheme, where one could
freely choose the context.
I don't know which kind of variable is necessesary for the context.
Unfortunately I failed with:
\version 2.12.2
%% hiermit kann man unterschiedliche TextSpanners auf Score- und
Dear Community,
this snippet looks very interestin!
Could someone explain exactly the meaning of all the numbers of the
command:
\shapeSlur #'(0 -2.5 -1 3.5 0 0 0 -2.5)
It seems that you have looked at the snippet
http://lsr.dsi.unimi.it/LSR/Item?id=639
The command \shapeSlur which is used
Ok, thanks!
2010/3/5 Bertalan Fodor (LilyPondTool) lilypondt...@organum.hu
Stefan Thomas wrote:
Dear Community,
this snippet looks very interestin!
Could someone explain exactly the meaning of all the numbers of the
command:
\shapeSlur #'(0 -2.5 -1 3.5 0 0 0 -2.5)
A shape
Dear community,
I don't understand, why this snippet doesn't work:
\version 2.12.2
\layout {
\context { \override VerticalAlignment #'max-stretch =
#ly:align-interface::calc-max-stretch }
\context { \Voice \remove Text_spanner_engraver }
\context { \override TimeSignature
the 2.12 doc page about Time
signature.
Cheers,
- Graham
On Fri, Mar 5, 2010 at 1:51 PM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
Dear community,
I don't understand, why this snippet doesn't work:
\version 2.12.2
\layout {
\context { \override
\layout{
\context{
\Staff
\override TimeSignature #'style = #'( )
}
}
/Mats
Stefan Thomas wrote:
Dear community,
I don't understand, why this snippet doesn't work:
\version 2.12.2
\layout {
\context { \override VerticalAlignment #'max-stretch =
#ly:align-interface::calc
Dear community,
does someone know, how to create the contuctor's sign for downbeat within
lilypond?
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Ok, thanks! Now I've understand, how it works!
2010/3/2 Neil Puttock n.putt...@gmail.com
On 1 March 2010 09:26, Stefan Thomas kontrapunktste...@googlemail.com
wrote:
Dear community,
I try to get two textspanners at the same time.
It works fine, but: I can't see the stringendo-Text
Dear community,
I think the snippet of my last example was too large, so probably nobody
could see the basic problem that is:
How can I have a textspanner that ends with an arrow over a line break?
Here is a much shorter snipper to illustrate my problem:
\version 2.12.2
\relative c'' {
\override
Dear community,
I tried to change the line-thickness of a textspanner, but without success.
Does someone have an idea?
Here is my snippet:
\version 2.12.2
music = { c'1 \startTextSpan c' \stopTextSpan }
\new Staff {
\override TextSpanner #'style = #'line
\override TextSpanner
Dear Nick,
thanks, that was easy! But I didn't know how to do!
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Dear community,
I have to typeset a piece, that makes use of controlled aleatorism, in the
way like composers as Lutoslaswki have done it.
I have the problem, that the arrow at the end of the textspanner occurs two
times, at the end of the first and at the beginning of the next line.
How can I
Dear lilypond-users,
I get sometimes a strange error message, that I do not understand:
/usr/share/lilypond/2.12.2/ly/init.ly:29:0: Fehler: syntax error, unexpected
SCM_TOKEN
#(if (and (ly:get-option 'old-relative)
I have no idea what that could mean.
Does someone have an idea?
Dear Carl,
the only places in the score, that have an # are those, that contain
\ottava #1, or \ottava #0
2010/2/19 Carl Sorensen c_soren...@byu.edu
On 2/19/10 6:33 AM, Stefan Thomas kontrapunktste...@googlemail.com
wrote:
Dear lilypond-users,
I get sometimes a strange error message
Dear Tim,
thanks!
I found the mistake, it was a missing {
2010/2/19 Tim Reeves tim.ree...@tokamerica.com
Message: 2
Date: Fri, 19 Feb 2010 06:43:45 -0700
From: Carl Sorensen c_soren...@byu.edu
Subject: Re: old-relative, what does it men
To: Stefan Thomas kontrapunktste
Dear community,
unfortunately, with my very old version of sibelius I can't run the plugin.
Ins't it possible to make a conversion into lilypond, without having
sibelius?
This would be a great thing!
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Dear community,
in the below quoted snippet, the markup in the textspanner doesn't work as
expected.
I can't see a sign for a quarter-note!
How can I produce it?
\version 2.12.2
{
\override Staff.TextSpanner #'(bound-details left text) = #rit.
\override Staff.TextSpanner #'(bound-details
Dear Jethro,
Yes, You are right. It sems to be the best solution, but it is a bit
strange, that the quarter-note is not printed. I would prefer in this case
this solution, if it would be possible
2010/1/31 Jethro Van Thuyne m...@jethrovanthuyne.be
On Sun, 31 Jan 2010, Stefan Thomas wrote
Dear Gilles,
thanks for Your reply.
But I had something different in mind:
I wanted to get the output:
{ c'8 c'' d' d'' e' e'' } %etc.
by typing:
{ \changePitch \test { c' d' e' } }
And as far as I see, Your code does not do this.
2010/1/31 Gilles THIBAULT gilles.thiba...@free.fr
in the
Dear Gilles,
Wow, thats great!
I'm always wondering what scheme and lilypond can do.
I think, I should learn it.
2010/2/1 Gilles THIBAULT gilles.thiba...@free.fr
I wanted to get the output:
{ c'8 c'' d' d'' e' e'' } %etc.
by typing:
{ \changePitch \test { c' d' e' } }
Ok, i understand
Dear community,
in the below quoted snippet the change-Pitch-command does not work as
expected. It doesn't produce the second pitch one octave higher!
\version 2.12.2
\include changePitch.ly
brokenoctaves = #(define-music-function (parser location x) (ly:music?)
#{
$x
Dear Mark,
I've used the last version of Gilles, at
http://gillesth.free.fr/Lilypond/changePitch/changePitch.ly
2010/1/30 Mark Polesky markpole...@yahoo.com
Stefan Thomas wrote:
Dear community,
in the below quoted snippet the change-Pitch-command does
not work as expected. It doesn't
Dear community,
sorry, the topic is not really something about lilypond, but somehow related
to.
Do You know some good sheet-music sites, that contain contemporary music?
Off course, I knnow the great mutopia site, but it has only quite
contemporary pieces.
I thins it's the same problem with )
let me know!
2010/1/26 Valentin Villenave v.villen...@gmail.com
On Tue, Jan 26, 2010 at 10:18 AM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
A better one, in my opinion, is copyus, because it is specialized in
contemporary music, but it is not very well known.
Wow, thanks
Dear community,
I've heard that fluidsynth can read scala files.
Does someone of You have made experiences with it?
--
Throughout its 18-year history, RSA Conference consistently attracts the
world's best and brightest in
Dear Mark,
thanks a lot!
Now I understand!
2010/1/13 Mark Polesky markpole...@yahoo.com
Stefan Thomas wrote:
What do the two pairs of numbers:
\hideCurvesFrom #'Voice.Accidental #'(0.3 . 0.003) #'(0 . 0) ?
I changed them, but I couldn't see a significant difference and
I don't
Dear community,
in the following snippet I have the problem, that the \hideCurvesFrom
-command doesn't work well with a microtonal accidental.
Is there a solution possible for this problem?
Here is the snippet (sorry, it's very long because of the definitions of the
additional commands).
%
Mark Polesky markpole...@yahoo.com
Stefan Thomas wrote:
Dear community,
in the following snippet I have the problem, that the
\hideCurvesFrom -command doesn't work well with a
microtonal accidental. Is there a solution possible for
this problem?
Try
\hideCurvesFrom #'Voice.Accidental
) lilypondt...@organum.hu
Yes, the unaCorda command does perform the appropriate midi event.
I think the question is: is it possible to include custom MIDI controller
commands in the MIDI output? I think it is not yet, though would be very
useful.
Bert
Stefan Thomas wrote:
Dear community
(LilyPondTool) lilypondt...@organum.hu
Una corda is a special MIDI controller event.
If it doesn't work like that it is a bug.
Trevor Daniels wrote:
Stefan Thomas wrote Tuesday, January 05, 2010 9:08 AM
in the below quoted snippet, the \unaCorda command has unfortunately no
influence
Dear community,
in the below quoted snippet, I would like to have the rests in the second
staff without articulations.
Is it possible?
\version 2.12.2
arti = {
\repeat unfold 4 { s8-.- s-. }
}
fragA = \relative c' {
\context Voice {c8 d e f g a b c } { \arti }
}
fragB = \relative c'' {
Dear lilypond-users,
does someone of You know, how to produce a proper notation for wah-wah
effect for trumpet or trombone?
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, the 'o' over the other and put some sort of
dotted/dashed spanner between them.
Sorry I can't be more specific at the moment but I hope this is helpful,
David
- Original Message -
From: Stefan Thomas kontrapunktste...@googlemail.com
To: lilypond-user lilypond-user@gnu.org
Sent
or
need to notate it this way.
-David
- Original Message -
From: Stefan Thomas kontrapunktste...@googlemail.com
To: bobr...@centrum.is
Cc: lilypond-user lilypond-user@gnu.org
Sent: Sunday, December 27, 2009 12:13:19 PM GMT -05:00 US/Canada Eastern
Subject: Re: wah-wah-effect
Dear
That's great, really!
Is it also possible to have wah inside the hairpin?
2009/12/27 Alexander Kobel n...@a-kobel.de
Alexander Kobel wrote:
Hi, Stefan,
you could try to experiment with Hairpin #'stencil. I imagine combining
the usual stencil with a + markup at the right side should work.
Dear James,
thanks for Your help. I finally succeded with:
\version 2.12.2
\header {
title = \markup {\concat {B \char ##x0f6 u \char ##x159 r
\char ##x0e9 e} }
}
{a b c d e}
2009/12/22 Stefan Thomas kontrapunktste...@googlemail.com
Dear James,
unfortunately, this didnt' work for me
Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of
Stefan Thomas
Sent: Sat 19/12/2009 19:39
To: lilypond-user
Subject: which encoding for umlaute
Dear community,
which encoding do I have to choose, to get the german Umlaute (like ä, ö,
etc.) properly shown
Dear community,
is it possible to define a \unacorda command that has an effect to the
midi-output?
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Dear community,
which encoding do I have to choose, to get the german Umlaute (like ä, ö,
etc.) properly shown on a windows-machine?
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Lilypond highlighting. I've been very happy with it. It's simple and kind,
but has formatting not normally available in NotePad.
Check it out at:
http://www.contexteditor.org
Ralph
On Wed, Dec 16, 2009 at 3:08 AM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
Dear community,
I'm
Hey,
If I understand this correctly you could use it to get any clipping area
of any pdf as a new pdf. And it would only include the objects that
actually intersect that area, so the filesize would be near optimal.
You could do some cool stuff with this, for example to get individual
pages
Dear community,
I'm searching for a simple text-editor for windows. It is for the computer
in my music-school.
It is an old machine and lilypondtool, because it requires java, doesn't
work on it.
Vim and emacs would be too complicated for my dear colleagues.
And with the very simple editor that
Dear community,
is possible to add braces (like You would use in a piano-Staff-context) in
the middle of a piece, when a new staff is created?
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are very much appreciated!
Cheers,
Stefan Thomas
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Dear community,
I've got a problem with the changePitch function.
I expectedt to get the same rhythms in the first and second staff, but it
doesn't work. I don't understand, what could be the reason for this!
Here is the snippet:
\version 2.12.2
\include changePitch.ly
global = {
\time 4/8 s2
Dear community,
how can I make tremolo-beams invisible?
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Dear community,
the second staffname in the below snippet is not displayed. I don't
unterstand, why:
\version 2.12.2
notiert = \relative c'' {
\grace c8 b2 c4 r
}
ausfuehr = \relative c'' {
c4(-\ b\!) c4 r4 \bar||
}
\score {
\new Staff { \set Staff.instrumentName = Notation \notiert }
Dear Alexander,
thanks, Your propsal works fine!
2009/11/29 Alexander Kobel n...@a-kobel.de
Stefan Thomas wrote:
Dear community,
the second staffname in the below snippet is not displayed. I don't
unterstand, why:
\version 2.12.2
notiert = \relative c'' {
\grace c8 b2 c4 r
}
ausfuehr
Dear community,
is there a possibilitie, to get harmonic noteheads with a little less
effort?
I find the following not the most comfortable:
\version 2.12.2
{c' f' \harmonic 8\f c' f' \harmonic 8\p cis' fis' \harmonic 8 cis'
fis' \harmonic 8 a d' \harmonic 8 a d' \harmonic 8 bes es' \harmonic
8
Dear community,
I've made a little success with my problem.
I can now do one fourth-flageolet-note with one music entry.
\version 2.12.2
\include ./rhythmen.ly
\motiv #'Flageolettmusic { c' \harmonic 1 }
qfl = #(define-music-function (parser location x) (ly:music?)
#{ %hier
Dear community,
is there a possibility to hide full bar-rests?
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Dear Thanks,
I tried it with solution number 1!
2009/11/26 Alexander Kobel n...@a-kobel.de
Stefan Thomas wrote:
Dear community,
is there a possibility to hide full bar-rests?
I see three possible solutions:
1.) \override Voice . MultiMeasureRest #'stencil = ##f (or \override Voice
Dear community,
I found out, that the changePitch Macro, developed by Gilles,
http://lists.gnu.org/archive/html/lilypond-user/2009-11/msg00556.html
behaves sometimes a little bit strange, when it is used together with
partcombine.
Here is my snippet:
\include changePitch.ly
oben = { e''' 4. g'''
Dear Alexander,
look at the attached jpg-file. In my opinion the quarter-rests look strange!
2009/11/27 Alexander Kobel n...@a-kobel.de
Stefan Thomas wrote:
Dear community,
I found out, that the changePitch Macro, developed by Gilles,
http://lists.gnu.org/archive/html/lilypond-user/2009-11
Dear community,
I've got another problem with partcombine.
Is there a possibilitie to force lilypond to print the following (whithin
the partcombine-command) in tow different voices?
\version 2.12.2
upper = \relative c' {
r8 c e g e c
}
lower = \relative c' {
c4 r2
}
all ={ \new Staff {
: 8763908e20@lola.goethe.zz
Content-Type: text/plain; charset=iso-8859-1
Stefan Thomas kontrapunktste...@googlemail.com writes:
Dear community,
I've got another problem with partcombine.
Is there a possibilitie to force lilypond to print the following
(whithin the
partcombine-command
Dear Gilles,
thanks very much!
It is great and works well now!
2009/11/22 Gilles THIBAULT gilles.thiba...@free.fr
Dear community,
is there a possibilitie to use the great macro for rhythms ( see:
http://lsr.dsi.unimi.it/LSR/Snippet?id=390http://lsr.dsi.unimi.it/LSR/Snippet?id=390
)
also
Dear community,
I guess the file changePitch.ly is a great tool which can be very useful for
e.g. writing parts with the same rhythm, articulation, etc.
It should be part of the next documentation.
I would like to write something about it, or are there other plans?
2009/11/23 Stefan Thomas
Dear community,
I have a problem with the addquote-command.
In the below quoted snippet it doesn't work and I don't know why.
Here is the example
\version 2.12.2
oben = \new Staff \relative { c4 d e f g2 c g1 }
\addQuote oben { \oben }
unten = \new Staff { \quoteDuring oben {s1 } e'1 e'1 }
Dear Alexander,
thanks for Your help.
I understand it now!
2009/11/23 Alexander Kobel n...@a-kobel.de
Stefan Thomas wrote:
Dear community,
I have a problem with the addquote-command.
In the below quoted snippet it doesn't work and I don't know why.
Here is the example
\version 2.12.2
Dear community,
is there a possibilitie to use the great macro for rhythms ( see:
http://lsr.dsi.unimi.it/LSR/Snippet?id=390http://lsr.dsi.unimi.it/LSR/Snippet?id=390
)
also for tremolos?
I tried it, without sucess, with:
\version 2.12.2
\include ../lilyponds/vorlagen/rhythmen.ly
{ c4 d8 e f g a b c1 }}
{s1\pp\ s1\f s1\pp }
}
lower = \relative c' { R1*4 }
all ={ \new Staff {\partcombine \upper \lower } }
\score { \new PianoStaff {\all } }
2009/11/14 Alexander Kobel n...@a-kobel.de
Stefan Thomas wrote:
Dear community,
I have two questions concerning
Dear community,
I have two questions concerning the partcombine-feature.
First: How can I change the texts like Solo I etc. for the whole score?
The second question:
When I combine a part with another, it happens sometimes- especially when
the lower part has a longer multi-measure-rest -
that the
Dear community,
I'm most of the time using #(set-accidental-style 'neo-modern) .
Is it possible to swiitch on this function for the whole score?
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Dear Alexander,
thanks for Your answer.
Where Do I have to put in #(set-accidental-style 'modern 'Score) ? In the
first staff of the score? Or can I put it in the layout-block?
2009/11/13 Alexander Kobel n...@a-kobel.de
Stefan Thomas wrote:
Dear community,
I'm most of the time using #(set
- Original Message - From: Trevor Daniels t.dani...@treda.co.uk
To: Mats Bengtsson mats.bengts...@ee.kth.se; Stefan Thomas
kontrapunktste...@googlemail.com
Cc: lilypond-user lilypond-user@gnu.org
Sent: Tuesday, November 10, 2009 6:25 PM
Subject: Re: temporary staff for divisi
Mats Bengtsson
Dear community,
I have a question, cocerning divisi (for strings).
Why is so order of the staves so stange?
Here is my snippet, excuse, please, the childish musical example:
\version 2.12.2
violineA = \new Staff { \set Staff.instrumentName = Violine 1 \set
Staff.shortInstrumentName=Vln. 1
c'' 4
Dear community,
I've got a little bit more knowledge. I found out that I can place a staff
exactly with alignAboveContext
But how can I get Angular brackets for the two first violins?
\version 2.12.2
violineA = \context Staff =ViolineA
{ \set Staff.instrumentName = Violine 1
\set
to what you want (I guess).
/Mats
Stefan Thomas wrote:
Dear community,
I've got a little bit more knowledge. I found out that I can place a staff
exactly with alignAboveContext
But how can I get Angular brackets for the two first violins?
\version 2.12.2
violineA = \context Staff =ViolineA
#})
\relative c' { \time 2/2
\ST { c16 d e f e d e f g a g f a b c d c b
c b a g f e
}
}
2009/11/9 Paul Scott waterho...@ultrasw.com
Stefan Thomas wrote:
Dear Paul,
I would like to have the Sixtheenth-Triplets beamed in groups of three,
altough when there is a 2/2 bar, e.g..
Ah!
I haven't
that causes your problems.
Setting beamSetting = #'() removes all such default rules so that your
beamLength setting is effective.
/Mats
Stefan Thomas wrote:
Well, I found a solution, but I thought, there would be an easier
solution.
\version 2.12.2
ST = #(define-music-function (parser
Yes, thanks! Now it works!
2009/11/9 Mats Bengtsson mats.bengts...@ee.kth.se
My solution works in version 2.13, but apparently not in 2.12. However, if
you replace beamSettings by autoBeamSettings in my proposal, it should
work in version 2.12.
/Mats
Stefan Thomas wrote:
Dear Mats
Dear community,
I would like to define a function, that allows me to set the beat-length to
1/8 for 16th-triplets. And I would like, if it could work for every kind of
bar.
I tried it with:
\version 2.12.2
SSX = #(define-music-function (parser location x) (ly:music?)
#{
\set beatLength =
Dear Patrick,
thanks very much!
I've added Your code to my stefansmikrotoene.ly
2009/10/27 Patrick McCarty pnor...@gmail.com
Hi,
On 2009-10-25, Stefan Thomas wrote:
Dear community,
how can I avoid, that the accidentals are printed after the tie and the
barline in the below quoted
Dear community,
how can I avoid, that the accidentals are printed after the tie and the
barline in the below quoted example?
\include stefansMikrotoene.ly
{ cih1 ~ cih }
stefansMikrotoene.pdf
Description: Adobe PDF document
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Sorry, it was the wrong attachment.
Here is the right one!
2009/10/25 Stefan Thomas kontrapunktste...@googlemail.com
Dear community,
how can I avoid, that the accidentals are printed after the tie and the
barline in the below quoted example?
\include stefansMikrotoene.ly
{ cih1 ~ cih
Dear community,
I also experienced problems with muscxml2ly. I guess it has to do with
full-bar rest, when You have a 58-timesignature.
Then I get mostly:
\time 5/8 R2..
instead of: \time 5/8 R8*5
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as it's transferring the data. Pdftoppm
rendering a single page works great as a fairly realistic test case.
Cheers,
Stefan Thomas
From 1dd92634f3e3fabbc0336df07d380b9d43ff24cf Mon Sep 17 00:00:00 2001
From: Stefan Thomas tho...@eload24.com
Date: Wed, 14 Oct 2009 08:01:42 +0100
Subject: [PATCH
Hey,
Commited, fixed a small thing (virtual destructor needed) myself.
Woohoo! :)
Thanks for contributing! Stay around and code something else ;-)
I'm planning to add HTTP streaming support to poppler. Similar to the
way Adobe Reader does it. We need this functionality for a
Thanks for the feedback. Revised patch is attached.
Albert Astals Cid wrote:
A Dijous, 1 d'octubre de 2009, Stefan Thomas va escriure:
Same thing, this time with a common code path for PNG and JPEG
(ImgWriter class, SplashBitmap::writeImgFile) and libjpeg error handling
enabled.
Not sure
Dear community,
has someone an idea, how to produce the sign for the comle (in german:
Schleifer) in Lilypond?
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(formerly writePNGFile) probably wouldn't have worked anyway.
Cheers,
Stefan
PS: Would it be better if I submitted patches through
bugs.freedesktop.org instead?
From 6f6b7c6ed062753bcc289138d12d1c04d6427ed0 Mon Sep 17 00:00:00 2001
From: Stefan Thomas tho...@eload24.com
Date: Mon, 7 Sep 2009 10
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