A.R. Rahman
Reviewer Jessica Nicholas
September 12, 2005

Colourful concert: The Bollywood extravaganza cast onstage at the Rod Laver 
Arena on Saturday
night. From left, Chitra, Sadhana Sargam, Alma, Madhushree, Alka Yagnik, 
Kailash Kher, A.R.
Rahman, Shankar Mahadevan, Hariharan and Blaaze sing the concert finale.

Colourful concert: The Bollywood extravaganza cast onstage at the Rod Laver 
Arena on Saturday
night. From left, Chitra, Sadhana Sargam, Alma, Madhushree, Alka Yagnik, 
Kailash Kher, A.R.
Rahman, Shankar Mahadevan, Hariharan and Blaaze sing the concert finale.
Photo: John Kumar

Rod Laver Arena,
September 10

Milling outside the Rod Laver Arena before A. R. Rahman's show on Saturday, I 
felt like a
rather drab moth surrounded by butterflies. Richly coloured saris, embroidered 
kurtas and
sequinned scarves floated around me, as an audience of mainly Indian 
expatriates gathered in
anticipation of this first Australian concert by one of the biggest names in 
Bollywood.

Inside, the atmosphere was reminiscent of a rock concert - the stage adorned 
with musical
instruments, giant screens and floodlit fabric panels, and more than 9000 fans 
erupting at the
sight of 39-year-old Allah Rakha Rahman taking the microphone.

As Rahman modestly confessed to the audience, he is not a born showman. A film 
composer whose
success has thrust him into the spotlight, he is more accustomed to creating 
music in his
high-tech studio in Chennai than performing it live in front of a roaring crowd.

But there was something very endearing about watching this slightly reticent 
individual absorb
the energy of the stadium and give it back so generously over the next four 
hours.
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Yes, four hours, with no interval. Apparently Rahman was so inspired by the 
ecstatic audience
that he actually wanted to play longer, but was constrained by venue protocol. 
So he had to
content himself with performing 40 of his best-loved compositions, almost all 
of which were
written for Bollywood films.

Not all film music thrives in a concert setting. But Rahman's music - like 
Bollywood cinema -
has a joyous, larger-than-life impact. And the composer, who also sings and 
plays keyboards,
certainly knows how to put on a show.

His "Third Dimension" tour has pulsing, floor-shaking rhythms; acoustic strings 
and folk
instruments alongside banks of digital devices; a parade of superb Bollywood 
singers performing
the songs that made them famous; twirling dancers and giant masked figures; and 
a series of
animated 3-D images (which we watched with 3-D glasses) projected onto a screen.

As a non-Indian familiar with only a handful of Bollywood songs, I did find 
four hours a bit of
a stretch. Nevertheless, it was impossible not to be awed by the seemingly 
endless stamina -
and diversity - of the performers.

But perhaps the most remarkable aspect of this hugely entertaining show is that 
it was
presented by a fledgling, volunteer-run organisation, Charities through Indian 
Arts in
Australia, whose directors undertook this mammoth tour at great personal and 
professional risk.

As for the music itself, Rahman's wonderfully imaginative approach to film 
composition -
incorporating ideas from contemporary popular music as well as classical Indian 
and European
traditions - has created a fascinating hybrid and, for millions of fans (among 
whom I now count
myself), opened up a whole new musical world.
http://www.theage.com.au/news/reviews/ar-rahman/2005/09/11/1126377200142.html?oneclick=true

"We neglect our cities at our peril. For, in neglecting them, we neglect the 
nation."
-John F. Kennedy




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