Ah Aah (U/A)
Cast: S J Surya, Nila, M N Nambiar, Santhana Bharati, Urvasi Direction: S J 
Surya
 
Surya is a clever man. He knows he is going to churn out a trash. So he creates 
some
controversises - first he calls the the film B F and explains that it is not 
'Blue Film' but
'Best Friend.' Then when forced to change the title, he invites the cinegoers 
to choose it and
offers to pay Rs 1 lakh for the one who gives the best title. Then, he gets 
ivolved in a row
with a lady censor board member and abuses her. The lady happens to be a lawyer 
and he lands in
court.

He had managed to keep himself in the limelight throughout the making of his 
new film Ah Aah -
it stands for Anbey, Aruyire - which turns out to be a damp squib. This must 
also be one of the
forgettable projects for A R Rahman, even he cannot save the film.

Surya plays the lead role and heroine Nila makes her debut. She is probably the 
only saving
grace, she is pretty and acts without any inhibition. They share a `live inÂ’ 
relationship and
stay in a middle class apartment. Their parents oppose the affair. He is a 
press reporter and
she is a partner in a hotel business. Both want to earn lot of money before 
getting married. He
takes on a powerful chairman of a college and exposes his nefarious activities. 
There are a
couple of fights in which computer graphics help to show him as a super hero. 
Differences crop
up when Surya suspects Nila of having an affair with her partner They fight and 
separate. It is
here the movie takes a weird turn.

Enter two more characters - they are none other than `memoriesÂ’ of the hero and 
heroine, in
blue costumes. Their job; to keep reminding the estranged lovers of the good 
times spent
together. Suryah plays to the gallery--his main focus is definitely to 
titillate the audience -
through liberal dose of double entendre, close-ups of the anatomy of the 
heroine, and vulgar
dance movements. It may appeal to the front benchers only.

If he continues to make movies, Surya will figure promienly among the directors 
taking the
Tamil cinema to abysmal depths.

"We neglect our cities at our peril. For, in neglecting them, we neglect the 
nation."
-John F. Kennedy




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