What is your take on the current music scene? 
The government must do something to revive classical music with support from 
the media. Today,
news channels feature astrology but don't have a show on classical music. 
Perhaps, that's
because very few com posers understand its nuances.AR Rahman is the exception. 



Flute talkin\'
        
Hariprasad Chaurasia speaks to Sonil                                            
                                                        
        
        
On Friday, you paid a tribute to the late tabla maestro Chaturlalji. Yes, it 
was an elevating
experience sharing the stage with Sitara Devi. Her son, Ranit Barot, along with 
the father-son
duo of Ajay and Abhijit Pohankar were a part of the concert too. What is your 
take on the
current music scene? The government must do something to revive classical music 
with support
from the media. Today, news channels feature astrology but don't have a show on 
classical
music. Perhaps, that's because very few com posers understand its nuances.AR 
Rahman is the
exception. 

We're told that you were trained in wrestling. True? Yes, but destiny had other 
plans. (Laughs)
The dands and baithaks still keep me in top shape. What made you opt for the 
flute? It's Lord
Krishna's favourite instrument. We are Krishna bhakts and the flute fascinated 
me since I was a
boy. What memories do you have of your guruma Annapurna Devi? Guruma was to 
hard a nut to
crack. She was married to Ravi Shankerji then and wasn't interested in 
mentoring me. In fact, I
wanted to train under her father Ustad Allauddin Khan but my own father would 
not permit me to
go to Maihar.

So, I started frequenting Ravi Shankerji's house pleading with guruma to take 
me under her
wing. She finally gave in. The condition was that I had to forget everything 
that I had learnt
and start from scratch. What drew you to the movies? Hindi movies were a 
passion. They gave me
an opportunity to experiment with orchestration. Yash Chopra was ready to 
gamble with Shiv
Kumar Sharmaji and me. Starting with Silsila in 1980, we composed for several 
Yash Raj films
including Lamhe, Basera, Parampara and Chandni. Despite a classical base, 
you've never shied
away from innovation. You can experiment with the flute because the sound is so 
soothing.
Surgeons have written to me saying that they listen to my music before an 
operation to ease
their tension and enhance concentration. Lately, I have recorded some alaaps as 
an aid to
meditaion. Finally, let's talk about Vrindaban, your music school. I wanted to 
revive the
gurukul tradition with 10 select students. They would study music, watch fellow 
musicians
perform, attend and give lectures and at the same time learn other subjects too.

The objective was to give them an all-round education. Vrindaban is not a 
school for one-line
performers. The training is for only those dedicated to music.

Hindustan Times

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