By Joginder Tuteja

It has been ‘raining’ music in the current season. The month of
August saw more than 20 film soundtracks hitting the stands. The ones
that managed to make an impression were ‘What’s Your Raashee?’, ‘Wake
Up Sid’ and ‘Radio’. There was something for the masses too with
‘Wanted’ as well as ‘Dil Bole Hadippa’ (to an extent) finding some
patronage amongst the target audiences.
September saw relatively lesser number of albums arriving. However,
close to a dozen odd albums meant that there was too much to choose for
an average music lover. The biggies in the offering were ‘London
Dreams’, ‘Blue’, ‘Tum Mile’, ‘Main Aurr Mrs. Khanna’, ‘All The Best’
and ‘Acid Factory’. Now that’s a luxury of riches by any standards.
So how did the music turned out? Read on…
The best of the lot was undoubtedly A.R. Rahman’s soundtrack for the
biggest film of the current season - ‘Blue’. It practically mixed up
genres and ensured at least four chartbusters in the form of ‘Fiqrana’,
‘Chiggy Wiggy’, ‘Yaar Mila Tha’ and ‘Aaj Dil’. With expectations of a
huge soundtrack being met, as a listener one can be pretty content with
the final outcome of ‘Blue’.
Same holds good for ‘All The Best’ too where one expected a decent
time pass score. While composer Pritam did exactly that with a song
like ‘Dil Kare’, he did throw a pleasant surprise in the form of ‘Haan
Main Jitni Martaba’ and ‘Kyon’.
The song of the season though is Sajid-Wajid’s ‘Don’t Say Alvida’
from ‘Main Aurr Mrs. Khanna’. Belonging to old school of music which
has a timeless quality to it and has more often than not always worked,
‘Don’t Say Alvida’ is a contemporary Bollywood love song while boasting
of an out and out Indian melody. Paisa vasool!
Same can be said about the entire soundtrack of ‘Tum Mile’ that sees
Mukesh Bhatt, Mahesh Bhatt, Pritam, Emraan Hashmi and lyricists Sayeed
Quadri along with Kumaar come together. With multiple songs boasting of
chartbuster appeal (Tum Mile, Dil Ibaadat, Iss Jahaan Mein, O Meri
Jaan), Pritam has given Bhatts their very own ‘Life In A Metro’ to be
preserved and relished for years to come.
Vipul Shah would have expected something similar from
Shankar-Ehsaan-Loy for his ‘London Dreams’. However, they don’t quite
create another ‘Rock On’ here. The music requires multiple listening
before it starts growing on you. However, the songs are bound to find
much better acceptance if the film succeeds at the box office.
The scenario is similar for ‘Acid Factory’ too which is primarily
made of theme tracks rather than conventional songs that one gets to
hear in core Bollywood films. Songs like ‘Yeh Jism’ and ‘Kone Kone
Mein’ start becoming much more meaningful when seen with the film’s
storyline.
One feels saddened though for the music of ‘Vaada Raha… I Promise’
which actually did show promise in the form of title song ‘Vaada Raha’,
‘Kubul’ and ‘Rab Na Kare’. However, as the film flopped, so did the
music which was hardly heard by any. However, there is nothing much to
feel sad about the music of ‘Chintu Ji’ which came and went, as did the
movie. ‘Chintu Ji’ had absolutely nothing to offer musically and the
only potentially saleable number, ‘Akira Kurosawa’, too went down
completely unnoticed, courtesy zero promotion.
Other albums like ‘Baabaar’ and ‘Aamras’ arrived at the stands
without any fanfare. ‘Aamras’ was indeed a good album and it’s a pity
that there was absolutely no promotion, awareness, buzz or hype around
it. Just like the movie, the music too was an unknown commodity for the
consumer. As for ‘Baabarr’, the film was never meant to be a musical
and that reflected in the four songs which found place in the album.
One looks forward to a further engaging October now. The month has
started with the release of ‘Aladin’ and would see ‘Jail’, ‘Ajab Prem
Ki Ghazab Kahani’, ‘Pyaar Impossible’, ‘De Dana Dan’ and ‘Kurbaan’
hitting the stands.
The musical season continues!
-Sampurn Media

http://blog.taragana.com/e/2009/10/05/music-round-up-luxury-of-riches-as-blue-and-tum-mile-score-39573/


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