yipeee!! ...
expectin quite a few OSCARS for this one also ..
any idea wen the OST will release ??

Rahul

--- In arrahmanfans@yahoogroups.com, Gopal Srinivasan <catchg...@...> wrote:
>
> "127 Hours" a stunning vehicle for James Franco[image:
> Reuters]<http://us.rd.yahoo.com/dailynews/reuters/brand/SIG=pd7i95;_ylt=AllJKxR6Fv6f.XYV5uB9nFQ_FRkF;_ylu=X3oDMTExaTJpa3NyBHBvcwMxBHNlYwN5bi1wcnZkbGluawRzbGsDcmV1dGVycw--/*http://www.reuters.com>
> 
>    - Buzz up!0 votes
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> 
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>    - [image: After Show Show: Movie Reviews]Play
> Video<http://us.rd.yahoo.com/dailynews/external/fox_news/av_fox_cm/cc1724a459ea2ffc6d98cd3b0857b19f/37471228;_ylt=Am91slIR_.q8Y.kwAcT_7vk_FRkF;_ylu=X3oDMTFiZXBwdGsxBHBvcwMxBHNlYwN5bl9yXzNzbG90X3ZpZGVvBHNsawN2aWQtZXYtdGh1bWI-/*http://news.yahoo.com/video/opinion-15749653/21766566>
>    *Movies Video:*After Show Show: Movie
> Reviews<http://us.rd.yahoo.com/dailynews/external/fox_news/av_fox_cm/cc1724a459ea2ffc6d98cd3b0857b19f/37471228;_ylt=AtvktRNemGoMMmnX9gtVQpU_FRkF;_ylu=X3oDMTFhM3FoN2N2BHBvcwMyBHNlYwN5bl9yXzNzbG90X3ZpZGVvBHNsawN2aWQtZXYtbGluaw--/*http://news.yahoo.com/video/opinion-15749653/21766566>
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>    - [image: French films the toast of Venice filmfest]Play
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>    *Movies Video:*French films the toast of Venice
> filmfest<http://us.rd.yahoo.com/dailynews/external/afp_video/av_afp_other/6818f5e0b448846d020c99b8cf656289/37469359;_ylt=As3qgZcWUerKY2ywtrbCVD0_FRkF;_ylu=X3oDMTFhaWFjbWFmBHBvcwM1BHNlYwN5bl9yXzNzbG90X3ZpZGVvBHNsawN2aWQtZXYtbGluaw--/*http://news.yahoo.com/video/world-15749633/21764560>
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>    - [image: American Film Festival opens with Gilliam screening]Play
> Video<http://us.rd.yahoo.com/dailynews/external/afp_video/av_afp_other/93ec2eb015828dc1d2a17393704cdde5/37453849;_ylt=AtKqZMwhZD5NC7hKtctA7ig_FRkF;_ylu=X3oDMTFiOWVlczFoBHBvcwM3BHNlYwN5bl9yXzNzbG90X3ZpZGVvBHNsawN2aWQtZXYtdGh1bWI-/*http://news.yahoo.com/video/world-15749633/21741835>
>    *Movies Video:*American Film Festival opens with Gilliam
> screening<http://us.rd.yahoo.com/dailynews/external/afp_video/av_afp_other/93ec2eb015828dc1d2a17393704cdde5/37453849;_ylt=Ar.asbUBQ2PonFqZMt.oj3s_FRkF;_ylu=X3oDMTFhcDNlYmRyBHBvcwM4BHNlYwN5bl9yXzNzbG90X3ZpZGVvBHNsawN2aWQtZXYtbGluaw--/*http://news.yahoo.com/video/world-15749633/21741835>
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> 
> By Stephen Farber – 30 mins ago
> 
> TELLURIDE, Colo. (Hollywood Reporter) – Two years ago, Danny Boyle held the
> first public screening of "Slumdog Millionaire" at the Telluride Film
> Festival. The rest, as they say, is history.
> 
> Boyle was determined to complete his new film, "127 Hours," in time for this
> year's Labor Day holiday weekend event, and it premiered to loud ovations --
> and a few squeals of terror.
> 
> Boyle knew he had a narrow window of opportunity to take advantage of the
> worldwide success of "Slumdog," and he decided to tackle a risky piece of
> material, inspired by Aron Ralston's ordeal when he was trapped in a narrow
> canyon in 2003.
> 
> This Fox Searchlight film has disturbingly graphic images, and it presents
> another challenge for audiences in that for most of the movie, we are
> confined in the canyon with just one actor, the remarkable James Franco. But
> Boyle is such a gifted director that he overcomes the obstacles and might
> even match the commercial success of his earlier Oscar winner.
> 
> Boyle assembled many of the people who worked with him on "Slumdog"
> including screenwriter Simon Beaufoy, producer Christian Colson, composer
> A.R. Rahman and cinematographer Anthony Dod Mantle (who shares credit with
> Enrique Chediak). Maybe it's the comfort of the collaboration that helps
> account for the apparent effortlessness of the filmmaking.
> 
> The film opens with a bang, with lots of split-screen effects and speeded-up
> digital images, as Aron heads off for a trip through Canyonland National
> Park in Utah. Boyle has demonstrated visual razzle dazzle and kinetic
> editing since his early films, "Shallow Grave" and "Trainspotting." Here the
> style is meant to mirror the energetic personality of the protagonist, an
> adrenaline junkie who savors adventure and shares his infectious enthusiasm
> with anyone he meets.
> 
> Aron encounters two girls while hiking in Utah and immediately goads them
> into climbing across a steep ledge and diving into a crystal-blue lake. We
> share the rush that the characters feel, but we also feel a sense of
> impending danger. The clock stops when Aron leaves the girls and begins
> climbing down a canyon. Suddenly he dislodges a boulder that pins his arm
> and traps him.
> 
> From here, the film moves into a more interior mode, though it maintains
> energy by drifting in and out of Aron's memories and fantasies. Boyle takes
> advantage of the beauty of the setting, familiar from many John Ford
> Westerns, but he also captures the inner life of the character.
> 
> He is aided enormously by Franco, who pulls off a virtual one-man show. The
> actor already has demonstrated tremendous versatility, and just this year
> viewers have seen him as one of Julia Roberts' lovers in "Eat Pray Love" and
> as Beat poet Allen Ginsberg in "Howl." Here he manages to create a radically
> different character -- an extroverted adventurer who is forced to turn
> reflective. Expect Oscar to come calling next year.
> 
> The different moods Aron experiences point to the deeper themes of the film.
> "127 Hours" is a pointed, double-edged critique of masculinity. Aron was
> reckless enough to embark on this climbing expedition without telling anyone
> where he was going, and the film sees that his cocky, independent spirit
> gives him unusual survival skills. But that lone-wolf mentality also puts
> him in deadly peril, and the scream that he utters near the end of the film
> -- "I need help!" -- gives voice to his belated awareness of the inadequacy
> of the Wild West code of self-reliance that stunts so many men. Franco nails
> this key moment with rare emotional intensity.
> 
> Although Ralston's ordeal gripped the world seven years ago, there was no
> guarantee that a film would do justice to the chilling true story. All of
> the key creative personnel contribute to the movie's nail-biting tension and
> unexpectedly moving finale. Jon Harris's editing is matchless, and Rahman's
> score effectively heightens the emotion. Ultimately, however, it is the
> talents of Boyle and Franco that sock this movie home.
>


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