By Joginder Tuteja, December 26, 2005 - 13:57 IST

 Deepa Mehta's 'Water' finally sees the light of the day. As an 
opening film of the 30th annual Toronto International Film, it has 
been back in news after it was stopped from being shot in India 
years back. Third in the trilogy after Fire and Earth, 'Water' is 
director Deepa Mehta's long cherished dream that has finally been 
realized after a wait for number of years. Produced by David 
Hamilton, 'Water' was secretly shot in Sri Lanka and stars John 
Abraham, Lisa Ray, Seema Biswas, Kulbhushan Kharbanda, Waheeda 
Rehman, Raghuvir Yadav and Baby Sarala in principal roles. Just 
like 'Fire' and 'Earth', A.R. Rehman gives music for 'Water' as 
well. 

Sukhwinder Singh begins 'Aayo Re Sakhi' in his trademark semi-
classical rendition and just when you start thinking that the track 
would pump up its tempo, Rehman throws a surprise by keeping the 
pace consistent. There are very limited musical instruments in the 
background that makes 'Aayo Re Sakhi' a kind of number that deserves 
to be heard with more attention. A soothing rhythmic track with a 
strong classical base to it, it has a female singer joining 
Sukhwinder after the song is about half way through. Lyrics are 
poetic that convey the message of love, happiness, celebration and 
above all – freedom. 

A song with a Radha-Krishan background, 'Bangri Marorii' has a 
rather strong classical base with again vocals doing all the talking 
(literally) with little or no music playing in the background. And 
this is where Rehman wins in creating a much desired effect by 
composing 'Bangri Marorii' in a manner that would be identifiable by 
people with strong understanding of music belonging to this genre. 
This is a kind of track that has a maximum impact when one wants to 
relax in dark isolation! 

 By the time 'Naina Neer Bahai' begins, you are well aware about the 
style of music that Deepa Mehta and Rehman have chosen for 'Water'. 
This number too is totally subtle in nature and has references to 
Meera-Krishna love. With great lyrics and some excellent singing, 
this slow moving song about selfless love and admiration is an even 
better composition when compared to the earlier too and is a must 
for the lovers of classical/semi-classical music. Ditto for 'Piya 
Ho' that moves at even leisurely pace and is a duet where Sukhwinder 
Singh comes in towards the end. 

'Bhang', 'nasha' and 'masti' are the key elements of the celebration 
song 'Sham Rang Mei' that appears to be a 'holi' song. Beautiful is 
the way to describe this duet that has an innocent feel to it. 
Lyrics too are different from numerous 'holi' tracks that have been 
composed over all these years and has a 'pure' feel to it. The album 
ends with one of the most popular 'bhajans' 'Vaishnava Jana To' that 
is known to one and all. 

One can almost sense Rehman's enjoyment over composing for 'Water' 
where he is not bound by commercial boundaries and has just let 
himself be free. He is completely uninhibited in his approach and 
comes up with a musical score that can be described in three words -
 'Pure', 'Honest' and 'True'! Will the music of 'Water' turn out to 
be a commercial success? Well, this is not the kind of an album that 
requires a verdict on such grounds as it belongs to a class that is 
over and beyond commercial diktats. 

http://indiafm.com/movies/musicreview/12704/index.html
 








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