I like what he does with fast movements..."Presto-Chango" (oops, I forgot
"Allemande Left").
ed
At 01:58 PM 5/16/2006 -0400, Daniel Shoskes wrote:
>Or indeed, the inspirational poetry of "My Bonnie Lass, She Smelleth".
>
>On May 16, 2006, at 1:45 PM, Howard Posner wrote:
>
> > Thomas Schall wrot
I particularly enjoy his works! Uninspired? Perhaps, but not without humor!
ed
At 07:02 PM 5/16/2006 +0200, Thomas Schall wrote:
>BTW: Per definition the most uninspired music ever written is the music
>by PDQ Bach
>
>-Ursprüngliche Nachricht-
>Von: Roman Turovsky [mailto:[EMAIL PROTEC
The Unbegun Symphony. What's not to like about that one...or hate
- Original Message -
From: "Daniel Shoskes" <[EMAIL PROTECTED]>
To: "Howard Posner" <[EMAIL PROTECTED]>
Cc:
Sent: Tuesday, May 16, 2006 1:58 PM
Subject: [BAROQUE-LUTE] Re: Weiss and Hasse
> Or indeed, the inspirational po
Or indeed, the inspirational poetry of "My Bonnie Lass, She Smelleth".
On May 16, 2006, at 1:45 PM, Howard Posner wrote:
> Thomas Schall wrote:
>
>> BTW: Per definition the most uninspired music ever written is the
>> music
>> by PDQ Bach
>
> I don't know if you can define inspiration, but I ca
Hello to all,
I attended the modern premere of Carlo Toeschi's Lute Concerto played by
the Tempesta di Mare Baroque Orchestra with Richard Stone on lute. The
orchestra, led by Concertmaster Emyn Ngai, was robust, expressive, and
attentive throughout the performance, which included Telemann's
Thomas Schall wrote:
> BTW: Per definition the most uninspired music ever written is the music
> by PDQ Bach
I don't know if you can define inspiration, but I can think of few
things more inspired than the first bagpipe solo in the Sinfonia
Concertante or the entrance of the double reeds in the
I've heard worse things
RT
> BTW: Per definition the most uninspired music ever written is the music
> by PDQ Bach
>
> -Ursprüngliche Nachricht-
> Von: Roman Turovsky [mailto:[EMAIL PROTECTED]
> Gesendet: Dienstag, 16. Mai 2006 18:59
> An: baroque-lute@cs.dartmouth.edu; Thomas Schall
>
BTW: Per definition the most uninspired music ever written is the music
by PDQ Bach
-Ursprüngliche Nachricht-
Von: Roman Turovsky [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 16. Mai 2006 18:59
An: baroque-lute@cs.dartmouth.edu; Thomas Schall
Betreff: [BAROQUE-LUTE] Re: Weiss and Hasse
An interesting aspect came up when yours truly was helping Tim with the
translations of Dresden cantata texts for the CD. The Italian of these texts
was so peculiar that I went to consult a composer-friend from Italy who also
had written papers on Baroque Italian literature. He said that the poe
This is extremely unlikely. Hasse's keyboard sonatas are probably the most
uninspired music ever written.
RT
From: "Are Vidar Boye Hansen" <[EMAIL PROTECTED]>
> In the article on central european sources of lute music after 1650 in the
> New Grove it says "Weiss is also thought to have made many
Hi!
In the article on central european sources of lute music after 1650 in the
New Grove it says "Weiss is also thought to have made many lute
arrangements of opera arias and keyboard sonatas by his Dresden colleague
Hasse".
Does any of you know these arrangements?
mvh
Are Vidar Boye Hansen
Dear all
> The three anonymous concertos are from the Harrach Collection. But from
> a section of the Harrach collection that was sold (or auctioned?) many
> years ago, perhaps in the 1960s. From that sale we can trace the
> Pachelbel pieces at the Stadtbibliothek in Nuremberg, the sonatas, e
> Okay, I'll bite. Why would his music antagonize him? (I don't know
> Hasse's music at all.)
Envy.
RT
>
> On May 15, 2006, at 10:10 AM, Roman Turovsky wrote:
>
>> Or is it possible that Weiss kept his music out of wide
>> circulation in order to not antagonize Hasse?
>
==
http://polyhymnion
Did this reach the list?
Dear Are,
The three anonymous concertos are from the Harrach Collection. But from a
section of the Harrach collection that was sold (or auctioned?) many years ago,
perhaps in the 1960s. From that sale we can trace the Pachelbel pieces at the
Stadtbibliothek in Nuremb
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