- Original Message -
From: ""Mathias Rösel"" <[EMAIL PROTECTED]>
To: "Barocklautenliste"
Sent: Tuesday, January 09, 2007 9:21 AM
Subject: [BAROQUE-LUTE] Re: 18th-century right hand fingering (short)
> "Markus Lutz" <[EMAIL PROTECTED]> schrieb:
>> The ring finger isn't demonic at all ;-
> I want to know everything about all the Grissau
> manuscripts!
>
Look at the Baroque-Lute archives, much valuable
information there, worth reading from time to time ...
Date: Wed, 8 May 1996 16:54:43 +
To: baroque-lute@cs.dartmouth.edu
From: [EMAIL PROTECTED] (Tim Crawford)
Subject: Re: Ba
Yes, your surmise is correct, the engraving of
Haffner is by Stör and dated 1730. I can't
remember where I found this copy!
For those interested I've put it up at http://www.vanedwards.co.uk/haffner.htm
Best wishes
David
>Joachim Domning has another engraved portrait on his web
>page depictin
I want to know everything about all the Grissau manuscripts!
Are
On Tue, 9 Jan 2007, Arthur Ness wrote:
> Actually I was mentioning the two manuscripts with
> Kniebandl's name and the treatises. There are about ten
> lute manuscripts from Grissau. Most of them were
> transferred from Wroclaw
Actually I was mentioning the two manuscripts with
Kniebandl's name and the treatises. There are about ten
lute manuscripts from Grissau. Most of them were
transferred from Wroclaw to Warsaw, and have new call
numbers. I'll try to make a summary later. There's a
complete listing of conmtents i
Hi everyone!
First I would like to thank Robert Barto for the link to the manuscript!
What a treasure!
The pieces by Kellner were published in 1747, so either the pieces must
have been known earlier than this, or the the manuscript was copied, at
least in part, later than 1747. Does anyone kno
Re: the dates of the two Kniebandl Manuscripts, Mf 2001
and Mf
2002. Both cite him as "Père [Father] Hermien
Kniebandl, Profès [monk]" at the monastery
at Grüssau. He became prior in 1737, according to
Wilhelm Tappert, who examined the manuscripts before
they were transferred to Wroclaw, and then
>>> Our fingers can certainly spread that wide.
> > ** I think something may be lost with the comfort in some passages.
> > Sometimes we must suffer a little for our art.
That certainly is so. Just think of a situation like the following,
occasionally occuring in theorbo pieces (Saizenay):
The image is in Public Domain in the US.
RT
- Original Message -
From: "Robert Barto" <[EMAIL PROTECTED]>
To: "BAROQUE-LUTE-LIST"
Sent: Tuesday, January 09, 2007 2:46 AM
Subject: [BAROQUE-LUTE] Falckenhagen print
>I really would like to use the print of Falckenhagen in this article for
- Original Message -
From: ""Mathias Rösel"" <[EMAIL PROTECTED]>
To: "Barocklautenliste"
Sent: Tuesday, January 09, 2007 6:22 AM
Subject: [BAROQUE-LUTE] Re: 18th-century right hand fingering (short)
> "Dale Young" <[EMAIL PROTECTED]> schrieb:
>> Here are two examples of fingering techn
The ring finger isn't demonic at all ;-).
I have put online an example of the Dresden ms (S-C 25,7: Sarabande in Bb -
Reich/248), where we can see in Silvius handwriting, that he used the ring
finger for an arpeggio (last line).
http://www.slweiss.de/RH_Dl248.jpg
1) It is necessary to work on t
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