Hi,
Ã
I don't think one can accuse Denis of having "hijacked" or "passed on
works by Ennemond as his own". On the contrary, he was careful to
distinguish their respective works in the Livre de tablature (for which
he took a privilege as early as December 1669
([1]http://gall
Dear François-Pierre,
thank you very much for the learned clarification. Now, if I read you
correctly, you say there is little hope in finding a substantial number
of pieces by Ennemond in vieil ton. This firmly contradicts what
Jean-Marie Poirier has said about this only recently
Hi to all,
Interesting point of view from François-Pierre Goy, which doesn't surprise me
at all ;-) !
As Goran wrote, there is no place for a "confrontation" or anything of the
sort, so let me simply underline what my intimate belief is :
there is quie a significant corpus of music in manuscripts
Hello,
Different levels are now confused:
1. Ennemond lived during the times of the Vieil ton, the Accords nouveaux and
the Nouvel accord ordinaire.
We have many pieces which can be attributed to him in Vieil ton, only a few
compositions in accords nouveaux which can doubtless attributed to hi
No Andreas I never suggested that Denis could pass his cousin's pieces
as his own. My theory is that Denis could have transposed some of his
cousin's pieces into d minor to have them published, acknowledging
their authorship, to save them from being transmitted with faults, full
stop
Ã
It seems you have misunderstood me, or that I haven't expressed myself
clearly enough.
Ã
I perfectly know that there are more than 50 pieces credited to
"Gaultier" (variously spelt), which appear in printed and mostly
manuscript sources since 1610 and that, in spite of t
I see! Thanks for clearing that up. So, I imagine not being alone in
looking forward to a scholarly collection / edition of those 50
pieces, likely to be by Ennemond Gaultier in the old tuning.
Best
G.
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Didn't the English Lute Society have supplement devoted to a number of
Ennemond's pieces in the old tuning? I vaguely recall reading through
such a thing.
Rob MacKillop
On 10 Dec 2017 14:17, "G. C." <[1]kalei...@gmail.com> wrote:
I see! Thanks for clearing that up. So, I ima
That would be great to check out Rob. Some more specific info would
help a lot. Thanks!
G.
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This one gives no hits. Perhaps it was the LSA?
[1]http://www.lutesociety.org/pages/index-of-tabulature-supplements
On Sun, Dec 10, 2017 at 3:34 PM, G. C. <[2]kalei...@gmail.com> wrote:
That would be great to check out Rob. Some more specific info
would
help a lot. T
Thank you nfor these precisions. I take note with satisfaction that you also
credit Vieux Gaultier with
around 50 pieces in old tuning, which is not nothing !
For the rest, I have also been playing and studying French music in a lot of
different sources and all tunings
worldwide for over 30 yea
But then again, that index seems only to be up to 1999!
G.
On Sun, Dec 10, 2017 at 4:00 PM, G. C. <[1]kalei...@gmail.com> wrote:
This one gives no hits. Perhaps it was the LSA?
[1][2]http://www.lutesociety.org/pages/index-of-tabulature-
supplements
On Sun, De
Am Sonntag, 10. Dezember 2017 16:11 CET, "G. C." schrieb:
>But then again, that index seems only to be up to 1999!
I'm pretty sure I played from that edition, most likely before mid90, maybe
even late
80th. It's an edition of the pieces in old tuning from Basel University Library
(and
Am Sonntag, 10. Dezember 2017 16:24 CET, "Ralf Mattes"
schrieb:
>
> Am Sonntag, 10. Dezember 2017 16:11 CET, "G. C."
> schrieb:
>
> >But then again, that index seems only to be up to 1999!
>
> I'm pretty sure I played from that edition, most likely before mid90, maybe
> even lat
Many thanks Ralf, here's a beginning at least. Speaking of which,
wouldn't / couldn't the number of courses of those ~50 vieil ton
Gaultier pieces be an indication of authenticity, or are they all
11-course?
G.
On Sun, Dec 10, 2017 at 4:28 PM, Ralf Mattes <[1]r...@mh-freiburg.de>
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