Dear Chris,

   Thank you for this.

   Our paper suggested a 'reicht grosse ordinari Lautten' (proper large
   common lute) in the nominal Dm tuning at 72cm - which, based on the
   breaking stress of gut, indicates a pitch of the first course (at
   nominal f'') a whole tone below A440 ie at A392: - I'm not sure how you
   deduce from this that we suggest that such a sized lute would have its
   first course at c' at A467 (this would give a first course nominal
   pitch at A392 of only d#' not f'' as we suggest).

   Regarding your Frei instrument the usual advice might be best: tune it
   so that the first course is as close to breaking as practical (ie
   without breaking too frequently).

   MH
   .--- On Fri, 23/9/11, Christopher Pearcy <c.pear...@uni.brighton.ac.uk>
   wrote:

     From: Christopher Pearcy <c.pear...@uni.brighton.ac.uk>
     Subject: RE: [BAROQUE-LUTE] v Radolt's lutes again
     To: "Martyn Hodgson" <hodgsonmar...@yahoo.co.uk>,
     "baroque-lute@cs.dartmouth.edu" <baroque-lute@cs.dartmouth.edu>,
     "lute.cor...@sunrise.ch" <lute.cor...@sunrise.ch>
     Date: Friday, 23 September, 2011, 19:04

   Thank you Martyn and Andreas
   However this leaves me even more puzzled. If v Radolt's reicht grosse
   ordinari lautten is a pretty standard German lute of around 72cm and
   its chanterelle is tuned at c1 at A467 it would be working well below
   its working tension (breaking tension minus 2 or 3 semitones). Might
   the mittere lautten be the the 'standard' lute and the grosse ordinari
   lautten be ordinari because it's an 11c lute and not a theorbo (another
   sort of grosse lautten) and grosse because it's above 'standard' size
   (like some of the Edlinger lutes)? This of course questions what chor,
   cornet and kammer - ton were in 1701 in Vienna - unless the strings
   played at a very high pitch, but that would probably cause problems in
   terms of the working tension of the violins. What solution does Hubert
   Hoffmann offer?
   My original question was to help me decide on a pitch for my small Frei
   but I think this may be muddying the waters. Please feel free to ignore
   this line of puzzling if you find it irritating.
   Best wishes
   Chris
     __________________________________________________________________

   From: Martyn Hodgson [hodgsonmar...@yahoo.co.uk]
   Sent: 23 September 2011 08:48
   To: baroque-lute@cs.dartmouth.edu; Christopher Pearcy
   Subject: Re: [BAROQUE-LUTE] v Radolt's lutes again
   See the paper by Bill Samson and myself (FoMRHI Comm 737 - available
   from the FoMRHI archives) about Von Radolt's instructions.

   Regarding the sizes of the lutes, the instructions suggest various
   sizes of 11 course lutes lute ranging from approx 54cm string length
   (Radolt's very small lute)  through a middle sized lute around 61 cm to
   his proper common lute at 72cm.

   The likely pitch (discussed in the paper) is determind by the
   instrument's string length and tensile strength of gut.

   MH


   --- On Fri, 23/9/11, Christopher Pearcy <c.pear...@uni.brighton.ac.uk>
   wrote:

     From: Christopher Pearcy <c.pear...@uni.brighton.ac.uk>
     Subject: [BAROQUE-LUTE] v Radolt's lutes again
     To: "baroque-lute@cs.dartmouth.edu" <baroque-lute@cs.dartmouth.edu>
     Date: Friday, 23 September, 2011, 8:29

      Dear all
      If anyone has a copy of the v. Radolt lute concerti, could you tell
   me
      what are the (nominal) pitches of his 3 lutes in relation to the
   string
      parts. I'm looking at alternative pitching for my small Frei - and
   this
      may give me additional data to add to breaking index and pitch
      standards.
      Thanks in anticipation.
      Chris
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