Le 9 mai 09 à 20:32, Neil Tiffin a écrit :
I am using the following in a shell script to start lilypond
export LYEDITOR='bbedit +%(line)s %(file)s'
echo $LYEDITOR
cd '/Users/Shared/MainMusicFolder/lilypond files'
/Applications/LilyPond.app/Contents/Resources/bin/lilypond --verbose
-fpdf
Nicolas,
This looks really good and would have save me considerable time.
Thank you for the pointer.
Lilypond team: Could the info in the article or at least a pointer be
added to
http://ivo.bouwmans.name/lilypondleopard/
Lilypond team: the info in the docs at
We don't link to external websites in the docs. If you can tell
us exactly what text to add or remove, we can do that.
See:
http://lilypond.org/web/devel/participating/documentation-adding
(in particular, Small additions)
Cheers,
- Graham
On Sun, May 10, 2009 at 06:32:53AM -0500, Neil Tiffin
Sure, Please add another note following just after the existing note
at the bottom of the 2.3 Point and click.
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Point-and-click#Point-and-click
table class=cartouche border=1trtd pbNote:/b The
methods described above
1. The beamed stems on the beat are too short, they should be the same
lenght (an octave) as the 1/4 note on the second beat. Thus the c's
would have the same stem lenght. Also the stem lenghts on the third and
fourth beat should be the same. The third beat stems are a little too
long and the
Pekka Siponen wrote:
1. The beamed stems on the beat are too short,
they should be the same length (an octave) as
the 1/4 note on the second beat. Thus the c's
would have the same stem length.
The stems and beams in the first beat look
exactly as they should according to p.105 of Ted
Ross'
Mark Polesky wrote:
Pekka Siponen wrote:
Also the stem lengths on the third and fourth
beat should be the same. The third beat stems
are a little too long and the fourth beat stem
is too short. Attached is the lilypond output.
I will look into this. What source are you using
to make
On Sun, May 10, 2009 at 5:56 PM, Mark Polesky markpole...@yahoo.com wrote:
As far as implementing this, I have no idea. I
don't know how LilyPond is set up to calculate
these things, and I imagine making changes of this
sort would be quite involved. I'll leave that to
the developers.
The
LilyPond does not use a hardcoded set of rules; rather, it tries to
score different configurations, and pick the one with the best
scores. This is a technique that works much better than hardcoding
different rules, but in some cases there are small divergences with
the 'prescribed' quants.
Han-Wen Nienhuys wrote:
The rules in Ross' books are guidelines, and they certainly don't
cover all the cases.
Yes, but what about the too-short stem on the
middle-line note:
Your assertion that the 4th beat stem is too short
is supported by Ted Ross, who says on p.85 that the
downward
Hi I recently installed ubuntu 9.04 which uses lilypond version 2.12.1-0.
I used SeparationItem #'padding# on most of my printing as an include
file attached to the file exported from tuxguitar.
But try as I might I cannot get either NoteMusicalPaperColumn or
PaperColumn to work. Can any give
On Sun, May 10, 2009 at 6:26 PM, Werner LEMBERG w...@gnu.org wrote:
LilyPond does not use a hardcoded set of rules; rather, it tries to
score different configurations, and pick the one with the best
scores. This is a technique that works much better than hardcoding
different rules, but in
On Sun, May 10, 2009 at 6:44 PM, Mark Polesky markpole...@yahoo.com wrote:
Han-Wen Nienhuys wrote:
The rules in Ross' books are guidelines, and they certainly don't
cover all the cases.
Yes, but what about the too-short stem on the
middle-line note:
It could be that there is a bug; there
My point is that the stem lenghts should lead the eye: if the note goes
down the stem goes down, if the note stays the same the stem stays the
same. Ross book maybe a good starting point to this.
My original example would be fine if the phrase ended on the first beat,
but it is supposed to
My point is that the stem lenghts should lead the eye: if the note
goes down the stem goes down, if the note stays the same the stem
stays the same. Ross book maybe a good starting point to this.
Noone is questioning this.
My original example would be fine if the phrase ended on the first
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