Comment #12 on issue 1127 by lemzw...@gmail.com: Piano staff centred
dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
The comment in #11 is a good one, I haven't thought of this. So centering
between the skylines is more preferable, perhaps combined with a certain
unwilli
Comment #11 on issue 1127 by ahawry...@gmail.com: Piano staff centred
dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
This is a very helpful example, Keith. Either version 2 or 3 looks right to
me, with 3 being preferable if space permits. Skyline-centred dynamics seem
to
Comment #10 on issue 1127 by k-ohara5...@oco.net: Piano staff centred
dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
Could you show us how it looks if...
Oops; I meant to attach the .ly file.
Attachments:
Beeth.ly 2.5 KB
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Comment #9 on issue 1127 by lemzw...@gmail.com: Piano staff centred dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
Thanks for the example! I prefer the bottom staff to the top one, except
that it would be desirable that the dynamics in the second and third bar
stay slightl
Comment #8 on issue 1127 by k-ohara5...@oco.net: Piano staff centred
dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
So it seems the desire is to move individual dynamics (or groups linked as
per issue 1362). When the music is tight the dynamics are forced midway
between
Comment #7 on issue 1127 by perpeduu...@gmail.com: Piano staff centred
dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
+1 for Keith's work second result. I guess I have to rephrase my demand
to "sensibly centered dynamics".
To yield this, I wonder whether it already suffice
Comment #6 on issue 1127 by lemzw...@gmail.com: Piano staff centred dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
Your second system looks almost perfect, Keith! And the vertical position
of the blue p looks good also. The only remaining issue (not covered with
the secon
Comment #5 on issue 1127 by k-ohara5...@oco.net: Piano staff centred
dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
This is confusing. Let's use pictures.
Comment 1 (part 2a) says to spread the staves if centered dynamics hit
either skyline, which I interpret as line 1 in
Comment #4 on issue 1127 by lemzw...@gmail.com: Piano staff centred dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
The example in the last comment is extreme IMHO, but it points into the
right direction. Let me formulate a possible algorithm slightly
differently:
1. In t
Comment #3 on issue 1127 by ahawry...@gmail.com: Piano staff centred
dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
Attached is a hand-engraved example of centred dynamics from a piano score
[1]. The individual dynamic marks are centred between the skylines by
shifting t
Comment #2 on issue 1127 by d...@gnu.org: Piano staff centred dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
I have a hard time imagining what "centre dynamics accurately between the
piano staves" is supposed to mean. Presumably the center is determined
between the staves
Comment #1 on issue 1127 by kie...@alumni.rice.edu: Piano staff centred
dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
I am making an explicit offer of US$100 on this fix.
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New issue 1127 by PhilEHolmes: Piano staff centred dynamics
http://code.google.com/p/lilypond/issues/detail?id=1127
Alexander Kobel, Kieren MacMillan and others have requested the ability to
centre dynamics accurately be
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