On Thu, Jun 21, 2012 at 11:09:13PM +0100, Trevor Daniels wrote:
>
> David Kastrup wrote Tuesday, June 19, 2012 10:57 AM
> >
> > "Both in relative notation" is asking for trouble. I'd strongly suggest
> > only inverting absolute music, and the result of \relative ... _is_
> > absolute music.
>
David Kastrup wrote Tuesday, June 19, 2012 10:57 AM
> "Trevor Daniels" writes:
>
>> Colin Hall wrote Tuesday, June 19, 2012 1:12 AM
>>
>>> It looks like the behaviour has been explained by David Kastrup here:
>>>
>>> http://lists.gnu.org/archive/html/lilypond-user/2012-06/msg00380.html
>>>
"Trevor Daniels" writes:
> Colin Hall wrote Tuesday, June 19, 2012 1:12 AM
>
>> It looks like the behaviour has been explained by David Kastrup here:
>>
>> http://lists.gnu.org/archive/html/lilypond-user/2012-06/msg00380.html
>>
>> So, no bug in Lilypond to report then.
>
> Correct.
>
>> If
Colin Hall wrote Tuesday, June 19, 2012 1:12 AM
> It looks like the behaviour has been explained by David Kastrup here:
>
> http://lists.gnu.org/archive/html/lilypond-user/2012-06/msg00380.html
>
> So, no bug in Lilypond to report then.
Correct.
> If either of you, Alexandre or Trevor, woul
On Wed, Jun 13, 2012 at 11:31:34PM +0100, Trevor Daniels wrote:
>
> ALEXANDRE FICAGNA wrote Wednesday, June 13, 2012 2:57 PM
>
>
> >I still didn't picture exactly how \inverse works in its from-pitch
> > to-pitch variables, but I tried an example and what I got is the
> > correct inversion of pi
You're right, it worked better with relative for melody.
Still, it seems that changing from-pitch alters the note of
transposition, while to-pitch changes absolutely nothing.
Best
Alexandre
2012/6/13 Trevor Daniels :
>
> ALEXANDRE FICAGNA wrote Wednesday, June 13, 2012 2:57 PM
>
>
>>I still didn'
ALEXANDRE FICAGNA wrote Thursday, June 14, 2012 12:12 PM
> You're right, it worked better with relative for melody.
> Still, it seems that changing from-pitch alters the note of
> transposition, while to-pitch changes absolutely nothing.
David explained the reason for the behaviour in your earl
ALEXANDRE FICAGNA wrote Wednesday, June 13, 2012 2:57 PM
>I still didn't picture exactly how \inverse works in its from-pitch
> to-pitch variables, but I tried an example and what I got is the
> correct inversion of pitches, but each one was an octave above.
>
> Here's the code:
>
> \version "