Werner LEMBERG schreef:
Perhaps I was unclear, but my example represents an instrument
part in a full score, and I want to use the same source for both
the full score and the part.
That's still true, but you would have split rests if you have \bar
"|:" or key sig changes in the part.
OK. Anyw
> > Perhaps I was unclear, but my example represents an instrument
> > part in a full score, and I want to use the same source for both
> > the full score and the part.
>
> That's still true, but you would have split rests if you have \bar
> "|:" or key sig changes in the part.
OK. Anyway, it wo
Werner LEMBERG schreef:
Grace note synchronization can also lead to surprises. Staff
notation, such as key signatures, bar lines, etc., are also
synchronized. Take care when you mix staves with grace notes and
staves without, for example,
<< \new Staff { e4 \bar "|:" \grace c16
> > (In a score, the \acciaccatura commands are necessary to get proper
> > horizontal spacing.)
> >
> > If skipBars is set to #t, it should result in a single 6-Bar rest
> > instead of three two-bar rests (which is what you currently get).
> >
> > With other words, grace notes should be complet
Werner LEMBERG schreef:
[Version 2.9.7]
Consider this:
R1*2 |
\acciaccatura { s8 } R1*2 |
\acciaccatura { s8 } R1*2 |
(In a score, the \acciaccatura commands are necessary to get proper
horizontal spacing.)
If skipBars is set to #t, it should result in a single 6-Bar rest
instead of thr
[Version 2.9.7]
Consider this:
R1*2 |
\acciaccatura { s8 } R1*2 |
\acciaccatura { s8 } R1*2 |
(In a score, the \acciaccatura commands are necessary to get proper
horizontal spacing.)
If skipBars is set to #t, it should result in a single 6-Bar rest
instead of three two-bar rests (which i
