On 7/31/2014 8:16 PM, Dave C via Callers wrote:
WHAT IS GOING ON??? I sent this email on MONDAY, July 28. It showed
up in my inbox, finally, date stamped today, 7/31/14 at 10 pm.
WTHWHY Can SOMEONE actually tell me what is going on
with this email system??? Thanks,
Dave Co
Michael,
If I were writing these dances, I'd probably give them all the same name and
call them #1, #2, and #3, because they have the same overall sense and theme -
easier for me to keep track of them. If different people had written them at
different times, they could probably call them diffe
Dave,
I have sent you three emails - two directly to you and one via this
list. Please contact me directly.
Seth
On 07/31/2014 11:16 PM, Dave C via Callers wrote:
WHAT IS GOING ON??? I sent this email on MONDAY, July 28. It showed up in my
inbox, finally, date stamped today, 7/31/14 at
Actually all three dances from my previous message contain the 32 count
sequence
Circle left, neighbors swing; women chain over and back
and also
Partners swing in center, end facing new neighbors
and also the 16 count sequence
Do-si-do across once and a quarter to form one l
Which of these improper dances are the "same" ?
All contain
the 32 count sequence: Circle left, neighbors swing; women chain over
and back
and also
Partners swing in center, end facing new neighbors
and also
Do-si-do across once and a quarter to form one long way lin
Thanks. I understand the concerns on timing wrapping back around to the A1
Petronella. I wonder, would music on the slower side just make folks move
slower overall and be just as late?
Just for the interest of the discussion, below is another of my double
cross-trail concept dances which avoids th
The timing on zigzags is indeed squishy. That means the choreography can
fit it one way or another, but dancers will be prone to get there early or
late if it doesn't fit well.
Here's something to compare with: allemandes. I think it's well-established
that allemande 1+1/2 takes 8 counts.
How abo
I agree that the timing (say, from a zig-zag into a do-si-do) can be squishy,
but I like it if the music encourages the dancers to be on time. Once I asked
Anna Patton for a tune that "swoops" into A1 from B2, with the explanation that
the A1 figure is a do-si-do, and but the dancers are coming
