Heh.
Does this still count as a no-circle Becket if it's a single-file
march /promenade in a circle? ;)
On Mon, Apr 20, 2015 at 10:39 PM, Laur via Callers
wrote:
> yes, thanks!
>
> ~
> When I dance, I cannot judge, I cannot hate, I cannot separate myself from
> life. I can only be joyful and who
yes, thanks! ~
When I dance, I cannot judge, I cannot hate, I cannot separate myself from
life. I can only be joyful and whole, that is why I dance. ~Hans Bos~
~
On Monday, April 20, 2015 10:36 PM, frannie via Callers
wrote:
Definitely Frannie not Fannie. :-)~Frannie Marr.
Sout
Definitely Frannie not Fannie. :-)
~Frannie Marr.
Southern California
On Apr 20, 2015 7:31 PM, "Maia McCormick via Callers" <
callers@lists.sharedweight.net> wrote:
> Hmm, I have it written as "Frannie's Alarm Clock"... Is this the dance
> you're looking for?
>
> *Frannie's Alarm Clock* by Luke
Hmm, I have it written as "Frannie's Alarm Clock"... Is this the dance
you're looking for?
*Frannie's Alarm Clock* by Luke Donforth (becket, counterclockwise; mod+)
*A1:* gents alle. L 1 1/2; N swing
*A2:* long lines, ladies roll next N; ladies chain
*B1:* half hey; single file circle R in hands-4
Does anyone have "Fannie's Alarm Clock" to share?
Thanks -
Laurie PWest MI ~
When I dance, I cannot judge, I cannot hate, I cannot separate myself from
life. I can only be joyful and whole, that is why I dance. ~Hans Bos~
~
Hi Maia,
I used to organize my dance cards by difficulty, but currently, I use
categories in my box that are largely based on dance-defining figures
(Petronella, star promenade) and types of progression (slide left,
circle-pass-through). I find that system of organization to be more useful
when w
Yes!
One of the lessons I learned in a Bruce Hamilton workshop was that the
caller's attitude is a tool and it must be kept sharp. He mentioned the
example of Bob Dalsemer always projecting a strong sense of well-being,
everything is going just fine.
I realized that while my stage presence often did th
Alan wrote:"A caller can make any dance difficult, and a caller can put across
an intrinsically more difficult dance with clarity, confidence, and precise
prompting. So some of that suitability of dance to crowd has to deal with the
state of the caller. This makes it hard to write down a ratin