Hi, Maia,
At the risk of this not being exactly what you're looking for in a dance,
I'll share Julie's Gypsies.
The ladies dance the path of a full hey path across the A1 and A2 phrases.
I even describe it to the ladies as tracing the path of a hey. However, the
gents stay on their side.
I've ha
Thanks for the dances, all!
I suppose I should restate my question a little: for you, what sort of
things make a hey-spanning-two-phrases feel like it WORKS? To quote Jerome,
what makes it seem like "a feature and not a bug"?
On Tue, Mar 28, 2017 at 10:19 PM, Vicki Morrison
wrote:
> Take All of
Take All of the Credit, None of the Blame by Larry Elderman has a full hey with
bonus balances that spans 24 beats, if this is similar to what you're looking
for:
A1 N dosido 1.25 to short wavy lines (8); bal R-L (4), N alle rt 1/2, men alle
left 1/2
A2 give P your right hand and bal (4), 1/2 (
Maia,
I wrote a simple square "Hey Square, Let's Dance" that has the hey crossing
phrases.
It must be called Heads, Sides, Heads, Sides to have a complete mixer
square.
A1 Heads Lead Right & Circle to a Line, F&B
A2 Ladies Chain, Start a Full Hey
B1 Finish the Hey, Swing the one you meet
B2 Prome
Hi folks,
I'm running up against a wall in a dance I'm currently writing, and
it's making me wonder: what dances, if any, have a full hey that spans two
sections* and really WORKS? I feel like in general, if I danced such a
dance, I would roll my eyes at the choreographer "breaking the rules", bu
