-Caveat Lector-

21st CENTURY CONJURELLA: THE LAST WITCH

by

T. Casey Brennan
Copyright © 2002

"I ain't no witch."

-- The Webfairy

This is the story of how I went to see the Webfairy.
This is the story of the last witch. This is the
story of love of trains and the Old Ones, and how I
found the Wai Lana yoga show. This is the story of
the Kundalini serpent which lurks within.

By the alleged spring of 2002, my Kundalini had risen
up again, I had murmured their barbarous, unspeakable
names, and I had set out on a new route of fame.
Anonymity was a virtue I had lost. Anonymity had
allowed me to migrate from lifestyle to lifestyle,
place to place, publisher to publisher, the left hand
never knowing what the right was doing: some time in a
witchcraft coven here, a John Birch chapter there, a
document signed by Clinton in my honor (January 1990
was T. CASEY BRENNAN MONTH in the State of Arkansas),
a place in a free meal or a shelter or a Krishna
temple, my stories in early '70s issues of the Seventh
Day Adventist mag, LISTEN, or written up in the
July/August 1987 DEMOCRATIC JOURNALIST from Communist
Prague. In the mid-1970s, I had accepted periodic
invitations to stay at the Florida home of a witch I
knew as Artemis. The now legendary Herman Slater of
Brooklyn's Warlock Shop, had also accepted her
invitation, and Artemis frequently told me of his stay
with her. Slater had published my work in his occult
journal, EARTH RELIGION NEWS, before publishing his
own version of H.P. Lovecraft's NECRONOMICON, much
debated among enthusiasts as to whether it was a book
Lovecraft had made up or found. Slater never claimed
his version was the actual NECRONOMICON, only that he
had found essays from the same time period ascribed to
the creation of the NECRONOMICON, so that it was, in
Slater's view, what the NECRONOMICON might be like.
But the magical essays which made up Slater's version
of the NECRONOMICON developed their own mythology.
They had been stolen, they said, from a library by an
Old Catholic Archbishop, named Simon. Ironicly, I once
spent the better part of an afternoon walking around
Brooklyn with Archbishop Simon, having met him by
chance at the Warlock Shop, without a clue as to who
he really was or would do, or that he would abruptly
disappear from view after providing the ancient essays
for Slater's book, now sometimes called the
Simonomicon. Anyway, it was with Herman's friend
Artemis that I oftened stayed in Florida, alternating
that with brief flings in the inexpensive,
elevatorless, and often cockroach ridden hotels that
then lined that area of Miami Beach which overlooked
their free beach, Lummus Park. Later, the only Arab
mayor of Miami Beach, Alex Daoud, who would soon face
prison on questionable charges involving city
contracts, would write about me in these words: "City
of Miami Beach PROCLAMATION WHEREAS: T. CASEY BRENNAN
is sincerely concerned about the well-being of
children and has shown untiring efforts to inform
children of the ill effects of cigarette, pipe and
cigar smoking; and WHEREAS: In his effort to inform
children of these ill-effects, T. CASEY BRENNAN has
gone on a one-person crusade to prohibit the
illustration of smoking in children's comic books; and
WHEREAS: Because of this crusade, T. CASEY BRENNAN has
had a serious impact on the comic book industry
causing several of the most prominent comic strip
series and characters to forsake smoking; and,
WHEREAS: The City of Miami Beach applauds T. CASEY
BRENNAN for his dedication and effort in encouraging
the youth of today to make wise decisions concerning
their health. NOW THEREFORE, DO I, Alex Daoud, Mayor
of the City of Miami Beach, proclaim the month of
January 1989 as T. CASEY BRENNAN MONTH in the City of
Miami Beach. IN WITNESS WHEREOF, I have hereunto set
my hand and caused the great seal of the City of Miami
Beach to be affixed. DATE January 1, 1989 MAYOR Alex
Daoud". In my own way, I loved Artemis too. She was
delicate, pretty, and very much the hobbyist kind of
witch. Or, well, maybe. I often wonder if she didn't
put a spell on me to make me forget the name of that
damned Processian. In the days before the Son of Sam
killings, she told me how one of the Church of the
Process cultists had sought her out. The Processian
had been a priest, she said, and his attributes
included that he served both Christ and Satan, and
generally eschewed sex. But, to my horror, she went on
to explain, after months of professed abstinence on
his part, he had sex with her in her hospital bed as
she was recovering from surgery. Generally, however,
the coven of Artemis consisted of articulate
suburbanites; hobbyists who haunted occult bookstores
and hobbyists. I began to theorize that the Processian
was calling Artemis, demanding my removal from the
coven. Perhaps he was. Or perhaps I had imagined it
all; a decade later, I would join a dissident Krishna
sect in Berkeley, then find the Temple set upon by
reporters, when a former imprisoned priest, who had
slept there before me, had tried to kill Manson in
prison.

But the advent of the '90s had shattered me. I had
lost the knack of always talking a girlfriend or a
business contact out of a plane or train ticket to my
next station: was that the word? Long before I took
the train from Ann Arbor to Chicago in March, I had
taken a train to Toronto, in the early '70s some time.
I met a girl on the train and fell in love, as I
always did. Her name was Julie, and she told me with
that great earnestness of a gorgeous young girl, her
eyes wide, her dark hair falling in wavy strands about
her face: "Home isn't where you happen to be
STATIONED. It's where your heart is," she said with
all her heart. But then too, I was anonymous, and I
was never to see her again.

But the 90s which had destroyed me wore on, restoring
my fame, but robbing me, for all time, of that
anonymity which, in fact, had been so useful to me. In
1996, Harris Comics reprinted my Vampirella comic book
stories as VAMPIRELLA OF DRAKULON #1-3, and,
coincidentally, in that same time period, my late
mother's book, CASTLE MIRAGE by Alice Brennan, was
reprinted in England by a company known as
Ulverscroft. I ran across the listing in a BOOKS IN
PRINT Index, and contacted Ulverscroft, asking why
they hadn't paid me. They referred me to her agent,
Kurt Singer, incidentally, himself a former OSS
operative, and he, in turn pointed out that my late
mother had signed off all foreign rights to the book.
To him. However, he said that if I would write
something autobiographical about my family, he'd
include it as an intro to future editions, and pay me
for the new material. I prepared "Castle Mirage - The
Prelude: Conjurella", the first of a series of
autobiographical stories alleging my own, and my
family's unwilling participation in the JFK
assassination. Singer received the manuscript,
collapsed of an infection, and had his leg amputated
and his company, Singer Media, suspended. Undaunted, I
sent the manuscript to Anathema Research in Austin,
Texas, thus triggering a series of fan pages about me,
from around the world, usually centering around some
combination of my JFK statements and my former role as
an award winning comic book writer. As in Dallas, I
knew I must ignore the blood. Singer was not the first
to fall; he would not be the last. But bitterly I
knew, even then, that the blood and the guilt must be
kept in a sealed-off compartment in my soul.
CONJURELLA, the final secret of the Kennedy
assassination, must be fun, must be a game, must be
part of CREEPY comics, of goth costumes and fanzines
and skateboarding. Those who fall will go unnoticed; I
cannot tell, they will not hear.

So the 21st Century had found me, not locked in
remorse over the deaths that I and my late father had
caused, in our efforts to tell what Dr. Earnshaw had
done, but rather, in a hot pursuit of the writing
career I had lost. In that context, I had noted: the
Internet had chronicled a great deal of my work.
Included had been my essays of sorcery and black magic
from the mid-70s. It had been published in a variety
of occult journals, and was the only BAD work I'd ever
produced, with one exception, in the Motta EQUINOX,
Vol. V, No. III. Motta's version of the Crowleyan sect
was later sued, but an Australian website still sells,
for an exorbinant price, the volume with my story.

But the Internet chronicles all, and now my occult
work was cursed, praised, and dissected, along with my
comic book work which preceded it, or my JFK work
which followed, years later. It was, then, inevitable,
that my former attachment to the occult should present
a fabric for my account of the Kennedy assassination,
as I continued the autobiographical series I called
CONJURELLA.

And do now. But the anonymity, like the innocence is
gone. Last year, comic book fandom had taken to
belatedly recognizing me as a star again. Two
convention appearances, and write-ups in the May 2001
Motor City Comic Con booklet and THE WARREN COMPANION,
a trade paperback and hardcover from COMIC BOOK ARTIST
magazine, had secured my position as a celebrity
author again. Odd then, that the JFK statements which
had formed the basis for my resurgence in popularity,
and spawned thousands of followers the world over,
were noted only obliquely, if at all.

But at the May 2001 Motor City Comic Con in Novi,
Michigan, anonymity, the sacrificial lamb, had been
slain. By the second day of autograph signing and
hobnobbing with present day celebrities, I had been
firmly imprinted with my newly recovered role. The
comic book creator guests had been joined by a host of
guests of greater stature, television and movie stars
and pin-up girls from the top magazines on the stands.
Karen Morton had assisted me in finding the limo back
to the hotel on the first day; Patti Reynolds had
helped me get into my hotel room at the Doubletree,
baffled as I was by the computer card which had
replaced the hotel key in this modern age. Both were
celebrity pin-up girls; lunchtime sometimes found me
socializing with the cast of Batman or the James Bond
movies. Who did and did not know of my JFK statements
was never clear, but virtually everyone knew of my
work for the Warren line of horror comics, CREEPY,
EERIE and VAMPIRELLA. Ironicly, it was a far greater
matter to have been an award-winning Warren comics
writer in 2002, than it had been when my stories there
had actually been on the stands. A poorly reviewed
Showtime VAMPIRELLA movie in 1996 had included The
Who's Roger Daltrey in the cast; many felt that film
adaptations of Warren's other comics, CREEPY and
EERIE, would eventually follow. In the months that
followed, though still employed as a dishwasher, I
found myself invited to numerous campus parties as a
celebrity author. Amongst the radio interviews and the
guest appearances, fans sometimes found their way to
my place of employment, where I would be called up to
the bar from the dish machine to personally autograph
bar coasters for them.

After months of rising adulation and dwindling
paychecks, I found myself in the Ann Arbor homeless
shelter again, and in the hands of the Darkside group.
And how I came to believe in witches again, after all
those years.



Astronomy Picture of the Day



The Darkside group consists of lay researchers into
the world of the CIA and drugs, most particularly in
the area of the CIA's illegal drug and hypnosis
experiments, MK-ULTRA, exposed by Congress in 1977.
They are, essentially, middle class hobbyists, not
unlike the hobbyists who make up the ranks of comic
book fandom, or my friends of bygone eras among the
John Birchers or the witchcraft covens.

They have no training, no professional status, no
authoritative manuals, no funding or authorization by
church or state: only a decisive prediliction to the
effect that victims of this MK-ULTRA project now walk
the streets, unrecognized as such. One of the prettier
of them, a UFO essayist who calls herself Wiolawa,
theorizes that I am half Alpha Draconian serpentine
alien.

So the Webfairy, a guiding light of the Darkside
group, summoned me forth. In CONJURELLA, I had written
of J.H. Earnshaw, D.O., of Port Hope, Michigan,
alleging he had subjected me to MK-ULTRA experiments
of the 1950s, before forcing me to initiate the
firing, at the age of 15, from the Texas School Book
Depository Building in Dallas. And it was those very
statements of MK-ULTRA programming that had so
interested the Darkside group, ironicly, not the way
that it all connected with the Kennedy assassination.

2002 had found me in a bizzare parallel world of Ann
Arbor homelessness. In the 80s, I had sought refuge in
the shelter, only to find that the rowdy and violent
shelter denizens were less dangerous only than the Ann
Arbor social work community, which had fostered
arrangements both with my former drug dealers and my
late parents' political foes. But in 2002, gone were
the hostile, glowering shelterites, who had
occassionally stabbed one another in their beds in
earlier eras; gone the scheming, corrupt officials who
watched over them. The shelterites of 2002 behaved as
if they had been hand-picked from the cast of a 1930s
film on the Dust Bowl: demure, considerate, concerned
for each others problems, and greeting one another in
the morning as brothers. The staff, meanwhile, read my
comic books, posted a printout of the British T. Casey
Brennan fan page on the bulletin board, and had me
sign autographs and pose for pictures with them.
Fellow shelterites, heartened by this, announced that
they too planned the publication of essays, poems, and
books. Into this maelstrom came the Webfairy. She had
attracted the notice of the Darkside group by posting
commentaries on my CONJURELLA work, of which she had
read, regrettably, far too little. But she had founded
the non-existent Church of Reason, which consisted of
no Temple or congregation, but a website only. Within
its pages, she wrote of Diogenes and Eris, and the
philosophy called Discordianism. Further, she
maintained, Robert Anton Wilson's FNORDS, of the
Illuminatus Trilogy, were good.

She began by emailing, then calling me at work,
offering a pre-paid train ticket and a stay in
Chicago. But, by now, things had reached the point
where Ann Arbor was only inhospitable by night; by
day, I was a celebrity author again. Still, the
Webfairy offered a new power base, and a chance to be
in a real house again, instead of a shelter, however
briefly. So on that day in March, after rapt email
consultation with the leading members of the Darkside
group, I made my way to the Ann Arbor Amtrak station.
I recited a confirmation number to the clerk, who
presented me with my tickets, to and from Chicago.

There was no romance on the train from Ann Arbor to
Chicago, no pretty girl to sit beside, no
reminiscence, no long good-bye. As Dali had echoed the
Angelus in his art, recognizable, but not the same, so
had the train to Chicago mirrored the trains I had
taken through Canada, so long ago. But then, there had
always been love, a lost love, a new love, or
sometimes only a fandom which loved my art. But the
cold cloudy spring which covered the terrain that
stretched between Ann Arbor and Chicago could do
little to mimic Canada. Still, this was not T. Casey
Brennan at his best, this was not a comic book
convention or a television appearance, this was T.
Casey Brennan being rescued from a homeless shelter by
one of his readers, and one who could, at that, barely
afford it.

We pass Michigan City, Indiana, and I remember that
Michigan City had something to do with the west, but I
don't remember what. On still another trip to the west
of long ago, my late father and I visited Glad Valley,
South Dakota. He had worked on a sheep ranch in what
had become Glad Valley in the late 1910s, at the age
of 15, when much of the west was still as it was when
it was young. He bragged of having killed two men for
a local lawmen, and of association with an outlaw
named Clay Allison.

Michigan City, on that day in March, is cold and
foreboding, and swept with little whisps of snow, like
Toronto in January was when I wrote of it in another
Conjurella story: CONJURELLA MESSIAH: NECRONOMICON
MONKS. Yet, it has not mattered how detailed the
statements I have made, like Singer's amputated leg,
they have gone unheeded.

I learn from a girl on a cell phone behind me that the
train will be late. But to me, it will not matter. I
have no idea when the train is to arrive anyway, the
Webfairy has taken care of all arrangements, and I am
certain she will be there when it does.

Closer and closer looms Chicago. I await with
anticipation, never pausing to open a book or a
newspaper, or start a conversation. Unbeknownst to me,
I have contracted a virus which, on the following day
will strike. The train pulls into the station, and,
weighted by this oncoming fever, I set out to find the
Webfairy. It is not difficult; she is waiting
patiently, at the end of a long aisle, though the
train is considerably late. We take a long, confusing
taxi then subway ride back to her house. Her home is
an herbal apothecary, stocked with garlic, ginger,
peppers, and some two dozen dietary supplements.

But it is of no use, and soon I have succumbed to the
fever, and I tell the Webfairy the greatest secret:
that in 1959, when I first met Lee Oswald through Dr.
Earnshaw, Lee was terrified that Earnshaw and Ferrie
were plotting to assassinate Eisenhower, and did his
very best to protect the President, and me also.

But it of no use, and soon I have succumbed to the
fever, and I tell the Webfairy the greatest secret:
that Dr. Earnshaw, the MK-ULTRA doctor had terrorized
me with occultism, a favored technique of those whose
medical forte is mind control and trauma conditioning.


But it is of no use, and soon I have succumbed to the
fever, and I tell the Webfairy the greatest secret:
that, in the Old Times, before Man ruled the Earth,
the Old Ones ruled, that it was inevitable that they
would take back the earth. The earth would end as it
began, and those great serpents who had ruled this
planet far longer than we had, would rule again.

In a few days, I have recovered somewhat, though now
the Webfairy looks sick. She is an attentive hostess,
and has shown much concern for my condition, bringing
me food and herbal tea. On Easter, when I am not yet
well, she takes me to the Green Mill, a Chicago bar,
and I have a ginger ale while she sips a Rolling Rock.
The Webfairy says she has taken the occult
undercurrent of my stories seriously; in vain, I tell
her that was not how it was meant to be. I discover
Wai Lana, the greatest TV yoga teacher of all time on
her television set. A pretty college coed from my past
emails me; I answer on the Webfairy's computer. I have
survived the sickness which struck me, as I embarked
from the train. My Kundalini has risen up; I have
faithfully taken the Webfairy's herbs and peppers and
teas. I am returning to Ann Arbor. My homelessness is
at an end, or it has been mastered. I will be a guest
elsewhere soon. But for now, I want pretty young girls
and skateboard lessons. I want comic book convention
appearances and party invitations. And I want those
Old Serpents who ruled before man, to come up from
their endless slumber and rule where man rules now.
All in all, it has been a good trip, and in these
final days in Chicago, I know I will miss the Webfairy
deeply. So the Webfairy was the last witch, a
disciple, she says, of the goddess Eris. I know now
that my days of poverty and homelessness are numbered,
and cannot forget, that she has Ushered In the Age.


THE END








=====
http://www.darkelfdesigns.homestead.com/mkultra01.html
http://tcaseybrennan.knows.it
http://tcasey.inri.net  http://www.angelfire.com/me/carcano
http://www.geocities.com/avalard/brennan  http://www.anomalog.com/conjurella.html  
http://www.popimage.com (Scroll down to my 5/12 Popimage COLUMN, CONJURELLA AVOCA: 
BLUE WATER LAST MEMORIES by T. Casey Brennan and click for my latest story.)



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