I have used software including vue scan, silverfast, Epson scan and Canon
scan. One of the problems I have had is the capturing the dynamic range of
a color negative film. Clipping of the highlights is a real problem. One of
the solutions I came up with is to scan the negative as a low contrast
po
Am 06.11.21 um 02:11 schrieb David Vincent-Jones:
Looks like I will have to do the scanning myself
Darktable ist optimized für the development of raw-pics.
Scanning (film, slides, ..) need other skills like reconstruction of
original colors and detecting and removing dust on the film
found that saving a preset for the type of film being
processed will make it easy to get consistent colour.
From: David Vincent-Jones
Sent: Saturday, 6 November 2021 12:11 PM
To:darktable-user@lists.darktable.org
Subject: Re: [darktable-user] Kodak GC 400 film
The
it easy to get consistent colour.
From: David Vincent-Jones
Sent: Saturday, 6 November 2021 12:11 PM
To: darktable-user@lists.darktable.org
Subject: Re: [darktable-user] Kodak GC 400 film
The negs were scanned by an outside business and as a first problem the
The negs were scanned by an outside business and as a first problem the
data does not include any raw film-stock so I am unable to use the basic
correction of negadoctor.
Looks like I will have to do the scanning myself
On 2021-11-05 14:50, Andrew Greig wrote:
On 6/11/21 6:59 am, David Vince
On 6/11/21 6:59 am, David Vincent-Jones wrote:
I have recently received some of the above Kodak film and have already
had the first roll developed. Does anybody have experience with
processing this filmon dt and if so are there any recommended optimal
steps to establish a base processing positi
I have recently received some of the above Kodak film and have already
had the first roll developed. Does anybody have experience with
processing this filmon dt and if so are there any recommended optimal
steps to establish a base processing position.
David
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