On Fri, 19 Feb 2021 08:20:03 +
ho...@in-chemnitz.de wrote:
> has it a similar way of defining the parameter map DT is using? By
> playing with the masking contrast and gain in DT one can kind of
> control what's seen as Blacks, Shadows, What is what may
> highly depend not only on the abs
Hi,
has it a similar way of defining the parameter map DT is using? By
playing with the masking contrast and gain in DT one can kind of
control what's seen as Blacks, Shadows, What is what may highly
depend not only on the absolute luminance but also on the intention of
the photograph
On Thu, 18 Feb 2021 16:58:39 -0800
David Vincent-Jones wrote:
> One thought that I have had is that the mask be displayed in a
> continuous range of color ... OK, maybe that sounds mad but this
> would allow us to better view the data in the same way that we view
> elevations on a map. Years ago
One thought that I have had is that the mask be displayed in a
continuous range of color ... OK, maybe that sounds mad but this would
allow us to better view the data in the same way that we view elevations
on a map. Years ago my business was involved with satellite mapping and
we used color se
Hi, Terry, all - just to announce I have used the ToneEQ on a couple
of images now and I start to like it :-) Once you know how it
basically works it is fun to use (albeit lots of surprises may lurk in
the dark).
(Apolgies to István for totally misspelling köszönöm ... never had to
write Hu
Terry Pinfold schrieb am 18.02.21 um 22:18:
A couple of
'improvements (?)' I would like to see going forward with tone equalizer is
to have the mask's histogram on display as I adjust the sliders in the
masking tab. At the moment I jump back and forth between the advanced tab
and the masking t
Hi, István, kösenem,
the principle is understood. The ToneEQ-created parameter mask does
only indirectly relate the tonal correction to the image areas. The
suggested series of parametric masks and related tonal corrections
OTOH gives direct control.
The ToneEQ-internal mask assigns a certai
Aurelien is a really talented developer that has brought some great
features to Darktable including Filmic, Tone Equalizer and I believe Color
Calibration. I have been impressed with how he has continued to improve
both Filmic and Tone Equalizer to make both of these modules more user
friendly and
Tone EQ allows you to apply different exposure compensations to
different parts of the image.
You can achieve a similar effect by creating several instances of
exposure, e.g. one without a mask, so set overall brightness; one with
+1EV to lift the shadows, with a parametric mask; and one with -1 EV
Yes, I can see how it is confusing -- the luminance-based mask of the tone
equaliser versus the drawn/parametric "alpha-channel" mask used in the
darktable generic masking and blending function. Unfortunately both these
concepts are commonly referred to as a "mask" in the image processing
literatur
Hi, everybody,
I had some difficulty to understand what the term "mask" means with
the ToneEQ module. Only after watching Aurelien's tutorial
(https://www.youtube.com/watch?v=kzACn3l49HM), in particular the part
starting at 20:13, I grasped the idea (which is actually not hard to
understa
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