--empyre- soft-skinned space--Yes, Renate. I can name a few at the top of my head. Also, these artists
deal with the body, but also embodiment, and of thinking of immersion
through the body.
The work of Pipilotti Rist: https://pipilottirist.net/
The classic work of Cha
--empyre- soft-skinned space--Hello one and all,
Renate Ferro and Constanza Salazar asked us to reflect on these questions:
What is a body? What can a body do? How is a body rendered an object? And,
how does this “object” have agency? How do we place/position these
won
--empyre- soft-skinned space--
Constanza wrote:
I am mostly concerned with how artists are thinking beyond the visual and
considering the senses, affect, camouflage, and embodiment through
technology/new media as a means of resistance against power and control from
--empyre- soft-skinned space--Thank you, Renate for your reply.
In my research I constantly find myself returning not only to the body but
also to feminist artists and their works. My research primarily deals with
tactical media since 2001 in the US, after 911. I am mos
--empyre- soft-skinned space--
Constanza wrote:
But for me, it was in the role that the
body played within the works by feminist artists that made an impact on me. It
was the return to the body, as an object, a material thing, a corporeal and
phenomenological thing i
--empyre- soft-skinned space--Firstly, thank you to Renate and Tim for inviting me to participate in the
April Discussion on empyre soft skinned place. I wanted to discuss my
impressions of Carolee Schneemann’s works and the impact it had in me when
I was an undergrad st
