Lone gunman’ not just an American psychosis, say experts             CHO Seung 
Hui’s first victim was Emily Hilscher, 19. Perhaps there was something about 
her that reminded him of another girl he fancied – the one he sneaked into the 
women’s dorm to see but, a roommate recalled: “When he looked into her eyes, he 
saw promiscuity”.   Was Ryan Clark, 22, her boyfriend? Cho didn’t know but he 
shot him anyway. Deprived of sex himself, he regarded those who were getting it 
with malevolence.   After posting his multimedia manifesto to NBC News, went 
back to his room, grabbed his weapons and set out for more killing.   This time 
he would target professors as well as students. At the teaching block at Norris 
Hall, he chained the front doors so nobody could escape. He may have remembered 
some lines from Mr Brownstone, a play he had written: “He gave me a D, when I 
only forgot to turn in two homeworks.”   As he gunned down several lecturers, 
he may have thought of the professor in
 his play who “ass-raped us all – isn’t that what teachers do? I wanna watch 
him bleed, the way he watched us bleed.”     As for the students, he fired 
again and again, scattering their flesh across the floor, sometimes returning 
to check who was playing dead.     Humanities professor and author of Sexual 
Personae Camille Paglia believes Cho is emblematic of the crisis of masculinity 
in America. “Women have difficulty understanding the mix of male sexual 
aggression with egotism and the ecstasy of self-immolation,” she says. Or to 
quote Martin Amist: he became “addicted to the moment where impotence becomes 
pre-potence”.       When relatives of Cho’s parents invited them to America, 
they were thrilled at the chance to “provide a better education”, his 
grandfather said. But Paglia believes few American schools are equipped to deal 
with frustrated young males. “There is nothing happening educationally in these 
boring prisons that are fondly called suburban high schools. They
 are saturated with a false humanitarianism, which is especially damaging for 
boys.   “Young men have enormous energy. There was a time when they could run 
away, hop on a freighter, go to a factory and earn money, do something with 
their hands. Now there is this snobbery of the upper-middle-class professional. 
Everyone has to be a lawyer or paper pusher.”   Cho is a classic example of 
“someone who felt he was a loser in the social rat race”, Paglia says. The 
pervasive hook-up culture at college can be a source of resentment and 
alienation for those who are left out.   “Young women now seem to behave like 
men and have sex without commitment. The signals they are giving are very 
confusing, and rage and humiliation builds up in boys who are spurned again and 
again.”     The student who posted two of Cho’s hate-filled plays on the 
Internet recalls that Cho fitted the “stereotype of what one would think of as 
a ‘school shooter’ – a loner, obsessed with violence and with serious
 personal problems”. But the plays show he was preoccupied not just with girls 
but with paedophilia and sodomy.   In Richard McBeef, a drama about child 
abuse, a stepson rants: “I will not be molested by an aging, balding, 
overweight pedophile (sic) stepdad named Dick,” before threatening to shove the 
television remote control “up his ass”. It concludes: “I hate him. Must kill 
Dick. Must kill Dick. Dick must die. Kill Dick.”   Dr James Gilligan, a former 
prison psychiatrist who teaches at New York University, believes that misogyny 
and homophobia are central components of the make-up of violent criminals, who 
often fear they have homosexual tendencies.   “An underlying factor that is 
virtually always present is a feeling that one has to prove one’s manhood and 
that the way to do that is to commit a violent act.”   It is not simply an 
American phenomenon, he says. In Cho’s video manifesto, there are echoes of the 
home-made videos of the young male jihadists circulating on
 the Internet.   Cho began working out in the gym weeks before the killings. 
Dressed to kill in black and tan, he borrowed the vocabulary and iconography of 
Islamic fundamentalist suicide bombers by hailing Eric Harris and Dylan Klebold 
– the two teen killers at Columbine – as “martyrs” of the same cult.     
Political scientist Francis Fukuyama believes the common denominator between 
the suicide bomber and the suicidal mass murderer is their sexual frustration 
and gender. ”Young males, a lot of whom are unemployed, without a clear place 
in the social hierarchy ... have the most to gain and the least to lose by 
martyrdom” – and often, he adds, they are upset about girls “whose attention 
they can’t get”.   In his essay Identity and Migration, Fukuyama writes that 
radical Islamism should be understood in the context of identity politics. “We 
have seen this problem before in the extremist politics of the 20th century, 
among the young people who became anarchists, Bolsheviks,
 fascists.”     The lone gunman is a familiar figure in American mythology.   
In Cho’s case, there were echoes of Taxi Driver, the story of a stalker. The 
promiscuity that Cho saw in women was “a huge warning sign”, Paglia believes. 
“You want them, you want the status of being seen with them and at the same 
time they are contaminated, dirty. That’s the mentality of the assassin played 
by Robert De Niro in Taxi Driver. There is an apocalyptic impulse to destroy 
everything and to purify the world.” — ©The Sunday Times, London 

       
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