bably getting a
newer version of FFmpeg, then you can work on configuring with hw acceleration
support, or finding a static build that includes it.
Regards,
Ted Park
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Hi,
I have a feeling specifying the capture region as an input option instead
of cropping with a filter will help. Also do you really need the scale?
Scaling the encore in another step will probably be indistinguishable if
you do.
Regards,
Ted Park
Hi,
> i'm trying to use the OVERLAY_CUDA function to burn PGS titles over a video
>
Try ffmpeg -I input.mkv -filter_complex ‘[0:v][0:s]overlay_cuda’
(Not completely sure it works with overlay cuda but that’s how you would do
it with overlay.
Regards
Hi,
>> So, is the file now "AV_PIX_FMT_YUVJ420P" or "AV_PIX_FMT_YUV420P + set
>> color_range"?
Obviously those names are not relevant until the file meets the av* tools, but
they are the same formats. I think yuvj420p was meant to be a separate variant
of yuv420p that was not broadcast safe, fr
Hi,
> > Incompatible pixel format 'yuvj420p' for codec 'ffv1', auto-selecting
>
> format 'yuv420p'
>
> > [swscaler @ 0x71c9440] deprecated pixel format used, make sure you
>
> did set range correctly
>
>
>
> The comment in
>
> [libavutil/pixfmt.h](https://github.com/FFmpeg/FFmpeg/blob/
Hi,
> Let's get back to the matter at hand-
>
> The results from searching around for "cinemadng ffmpeg" does suggest that
>
> cinemadng is not fully implemented in ffmpeg. Yes? No? What are the limits?
I would imagine because the material is often raw sensor data, as in the OP’s
case (film s
Hi,
I will try to explain one step at a time.
Can you explain one step at a time, as in explain the steps you took (one
command line at a time)? Maybe it’s because I’ve never cross compiled
ffmpeg but your mentioning cmake makes me think you are messing up the
build system. Like there’s no info
Hi,
How do you use a specific library version? Do you have two different
versions of the app? Or are you simply switching different dylibs in usr
local lib?
Regards,
Ted Park
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nd link to the included dylib so it
doesn’t depend on the installed version.
Regards,
Ted Park
>
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ffmpeg-us
le and experienced than a random YouTuber you might
find.
Best regards,
Ted Park
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file to work with, you can use
constant quality (vs. constant bitrate) encoding settings, using -crf to
control the output filesize by trial and error, instead of explicitly
specifying the video bitrate
Regards,
Ted Park
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here is an automatic format conversion being attempted that is not happening.
What is the input format of x11grab? The command is too complicated right now
to investigate efficiently. Can you try a simple screen capture and single
overlay with increased verbosity
I don't know where I can find bats nearby so I couldn't try it but how
does it work? The book makes it sound like you can use any mic, even
one built into a laptop for this? I suppose that's plausible looking
at a typical mic's frequency response graph, they are just cut off at
20khz, and don't rol
;t expect it to work in the first place I guess.
Do you know hardware decoding works in ffplay? It's harder to tell for mac
frameworks imo, I'd try attaching to ffplay and seeing if you can get it to use
a hardware decoder. Which gpu does the machine have?
Regards,
Ted Park
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d the 55 telecine filter script you came up with, and eliminate as
many splits as possible, do you mean how the datascope wouldn't appear for the
frames selected? Same timestamps might be the issue again, maybe setpts=PTS+1
would make them show up? Or does interleave take identical
literally mean just the compile step
using cc.
Regards,
Ted Park
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verything is shifted 16 bits (long is 32 isn't it?)
and it actually looks like the moov atom is cut short based on the length
field, not appended by other top-level atoms as I originally thought.
Regards,
Ted Park
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24 viewed on a 120Hz TV?
That wouldn't be surprising, but I'm comparing the result of the same
processing just switching between a 120Hz timing and 60Hz timing. I think it's
because my laptop is not doing it fast enough to reach 60f
rst (with index 0) audio stream. Hence the suggestion to use -bsf:a:0.
Regards,
Ted Park
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like a "dailies farm in a backpack". (the "reference" hw
accelerated encoding tool included in Raspbian produced output that didn't look
as good as I expected from the bitrate)
Regards,
Ted Park
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do it.
Yes, now I understand that it would reduce the stuttering you can get, I didn't
know there were 60Hz display controllers that weren't capable of switching to
48Hz (and 96Hz for 120Hz displays) until recently. But I don't understand why
the same 60fps result looks so much worse
s something out, it looks closer to the original
24/1.001.
Regards,
Ted Park
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u could just
put -c copy and specify -bsf:a:0 here)
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Ted Park
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don't fully understand the rationale, but I was curious and
tried it, on film material I can't tell the difference but animation looks
horrible at 120Hz (like I'm dizzy, like a slow motion blur effect at regular
speed?) but it's fine at 60Hz.
Regards,
Ted Park
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s a simple syntax error that I have, so any help would be much
> appreciated
-bsf:a applies to all audio streams, thus the error. You can specify the stream
in a similar way as you specified -c:a:1 copy (for some reason? -c:a copy
should be enough I
em should be able to
handle? (Memory or storage space-wise) What are you trying to achieve with the
-r and fps filter, it doesn't look like it's doing anything other than
duplicating massive numbers of frames, each one just as big as the one before
with no te
I feel like you should fix that library mismatch warning if only as a
cosmetic improvement, either reinstall from apt or some static build.
I don't think there's much difference whether you specify -s or use scale
filter if all you're doing in the end is scaling the frame size.
>"-",
Why does it say it stopped? loglevel doesn't have an option 99, I don't know
what happens when you put in 99 but you might end up with binary 99&56 (56
being the as verbose as possible option, if my memory serves me right)
Regards,
Ted Park
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it-chained-to-split complex graph.
But I think you could use the multiple output option for select filter, where
you use the value to select which pad the frame gets sent to. (It isn't
evaluated as a boolean in that case, so if value is 3.??? it goes to output pad
3, if it's 0.?
ing frames for clip 2, when you can stop looping
the first part, etc. Like, one filter vs one filterchain.
Regards,
Ted Park
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cases. Did you try without the -vf ?
Regards,
Ted Park
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e recording that qtfaststart completely
fubar'ed, I think something to do with the export/share option adding a bunch
of top-level metadata atoms after the moov?
Could you possibly try importing the file doing your best not to let iOS alter
it, and compare
to see how that is complicated if nothing else.
Anyway, I remembered that using the ffconcat file, you can define streams
within the virtual single input from the concat demuxer, but I've only ever
seen it used to specify specific elementary streams within vob files, no
tc but a lot of things don't work and is a pain in the neck in
general.
I'm pretty sure the static build is appkit.
Regards,
Ted Park
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T
ame to find which ones to put together? Or is there a call log to
reference?
Regards,
Ted Park
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ownload
the latest release, but it's actually pretty old (relatively) since by nature
there is only a few a year, if that.
The options I mentioned go back a couple years though, so I'm not sure, maybe
it wasn't working for some time?
tried the -volume option to start out at 30% volume, but that option
> also wasn't found.
I'm not sure if it's the same across all libraries/OS's, but -left and -top set
the distance from left and top of screen respectively, for me. And when you
specify volume, try not i
29 -i 20_01_886.g729a -f g729 -i 20_01_886.g729b
> -filter_complex
> '[0][1]amerge,afifo[l1];[2][3]amerge,afifo[l2];[4][5]amerge,afifo[l3];[l1][l2][l3]concat=v=0:a=1:n=3'
>
I think this will do what you want, the individual input pads to amerge and/or
fifo might not be needed
Hi,
The filter is not in the version of ffmpeg you are using, you will need to get
a more recent version for it to be there. Try downloading a recent static build
from the website or try compiling it yourself. (It's not in any release version
as far as I can tell)
Regards,
Ted
Hi,
> What am I doing wrong?
>
> I searched but could find no resolution to this error.
Maybe my last reply didn’t go through. Try using the bluray scheme to access
the file.
>> Begin forwarded message:
>>
>> From: Ted Park
>> Subject: Re: [FFm
hat Vulkan looks like (with Apple cutting it off with their own API and all…)
but I thought those ffmpeg options the way you used them would only apply to
the decoder? And then the encoder used is Cisco’s version… A bit confused here.
Regards,
Ted Park
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itting the argument list: Option not found
The option might not be there any more, try using -init_hw_device instead, and
use -hwaccels to list additional hardware support?
Also confirm this is the same machine (or at least with similar hardware) that
ran the earlier command?
Regards,
Ted Park
don't see how you achieve 5 Mb/s is you encode with "-b:v 6M" and "-b:a
> 128k", that's more than 6.1 Mb/s.
I think because it’s a single pass encode, and the encoder simply didn’t find
the need for
the extra (target) bitrate
's web
> own site. ffmpeg is another example where using the distro's package is
> probably not a good idea.
>
> z!
Are you talking about how like Debian got their ffmpeg packages hijacked years
ago
I think the ffmpeg on the
25.com/dolby/Assets/US/Doc/Professional/208_Dolby_Surround_Pro_Logic_Decoder.pdf
<https://media.kumowoon1025.com/dolby/Assets/US/Doc/Professional/208_Dolby_Surround_Pro_Logic_Decoder.pdf>
Also check out Dolby’s GitHub <https://github.com/DolbyLaboratories>, though I
doub
[a1][a2]amix”
>
>
> Michael
I did, and nope, nothing happened. This was on OSX 10.14 (first machine was
running 10.15.5) so I might try on yet another machine but I’ll leave that for
later if I end up not being able to fix the issue on this machine.
If anyone has ffmpeg on 10.15.3~5 fr
e,
though you might want an empty equipment rack handy) you could get the matrix
coefficients by googling for them and do the math and get the separated
channels by hand.
Regards,
Ted Park
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rted
in between.
> Did you try
> "anoisesrc[a1];sine[a2];[a1][a2]amix”
I will try on a secondary machine (I was not expecting that crash the first
time x_x ) and be sure to report back.
Regards,
Ted Park
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0KB sq=0B f=0/0
9.09 M-A: 0.000 fd= 0 aq= 364KB vq=0KB sq=0B f=0/0
9.12 M-A: 0.000 fd= 0 aq= 380KB vq=0KB sq=0B f=0/0
9.15 M-A: 0.000 fd= 0 aq= 380KB vq=0KB sq=0B f=0/0
9.18 M-A: 0.000 fd= 0 aq= 380KB vq= 0KB s
al significance
win the windows command line? (and while I’m asking, where do back-ticks and
apostrophes fall?)
So is the ffescape tool compiled differently to work properly when compiled
on/for windows?
Regards,
Ted Park
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inal disc and remux to a p24 MKV container
> with zero loss. In the meantime I will have a 60fps video to watch that's as
> good as the original and is free of telecine judder.
I meant the transcoding part. It’s already been mastered onto the dvd/bd with
h.264. But if you’re going
ight to center (maybe aformat=cl=mono will suffice) take a look at the
-map_channel option, it might be simpler for you.
Regards,
Ted Park
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To unsubscri
make edits and “freeze” it as part of a submix, it’s not
going to sound the same when you shrink it back down to its original time.
I don’t know if there would be other limitations if you kept the raw yuv video
throughout, but then as efficient as H.264 is, you’d be talk
Paul was a
> developer -- why would I?
Maybe not for that filter/file but as someone *trying* to contribute, I can
attest to Carl being an active maintainer, his name is hard to miss in the
commit history.
Regards,
Ted Park
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timestamps/timecodes are pretty much the
same thing since they use either LTC or VITC on the tape that encodes the date
(timestamp) as well as the timecodes, in a “striped” tape anyway. It’s how your
deck knows when one shot ends and another begins. So it doesn't support
timestamps as met
pretend CSS/AACS isn’t implemented, and even then, I wouldn’t bet on it working
100% perfect.
Regards,
Ted Park
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gt; Isn’t the framerate the film source original if it’s there?
>
> I don't know for sure but if you are talking about scans,
> this simply doesn't matter.
I was actually asking because I was wondering if there were any systems out
there that save t
al?
Or is there some additional requirement for the stream to play on a Samsung TV?
Regards,
Ted Park
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dd34864600] Could not find codec parameters for stream 0
(Unknown: none ([145][0][0][0] / 0x0091)): unknown codec
Consider increasing the value for the 'analyzeduration' and 'probesize' options
Input #8, mpegts, from 'TITLE/BDMV/STREAM/8.m2ts':
Durati
y work.
Regards,
Ted Park
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y in regular blu-ray players. Those m2ts files are a bit
different from the typical mpeg program streams.
Regards,
Ted Park
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5M probably didn’t help.
>> Regards,
>> Ted Park
>
> Per https://ffmpeg.org/ffmpeg-all.html#Format-Options,
>
> "probesize integer (input)
> Set probing size in bytes, i.e. the size of the data to analyze to get stream
> information. A higher value will enable det
Mail acting weird as always :| If anyone could suggest a good (less randomly
behaving) alternative to the default mail app on Mac I’d be much obliged.
Anyway I was typing that I’m pretty sure 50M is the default for probesize so
starting way down at 5M probably didn’t help.
Regards,
Ted Park
bluray, start
from chapter 2:
-playlist 4 -angle 2 -chapter 2 bluray:/mnt/bluray
Not By
Regards,
Ted Park
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ffmpeg
not know that, why would it ignore the frame rate? Isn’t the framerate
the film source original if it’s there?
Regards,
Ted Park
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ng the file names/numbers and for the same file, it would
play if I named it a certain number but not for a different number so I really
think there’s some external factor involved.
Regards,
Ted Park
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nc drop? Since the issue is the misdetected frame rate?
Regards,
Ted Park
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or pal. I think -colorspace 709 precludes the
need to set primaries and trc but I could be wrong.
> As you can see below, the transcode 'Output' status doesn't say what it
> defaults to.
Yeah, from that I’m thinking neither libx265 nor ffmpeg has any defaults. Left
to
ience feature for
subtitles, since if you specify a subtitle format then you obviously want at
least one subtitle track included in the output and you probably picked a
compatible format at that.
Regards,
Ted Park
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I’m only
thinking of 10bpc, sdr at the moment)
Regards,
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g, I wonder if there is some history
behind it.
Manually entering the code point in a UTF-8 document goes so far as to crash
the character viewer pane on my Mac, I’ll have to test on more. In the drawtext
filter it seems to depend on the actual font and its glyph table, some of them
render i
r/scene titles track from
the timed thumbnails disposition on the image track? I don’t think I’ve seen it
like that, it reminds me of mkv’s chapters, curious about it now, I don’t seem
to remember iTunes being this way ~2016. Does the movie ha
mov/mp4/m4v has a pretty solid definition of its structure that tools exist
that work on the files in-place.
If by other suggestions you meant alternative tools, gpac, l-smash, mp4box are
some tools that can work on ISO-family format files, if not in-place, piece by
piece. If yo
the configure script, in addition to zmq. I’ve never heard
of rabbitmq, can someone comment on the differences between them? Is it more
popular? It’d be hard to be easier or lighter than 0mq but if anyone is
familiar with it I’d be much obliged
o in the video.
You can try putting the -ss argument before the input to see if it provides the
behavior you are looking for.
Regards,
Ted Park
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To uns
o ensure the same encoding parameters… Since
not all of them are available for me to specify I assume at least some of them
are managed by the program.
Regards,
Ted Park
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ltek High Definition Audio)':
> Duration: N/A, start: 123897.214000, bitrate: 1411 kb/s
>Stream #1:0: Audio: pcm_s16le, 44100 Hz, stereo, s16, 1411 kb/s
Why not use dshow for both?
Anyhow, do you mean that if you don’t stream audio just the video
allel processing and all.
On the other hand you say that premier produces 2 different outputs, so I doubt
you mean they are different visually, and am kinda confused as to how you
evaluated the files for “uniqueness."
Regards,
Ted Park
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nd use final cut there, or install windows 10 and
premier with their trial/nfr licenses and archive all the dv tapes you have
now. Even on mojave the newer versions of FCPX are finicky with tape decks :/)
Regards,
Ted Park
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ff
each end opens it
(permission wise).
Regards,
Ted Park
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Hi,
> for video: -vf setpts=0.5*PTS
> for audio: -af atempo=2
Actually, he wanted to slow down the video so you probably meant the reciprocal
of this, 2*PTS and atempo 1/2
Regards,
Ted Park
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ubtitles.
- Try mapping all input, negative mapping the stream you don’t want, and stream
copying into QuickTime (.mov). -strict -2 might be needed.
Regards,
Ted Park
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imated 1 fps off? Try
specifying 1 fps higher from what is detected explicitly at the input.
Regards,
Ted Park
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lower data rate
movies? Try using a newer a newer build as well.
Regards,
Ted Park
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ol had a convolution function that
would generate a model of the venue that served as a general starting point for
mixing, is it something similar?
Regards,
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give satisfactory
results, since the audio format resampling will be handled for you by alsa even
if clients use different configurations.
Regards,
Ted Park
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sound mixer in pygame is to
not enable it… So if there’s no sound I don’t think that is the issue.
I thought the glitch was the short high pitched noise in the video at 13
seconds in, is it observable anywhere else in that clip?
Regards,
Ted Park
__
Hi,
If you only need mic audio, grab hardware device exclusively or make sure
pygame doesn’t touch the same card/device.
Regards,
Ted Park
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To
Hi,
> FFmpeg version CVS, Copyright (c) 2000-2004 Fabrice Bellard
> Mac OSX universal build for ffmpegX
Are you running a PPC Mac? I wonder how you were led to download this.
Regards,
Ted Park
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dropped support
for a lot of features in the format, including some that are still in use
(basically any function/codec not available 64bit). How did you convert the mts
to a mov? I am pretty sure you have to change the underlying structure of the
video to convert from one to the other.
Regards,
Ted
you need to build one yourself, that would be a pretty big project,
but yes, a video stream is only a small part of the system. You mentioned Zoom,
that’s a possible vendor that could provide the “everything else”. Tandberg
(Cisco) is also a big name.
Regards,
Ted Park
___
e of a protocol than
format.
Speaking generally, I guess you could say ffmpeg can produce a stream that
conforms to H.323, (by encoding mu-law/a-law and optionally H.261 and using
RTP) but anything else is going to depend on (all) the equipment facilitating
session communication
k at the available memory, it only drops from 15408016 KiB to
15363132KiB, about 50MB. If you start another program that requires a lot of
memory, that buffer would probably be cleared immediately.
The other situation where you are downloading the stream and starti
by the output is the intuitive way to
structure the command, if that counts as a reason.
Iirc, “complex” filtergraphs as opposed to the older/simpler -vf, -af filters
have implicit input and output pads for each chain that can be remapped pretty
fr
g else black:
>
> ffplay -f lavfi -i 'smptehdbars=duration=5' -vf
> "colorhold=color=0xbcc906:similarity=0.25,chromakey=color=black:similarity=.2"
>
> but this displays all bars in gray scale except the yellow bar which is in
ut doesn't that indicate that by the
time you launched ffmpeg, only ~1% memory was available?
Regards,
Ted Park
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butes, it
also means you need to know what to change to get the result you want. Off the
top of my head mp4box and atomicparsley are some programs that do this. If you
have a PPC Mac there’s an ancient version of “Atom Inspector” for quicktime
that Apple provides.
Just curious, but
eme of representing/storing
color, so using rgb values to key the subject out might not be ideal. But
still, try using colorkey or colorhold with higher similarity values first.
Regards,
Ted Park
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e hardware to test either, I mean I have Canon cameras but
chances are not the one OP has :p
Regards,
Ted Park
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Hi,
>> Here it is: https://cloud.disroot.org/s/fBeePRoA4JGZNMB
Ah, yes I did, thank you, sorry, I must have made a mental note to download it
after 15 mins then forgot about it because I have the attention span of a
goldfish.
Regards,
Te
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