first pause in speech.
stop_periods= doesn't trim at the end of the recording at all.
Can you point me to any examples of using
start_periods...stop_periods= on the same line? The examples in
the doc are all based on stop_periods=.
Thanks
--
Kevin Draper
*Mobile +44 (0)7904 207537*
It's difficult to determine which is the best quality. You can download all
the file and look in property details as shown here (this is from a GoPro). The
higher the values, the better the quality theoretically. Now, I have seen some
1080 videos that look just as good as 4K on my 4K, HDR monit
Hi! I am trying to convert EXRs to a quicktime video. It has worked several
times for me in the past. However, sometimes it doesn't work mysteriously
on certain exrs and I am not clear why.
Below is a google drive link to the exr file as an example; I assume people
may need to reproduce this. The f
I'm decoding an h.264 video as TS over UDP from a Haivision encoder.
When I change the video output from the camera from one resolution
(like 720p) to something else (say 1080p) I can see a change in the
video context or the parser structures that indicate the new video
resolution.
However when I
On Sat, Oct 31, 2020 at 4:41 AM Carl Eugen Hoyos wrote:
>
> Am Do., 29. Okt. 2020 um 17:44 Uhr schrieb Kevin Hise :
> >
> > I've attached 2 sample files (google drive links) captured using netcat (or
> > 'nc' on my Slackware box)...one showing video without
I've attached 2 sample files (google drive links) captured using netcat (or
'nc' on my Slackware box)...one showing video without the "intra refresh"
option enabled, and the other with.
The commands I've used to record and play back the video files are like so:
nc -ul -s 233.254.1.1 -p 8000 >vid
's unable to decode the video it
doesn't seem to write anything to a file when you try to record the
stream.
Would this question be a better one for the development mailing list, instead?
Thanks for any assistance.
--kev
On Tue, Oct 13, 2020 at 12:53 PM Kevin Hise wrote:
>
>
yed by a player.
Guessing that it's likely 1MB / sec or so...so maybe a few seconds can
be attached as an email. I'll see what I can come up with. Thanks.
--kev
On Fri, Oct 9, 2020 at 4:17 PM Carl Eugen Hoyos wrote:
>
>
>
> > Am 10.10.2020 um 01:13 schrieb Kevin Hise :
I'm looking for some ideas about decoding an H.264 video stream
encoded by a Haivision Makito-X encoder and using its "intra refresh"
option.
When the option is enabled (e.g. turning intra refresh "on") the video
decode is delayed by several minutes...perhaps 30 to 45 minutes...I
assume because at
ct was all
screwed up.
Perhaps if I just change the -aspect and don't transcode...
On Thu, 27 Feb 2020 at 18:37, Kevin Smallman wrote:
>
> Thanks Carl,
>
> OK wil try that.
>
> On Thu, 27 Feb 2020 at 15:24, Carl Eugen Hoyos wrote:
> >
> > Am Do., 27. Feb. 2020 um
Thanks Carl,
OK wil try that.
On Thu, 27 Feb 2020 at 15:24, Carl Eugen Hoyos wrote:
>
> Am Do., 27. Feb. 2020 um 16:08 Uhr schrieb Kevin Smallman
> :
>
> > I can encode them successfully on my linux laptop with libx264 cpu
> > encoding and -pix_fmt yuv420p option. The
Hi there,
I have an old powerpc mac that can play h264 mp4 files, but they seem
to need to be in yuv420p pixel format so as not to get a black screen.
I can encode them successfully on my linux laptop with libx264 cpu
encoding and -pix_fmt yuv420p option. The cpu is ivybridge, so the
gpu can do
from memory only ISO movies have the option of adding the range bit to
the ATOM, QuickTime (.mov) does not.
Kevin
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To unsubscribe, visit link above, or
to accomplish the trans-coding
but I have not checked to see if the technology is even still made.
I was wondering if anyone had any ideas or comments?
Thank you.
Kevin
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ned to work
on it. I can see what I have and submit a patch if you'd like to look
at it but it's almost certainly not good to merge. Feel free to take
over.
Thanks,
Kevin
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I might have a patch submitted by the end of this month. If that's
outside your timeline feel free to work on it.
On Tue, May 8, 2018 at 5:32 PM, Paul B Mahol wrote:
> On 5/8/18, Kevin Mark wrote:
>> Hi Paul,
>>
>> Are you referring to the patch for implementing t
Hi Paul,
Are you referring to the patch for implementing the .activate API in
the concat filter? I don't have an ETA on it now for you, as I've
paused my work on it to study for upcoming finals next week. Were you
planning on tackling this yourself at some point?
Thanks,
Kevin
On
d x264 in the matroska and mp4 containers.
As for logs would you like verbose, debug, or trace level?
On Thu, May 3, 2018 at 6:04 PM, Carl Eugen Hoyos wrote:
> 2018-05-03 23:06 GMT+02:00, Kevin Mark :
>
>> I'm getting an OOM with the following ffmpeg complex filtergraph:
&g
Perfect. Thanks so much, Paul.
On Thu, May 3, 2018 at 5:46 PM, Paul B Mahol wrote:
> On 5/3/18, Kevin Mark wrote:
>> Paul,
>>
>> Okay, sounds like something I might take a stab at. I'm looking through the
>> devel list now for anything related. If you have a
e anyone listed for
that in MAINTAINERS unless it's Nicolas George. Thanks!
On Thu, May 3, 2018 at 5:31 PM Paul B Mahol wrote:
> On 5/3/18, Kevin Mark wrote:
> > Hi Paul,
> >
> > Thanks for the quick reply. Looks like my suspicions were correct.
> > Using the concat
require a devout knowledge over the entire codebase) I could
look, at some point, make an attempt.
On Thu, May 3, 2018 at 5:13 PM, Paul B Mahol wrote:
> On 5/3/18, Kevin Mark wrote:
>> Hey everyone,
>>
>> I'm getting an OOM with the following ffmpeg complex filtergraph:
>
Sent on the go...
> On 30 Apr 2018, at 18:58, Carl Eugen Hoyos wrote:
>
> 2018-04-30 16:33 GMT+02:00, Kevin Wheatley :
>
>> I note that a similar report was made
>> https://trac.ffmpeg.org/ticket/6865 but that was closed.
>
> Looks like ticket #6866 (which sho
n that.
I note that a similar report was made
https://trac.ffmpeg.org/ticket/6865 but that was closed.
I'm happy to provide a patch if somebody could comment on the
appropriate method/pattern of behavior for creating and releasing
resources during the filte rgraph initialisation steps.
Th
Hi, thank you for the replies.
So here is my current script, and ill past some output below that. It is a
windows .bat, but really the for loop is it, the ffmpeg call is the issue. I am
NOT attempting to keep the video the same.. e.g. I want to convert it to h.265
AND add the timecode (startin
Hi all,
I have figured out from various sources how to add a watermark using a png
file. Works well enough.
What I also want to do is add timecode at 00:00:00:00 to my video as a text
overlay.
I have tried a few variations with the filter_complex, but I cant seem to get
past any number of iss
If Kevin can share two reasonable sized sample files, I can try the
ffmpeg operation in my computer. Using Linux, though.
And with sufficent memory: From RAM disk to /dev/null.
First of all.. sorry for this again.. I installed Thunderbird.. and it doesnt
appear to work well if at all with
[quote]
> As one of the drives
> is an SSD.. this seems ridiculous to me that it is basically moving at
> USB2 speeds. At the very least, as it is over a USB 3.1 gen 2, 10Gb/s
> wire... it should be much much faster than this. So now I am left
> wondering why my system is super slow at copying
Are you sure you are using a USB 3 port?
My laptop has both USB 2 and USB 3 ports.
I use the USB 2 ports for things that aren't as speed sensitive like the
dongle for my wireless mouse/keyboard and the USB 3 ports to connect
external drives and phones for file transfer.
Perhaps you are plugged
back then you have been asked if you had turned off all security monitoring
for the target folder, such as Windows Defender, to which you haven't
replied. ffmpeg is per se not a signed application, which could make
utilities like such suspect there is something happening they should keep
trackin
You may get further advice on this- top-posting
questions tend to draw people (like me) out
of the woodwork.
OK.. this is my attempt at bottom posting. I am using yahoo email.. the latest
version i guess it is on. When i reply, I am at the top, and I now see the
original message collapsed.
Hi all,
Posted a thread on this a month or so back, still have not been able to make
any headway on why this process is so very slow on my system I am posting again
because I am in the process of building a threadripper system mostly for video
editing 4K DNxHR and eventually RAW footage, and of
11:53:32 AM PDT, Tim Hiles
wrote:
On Oct 17, 2017 6:22 PM, "Kevin Duffey" <
kevinmduffey-at-yahoo@ffmpeg.org> wrote:
Yup. I do not specify the output. I just use the same .mov file extension
as the two source files. Is it possible even though I specify -c copy
out.mov
Hi all,
So I am using this simple command on Windows 10 (64-bit) command to cut out a
small clip:
ffmpeg -i input.mov -ss 00:18:22.0 -to 00:18:44.0 -c copy clip10.mov
This *should* give me a 22 second clip.
Instead, it seems to delay for a couple of minutes.. and when I use D option, I
see a to
433.4kbits/s speed=0.229x
On Thursday, October 19, 2017, 10:35:52 AM PDT, Christian Johannesen
wrote:
On Thu, Oct 19, 2017 at 11:51 AM, Kevin Duffey <
kevinmduffey-at-yahoo@ffmpeg.org> wrote:
> So I would assume that if I can copy the two files in a matter of seconds
> from on
, Kevin Duffey wrote:
>
> Thanks. Sorry I should have included that info.
> I have two files.. both are the same.. DNxHR SQ codec. Usually they are about
> 45mins each, sometimes different depending on if my battery died while
> filming! Sports games.
> They reside on an
size= 176400kB time=00:00:03.08
bitrate=468196.6kbits/s speed=0.621x
On Wednesday, October 18, 2017, 1:16:40 AM PDT, Cley Faye
wrote:
2017-10-18 3:17 GMT+02:00 Kevin Duffey :
> Yup. I do not specify the output. I just use the same .mov file extension
> as the two source files. Is it
e and
destination files on the same physical device?
P
From: Kevin Duffey
To: "ffmpeg-user@ffmpeg.org"
Sent: Wednesday, 18 October 2017, 0:57
Subject: [FFmpeg-user] Why is concat so slow on a powerful machine?
Hi all,
I understand that the ffmpeg concat will take a series of fil
Hi all,
I understand that the ffmpeg concat will take a series of files, concat them
into one file, and update the header info. In my case, I am concating 2 to 4
DNxHR SQ videos into one. I am on a quad core i7, 3.8Ghz, 64GB RAM, full NVMe
SSD. Nothing else running. Still, it seems that to conca
I've shared an item with you:
Cold Case
https://drive.google.com/drive/folders/0BxhZhuFuLoFGdVBkR0Zpc3d3R2c?usp=sharing&ts=59c86d27
It's not an attachment -- it's stored online. To open this item, just click
the link above.
Here is a link to shared files on my google drive. Here's a video fi
What syntax do I use in the command to set the buffer files. One file
completed but 2 other file stop due to files to large for buffer. Error
message: VBV buffer size not set, using default size of 130kb.
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To Carl Eugen Hoyos,
Thanks for expertise I appreciate it.
I will keep you informed on my progress.
Can I buy a book somewhere so I can learn how to use this program.
Thanks again
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I've shared an item with you:
Cold Case
https://drive.google.com/drive/folders/0BxhZhuFuLoFGdVBkR0Zpc3d3R2c?usp=sharing&ts=59c88897
It's not an attachment -- it's stored online. To open this item, just click
the link above.
Cold Case,
Sorry for the confusion. I am sending a link to my g
figuration files involve complex sets of
transformations from one colour space to the next including custom
colour adjustments based on per shot contexts, unless FFmpeg wants to
host a potentially uncountable set of colour spaces and conversions
it do
well with FFmpeg.
It would be similar to adding ICC profile based colour management
support except most CMS engines are integer based so might fit
together easier.
Kevin
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As a partial fix I've submitted a patch here:
https://ffmpeg.org/pipermail/ffmpeg-devel/2017-January/205267.html
That fixes the simple cases.
Kevin
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ck is called, before this commit
ptr would have been incremented for each line in the data window, now
after the commit it is left at the start of the first included line
rather than the line after the data window then the code sets the
remaining lines to 0 and thus the whole image is over written.
c.
If I use a file where data window and display window are the same I
get the correct output.
Thanks
Kevin
ffmpeg -y -loglevel debug -apply_trc linear -i /tmp/exr_test.%04d.exr
-c:v libx264 /tmp/test.mov
ffmpeg version n3.2.2 Copyright (c) 2000-2016 the FFmpeg developers
built with gcc 4.4.7 (G
Andreas,
instead of using the -colormatrix option try instead using
-vf
scale=in_range=full:in_color_matrix=bt709:out_range=tv:out_color_matrix=bt709
assuming your DPX files are utilising full range encoding
Kevin
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> Date: Sat, 14 May 2016 22:52:29 +0200
> From: naser.sonb...@gmail.com
> To: ffmpeg-user@ffmpeg.org
> Subject: [FFmpeg-user] drawtext 4:3 vs 16:9
>
> Hi,
>
> I need help with filter_complex and drawtext.
> drawtext on aspect 4:3 are correct but drawtext on aspect 16:9 are
> stretched.
>
> thx f
hing you may need to adjust for the
creative white used to make the DCP using a modified von kries
chromatic adaptation - assuming you know the creative white point.
Kevin
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> From: l...@lrcd.com
> To: ffmpeg-user@ffmpeg.org
> Date: Fri, 5 Feb 2016 15:00:58 -0900
> Subject: Re: [FFmpeg-user] Unknown channel layouts not supported
>
> On Fri, Feb 5, 2016, at 12:06 PM, Kevin Wells wrote:
> > Just saw it was fixed, preparing a patch
> From: l...@lrcd.com
> To: ffmpeg-user@ffmpeg.org
> Date: Fri, 5 Feb 2016 11:44:41 -0900
> Subject: Re: [FFmpeg-user] Unknown channel layouts not supported
>
> On Thu, Feb 4, 2016, at 09:46 PM, Kevin Wells wrote:
> >
> > Thanks for creating the ticket Carl. Sorry
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Thu, 4 Feb 2016 22:29:29 +
> Subject: Re: [FFmpeg-user] Unknown channel layouts not supported
>
> Kevin Wells hotmail.co.uk> writes:
>
> > I am using filter complex to split and pan audio channels,
Hi, I am using filter complex to split and pan audio channels, but on a 10
channel file I am getting the error "Cannot select channel layout for the link
between filters auto-inserted resampler 0 and Parsed_asplit_0. Unknown channel
layouts not supported, try specifying a channel layout using
'
Hi, I am converting an 8 channel Prores file to mp4 (5.1 + 2.0), although the
input files are from different sources. The resulting mp4 file has a silent
track. I am checking this by creating a Prores file with 8 channels of audio
which has a tone running from one channel to the next and then us
The ITU has the following freely available
https://www.itu.int/dms_pubrec/itu-r/rec/bt/R-REC-BT.1366-0-199802-S!!PDF-E.pdf
so at best tens of hours has 2 bits of BCD
Kevin
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From: kevwe...@hotmail.co.uk
To: ffmpeg-user@ffmpeg.org
Subject: mp4 encode 1 frame out of sync
Date: Fri, 15 Jan 2016 13:09:54 +
Hi, I am encoding a Quicktime Prores file to mp4 using the below settings. In
the resulting file, the audio is 1 frame out of sync, audio comes in 1 frame
early,
Hi, I am having trouble getting an ffmpeg pipe to work using VapourSynth and
Python Popen commands (I know this may not be the place to ask this, but I am
out of ideas). Running the pipe command on its own on Windows terminal it works
correctly. Here is the python commands:import subprocess
impo
Hi, I am encoding a Quicktime Prores file to mp4 using the below settings. In
the resulting file, the audio is 1 frame out of sync, audio comes in 1 frame
early, cutting off the first frame and adding 1 silent frame to the end (see
attached screen grab)."F:\ffmpeg
copy\ffmpeg-20160115-git-b58cf
functions doing the correct thing.
You will need to flag which ever image state you have using
'-color_trc' as well - using color_trc would apply if you have already
correctly encoded images in the cases when ffmpeg is unable to
determine the correct value
Hi, I am trying to encode an H.264 transport stream with aac audio and retain
the audio layout of the input file, which is:0:0 - video0:1 - mono0:2 - mono0:3
- mono0:4 - mono0:5 - mono0:6 - mono0:7 - stereoWith the below settings my
output file contains 7 mono files, instead of 6 mono's and 1 st
ou may get something closer to what you need
without needing the recompile.
Kevin
On Mon, Nov 9, 2015 at 7:08 PM, Marwan Daar wrote:
> thanks Paul. I'm not sure how to do that though. I found this:
>
> https://github.com/sekrit-twc/zimg
>
> but have no idea how to incorporate thi
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Wed, 28 Oct 2015 22:48:48 +
> Subject: Re: [FFmpeg-user] Specify FC instead of mono
>
> Kevin Wells hotmail.co.uk> writes:
>
> > Hi Carl, now we've established this issue,
>
> I be
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Tue, 27 Oct 2015 14:08:06 +
> Subject: Re: [FFmpeg-user] Specify FC instead of mono
>
> Moritz Barsnick gmx.net> writes:
>
> > With my means and the (very) little knowledge of
> > the MOV format I have, I couldn't yet detect the
> Date: Tue, 27 Oct 2015 17:42:35 +0100
> From: barsn...@gmx.net
> To: ffmpeg-user@ffmpeg.org
> Subject: Re: [FFmpeg-user] Specify FC instead of mono
>
> On Tue, Oct 27, 2015 at 14:17:45 +, Kieran O Leary wrote:
> > Perhaps mediatrace would be worth a shot? https://mediaarea.net/mediatrace/
>
> Date: Tue, 27 Oct 2015 14:39:42 +0100
> From: barsn...@gmx.net
> To: ffmpeg-user@ffmpeg.org
> Subject: Re: [FFmpeg-user] Specify FC instead of mono
>
> On Tue, Oct 27, 2015 at 13:31:30 +, Kevin Wells wrote:
> > Let me know if you need anything else, testing pa
> Date: Mon, 26 Oct 2015 11:55:59 +0100
> From: barsn...@gmx.net
> To: ffmpeg-user@ffmpeg.org
> Subject: Re: [FFmpeg-user] Specify FC instead of mono
>
> On Mon, Oct 26, 2015 at 10:29:31 +, Kevin Wells wrote:
> > Hi Mortiz, thanks for your reply, I have emailed y
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Mon, 26 Oct 2015 08:17:17 +
> Subject: Re: [FFmpeg-user] Specify FC instead of mono
>
> Kevin Wells hotmail.co.uk> writes:
>
> > Hi, I am trying to specify a single mono channel to be
> > nam
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Mon, 26 Oct 2015 10:36:36 +
> Subject: Re: [FFmpeg-user] Specify FC instead of mono
>
> Kevin Wells hotmail.co.uk> writes:
>
> > We deliver Quicktime Prores files with embedded audio
> > t
> Date: Mon, 26 Oct 2015 10:30:23 +0100
> From: barsn...@gmx.net
> To: ffmpeg-user@ffmpeg.org
> Subject: Re: [FFmpeg-user] Specify FC instead of mono
>
> On Mon, Oct 26, 2015 at 09:15:05 +, Kevin Wells wrote:
> > We deliver Quicktime Prores files with embed
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Mon, 26 Oct 2015 08:17:17 +
> Subject: Re: [FFmpeg-user] Specify FC instead of mono
>
> Kevin Wells hotmail.co.uk> writes:
>
> > Hi, I am trying to specify a single mono channel to be
> > nam
Sent again to correct formatting.
Hi, I am trying to specify a single mono channel to be named 'Center' when
viewed in Quicktime player, I know that technically specifying FC is mono, but
in my user case I need it to actually be named 'Center', not 'Mono'. Is there
someone who would kindly help
Hi, I am trying to specify a single mono channel to be named 'Center' when
viewed in Quicktime player, I know that technically specifying FC is mono, but
in my user case I need it to actually be named 'Center', not 'Mono'. Is there
someone who would kindly help me resolve this issue please, as I
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Sun, 25 Oct 2015 13:59:21 +
> Subject: Re: [FFmpeg-user] Converting a 23.98p source to 29.97i ProRes
> w/interlaced 3:2 pulldown?
>
> Kevin Wells hotmail.co.uk> writes:
>
> > ffmpeg -i
> From: melmatsu...@gmail.com
> Date: Sat, 24 Oct 2015 20:49:11 -1000
> To: ffmpeg-user@ffmpeg.org
> Subject: [FFmpeg-user] Converting a 23.98p source to 29.97i ProRes
> w/interlaced 3:2 pulldown?
>
> I'm trying to convert 23.98p ProRes QuickTime (.mov) files to interlaced
> 29.97 ProRes file
> To: ffmpeg-user@ffmpeg.org
> From: james.heli...@gmail.com
> Date: Tue, 20 Oct 2015 14:39:33 -0700
> Subject: Re: [FFmpeg-user] Channel layout flags
>
> On 10/20/2015 2:30 PM, Kevin Wells wrote:
> >> From: kevwe...@hotmail.co.uk
> >> To: ffmpeg-user@ffmpeg.o
> From: kevwe...@hotmail.co.uk
> To: ffmpeg-user@ffmpeg.org
> Date: Tue, 20 Oct 2015 20:14:31 +
> Subject: [FFmpeg-user] Channel layout flags
>
> Hi, I posted this incorrectly on the dev list, so posting in the correct
> place with corrections.
> I am looking for a patch, or solution, to my p
Hi, I posted this incorrectly on the dev list, so posting in the correct place
with corrections.
I am looking for a patch, or solution, to my problem. When using the below
Channel layout flags, in the resulting Quicktime Prores file, in the audio
channels, the FC, DL and DR all come out flagged
I have the below file which I am re-mapping the audio and trying to set the
channel layout flags in a Quicktime Prores file, but can't seem to get it
working. I can successfully re-map the audio (from 8 descrete to 6
monos+stereo) but I can't seem to set the channel layout flags for the 6 monos
Hi, I have two videos which I want to cut and concatenate together but they
have different audio configurations.Clip1 has: video, mono, mono, mono, mono,
mono, mono, stereo.
Clip2 has: video, stereo, mono, mono, mono, mono, mono, mono.
I want to take clip 1 and cut it, -ss 38.75 -to 46.25 and t
Does ffplay supports rtmp redirects?
for example ffplay is playing movie_a:
ffplay rtmp://xx.com/movie/movie_a
any rtmp server can redirect clients of movie/movie_a are redirected to
movie/movie_b;
does ffplay support this?
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Hi, I have previously followed a guide, but now need to add libass support for
a Windows ffmpeg compile, but can't find a guide of how to do this. Does anyone
know of any guides to follow on windows to do this please?
Kind regards.
___
Hello,
I'm trying to use ffmpeg to stitch two videos into a stereoscopic vid for
use on Oculus. I'm using the current binary for Mac, following the
tutorial at
http://www.kolor.com/wiki-en/action/view/Autopano_Video_-_How_to_create_3D_360_videos_v2
The over/under stitching works with this comman
You might want to use the colr atom then, adding options similar to:
-color_trc bt709 -colorspace bt709 -color_primaries bt709 -movflags +write_colr
just prior to your output filename, obviously you should select the
appropriate options, but those are usually a good starting point.
Kevin
lor_matrix=bt709
almost all prores will expect to be bt709 for the colour matrix.
Kevin
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You may want to also try -vf scale=out_color_matrix=bt709 instead of
the colormatrix as that might give you better quality as ProRes is 10
bit, in addition to the options Carl suggested to write the color
atom.
Kevin
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> Date: Tue, 2 Jun 2015 15:38:06 +0200
> From: barsn...@gmx.net
> To: ffmpeg-user@ffmpeg.org
> Subject: Re: [FFmpeg-user] Private Options for prores-ks
>
> On Fri, May 22, 2015 at 14:53:52 +, Kevin Wells wrote:
>
>> I am
> Date: Tue, 2 Jun 2015 15:38:06 +0200
> From: barsn...@gmx.net
> To: ffmpeg-user@ffmpeg.org
> Subject: Re: [FFmpeg-user] Private Options for prores-ks
>
> On Fri, May 22, 2015 at 14:53:52 +, Kevin Wells wrote:
>
>> I am
> From: xan...@apost.plala.or.jp
> Date: Tue, 2 Jun 2015 22:30:50 +0900
> To: ffmpeg-user@ffmpeg.org
> Subject: Re: [FFmpeg-user] Private Options for prores-ks
>
>
>> 2015/06/02 21:02, Kevin Wells wrote:
>>
>>> I am
> From: kevwe...@hotmail.co.uk
> To: ffmpeg-user@ffmpeg.org
> Date: Fri, 22 May 2015 14:53:52 +
> Subject: [FFmpeg-user] Private Options for prores-ks
>
> In the ffmpeg documentation, there is:
>
> vendor string - Override the 4-byte vendor ID. A custom
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Thu, 28 May 2015 10:18:45 +
> Subject: Re: [FFmpeg-user] HD > SD Down-Convert Prores Color
>
> Kevin Wells hotmail.co.uk> writes:
>
> > Actually all my input files are 8 bit, so perhaps this
>
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Tue, 26 May 2015 21:10:47 +
> Subject: Re: [FFmpeg-user] HD> SD Down-Convert Prores Color
>
> Kevin Wells hotmail.co.uk> writes:
>
>>> (My questi
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Tue, 26 May 2015 21:10:47 +
> Subject: Re: [FFmpeg-user] HD> SD Down-Convert Prores Color
>
> Kevin Wells hotmail.co.uk> writes:
>
>>> (My questi
> From: kevwe...@hotmail.co.uk
> To: ffmpeg-user@ffmpeg.org
> Date: Tue, 26 May 2015 18:44:48 +
> Subject: Re: [FFmpeg-user] HD> SD Down-Convert Prores Color
>
>
>> To: ffmpeg-user@ffmpeg.org
>> From: ceho...@ag.o
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Tue, 26 May 2015 16:37:24 +
> Subject: Re: [FFmpeg-user] HD> SD Down-Convert Prores Color
> Unfortunately, the colormatrix filter only works with eight bit, so
> we are back where we original
er@ffmpeg.org
>> From: ceho...@ag.or.at
>> Date: Thu, 21 May 2015 10:56:58 +
>> Subject: Re: [FFmpeg-user] HD> SD Down-Convert Prores Color
>>
>> Kevin Wells hotmail.co.uk> writes:
>>
>>> Stream #0:0(eng): Video: prores (apch / 0x68637061),
>&g
In the ffmpeg documentation, there is:
vendor string - Override the 4-byte vendor ID. A custom vendor ID like apl0
would claim the stream was produced by the Apple encoder.
I am using this option but when opening the output file up in Quicktime 10
(Yosemite), the file shows the format as Lavc56
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Thu, 21 May 2015 10:56:58 +
> Subject: Re: [FFmpeg-user] HD> SD Down-Convert Prores Color
>
> Kevin Wells hotmail.co.uk> writes:
>
>> Stream #0:0(eng):
> To: ffmpeg-user@ffmpeg.org
> From: ceho...@ag.or.at
> Date: Thu, 21 May 2015 10:56:58 +
> Subject: Re: [FFmpeg-user] HD> SD Down-Convert Prores Color
>
> Kevin Wells hotmail.co.uk> writes:
>
>> Stream #0:0(eng):
er@ffmpeg.org
>> From: ceho...@ag.or.at
>> Date: Wed, 20 May 2015 14:58:19 +
>> Subject: Re: [FFmpeg-user] HD> SD Down-Convert Prores Color
>>
>> Kevin Wells hotmail.co.uk> writes:
>>
>>> the out.mov is still flagged as bt709, but needs to be bt601.
&
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