this
is particularly true of b/w, and the solution for b/w is to have the
correct dilution of Photoflo and a dust free drying cabinet...
IME the thing to do is allow the film to dry naturally in a cabinet, not using forced
air, and especially not forced warm air. And PhotoFlo (esp.600) is
- Original Message -
From: "Mystic" [EMAIL PROTECTED]
To: "Frank Paris" [EMAIL PROTECTED]; "Rob Geraghty" [EMAIL PROTECTED]
Sent: Tuesday, November 21, 2000 18:38
Subject: Re: filmscanners: Upgrading to Photoshop 6.0 from LE
BTW, PictureWindow v 3.0 has Color Managment.
Hi everyone,
I am relatively new to the list and possibly my question has already been
discussed
in previous postings. If so, could someone please point me to the right
direction?
I am considering of buying a filfscanner but hesitating between Nikon LS-30
and Canon 2710. Does anyone know if
In a message dated 11/22/2000 4:27:28 AM EST, [EMAIL PROTECTED] writes:
How do i set that focus manually?
Turn off the "Options|Auto exposure" field and experiment
with the "RGB exposure" option.
Useful values range from 0 to 1 on the Epson 1600.
Regards,
Ed Hamrick
Nodas wrote:
Does anyone know if there is a function similar to
Nikon'sICE, implemented in any of the commercial
software packages?
The key element of the ICE feature in both the Nikons and the Minolta
Elite is a separate Infra-red, which detects surface defects and dust.
Many other
Tim Mimpriss wrote:
(Snip)
...so I wonder whether NewColor's tedious insistence on warming up the
scanner before scanning results in better illumination and a more
consistent scan. Does anyone have any ideas on this topic.
Tim,
Gas filled lamps normally require some period of
I haven't used one, but on demo I've been very impressed with the easy
software and results too. I wouldn't say this (or any) scanner or
software is designed for any particular set of shooting circumstances
however. Some software programs have the ability to adjust the cache
size for the
Thanks for the response Tony, I'm glad it's not just my tired old peepers.
Errr, who, or what, is Timo, BTW?
Scourge of rec.photo.digital and comp.periphs.scanners, Timo Autiokari, #1 advocate of
Linear Gamma for Everything. Do a search on www.dejanews.com to see how much trouble
he's
I just released VueScan 6.3.13 for Windows, Linux and
Mac OS. It can be downloaded from:
http://www.hamrick.com/vsm.html
What's new in version 6.3.13
* CCD exposure time computed from cropped area. This
helps scan dark parts of slides and overexposed
parts of negatives with
Hi,
Although I have found Vuescan much superior for negatives I am now somewhat
preferring Minolta's own software for slides. However I am wondering what
people who have used this combination find best for getting the sharpest
results from slides.
1)Turning "Autofocus on scan" on in
Ed, I'm not sure what you mean by "it's the same as 2.2/gamma." When I scan
16 Bit Grayscale using Vuescan and my Sprintscan4000, the first thing I do
when I open the file in Photoshop is Adjust/Levels/middle slider to 2.2. I
then apply a curve based on 30/20; 50/50; 70/80 to boost the
Hi Ed,
I get errors trying to open this file.
Sam Kennard
I just released VueScan 6.3.13 for Windows, Linux and
Mac OS. It can be downloaded from:
http://www.hamrick.com/vsm.html
What's new in version 6.3.13
* CCD exposure time computed from cropped area. This
helps scan dark
Dave,
Thanks for your feedback. My comments were based on rather early
experience scanning monochrome negatives, which, in my experience, need
a lot of hard work to get an excellent print. Since then I have scanned
some colour negatives taken at a friend's wedding. Using the specific
film
Sorry Ed...I can't get your URL to open up..I get a blank field in the text
area...Eddie Wiseman
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, November 22, 2000 8:47 AM
Subject: filmscanners: VueScan 6.3.13 Available
I just released VueScan 6.3.13
I would like to know if there is anything other than Pakon, which so far is the only
thing I
found.
I don't know much about this sort of kit for minilabs, but I believe Kodak and Sony
also make bulk scanning stations.
Regards
Tony Sleep
http://www.halftone.co.uk - Online portfolio
I got mine (new) about six months ago. About 200 slide scans, in intermitent
batches. No service needed so far. Never contacted Microtek support.
Problems only with colors obtained (probably bad color managemant setup -- I
will be able to say more soon, as I am ordering a ColorVision
Hey folks,
I have left a couple of my Epson 1270 prints made on some of the newer
heavyweight paper out in the hot and humid Hawaii weather for the last
couple of weeks, and have not experienced any color fade or shift
whatsoever. Anybody with the same results, or is this a fluke?
Spencer
Spencer wrote:
I have left a couple of my Epson 1270 prints made on some of the newer
heavyweight paper out in the hot and humid Hawaii weather
Is it Heavyweight Matte? From what I've read, the matte paper isn't anywhere
near as susceptible to the problem as the Premium Glossy paper (which has
Yes it is slow , but it is lnger to retouch manually.
I use often use ICE and I think it is worthwile the money spent.
Sincerely.
Ezio
www.lucenti.com e-photography site
- Original Message -
From: "Guy Prince" [EMAIL PROTECTED]
To: "photoscientia" [EMAIL PROTECTED]
Sent:
Rob,
The paper that I am using is the "new" Glossy Photo paper by Epson. Sorry,
I don't have the cat # handy, but it is of much heavier weight than the
older paper. A funny story here, my wife mistakenly put some of my AGFA RC
paper in the printer and printed out some pix on it. I was
Couldn't agree with you more on the 18 year old trainee. As for Photoflo, that was the
only stuff we had at the time (after I sold my lab, I swore NO MORE LABWORK) and the
secret of that stuff is all in the dilution a drop too much Photoflo and you spots
on
yer film... no forced air drying
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