Dave king asked:
But you seem to be saying that the bias setting is more critical than the
gain setting. So if you and ColorVision are both correct, then factory
setting for bias is fine to use, and presumably there isn't as much drift
here because phosphor aging isn't an issue in the black
--- Colin Maddock [EMAIL PROTECTED] wrote:
The blacks need to be neutral before the whites are adjusted.
That is one thing I was always wondering about. When I use the factory
settings of my Sony 400PS and turn up contrast to 100% the blacks have
a red cast. The factory settings for 6500K are
Dave King [EMAIL PROTECTED], wrote:
I was thinking further about this today and realized I don't know what
the bias adjustment does. Many monitors only have gain controls, and so
now I'm wondering how bias is different than gain, how it's used during
calibration, and the advantages (?) for color
Dave asked:
Well, I was satisfied by Julian's answer, it was easy and practical. But
your answer has me wondering again about what is actually happening at the
circuit level. I guess they are voltage amplifiers operating at different
frequencies? Presumably the gain control isn't particularly
Dave King [EMAIL PROTECTED], wrote:
I'm assuming you researched the CRT situation before buying the Sony
GMD-F520. Do you know if it has individually adjustable guns?
Julian Vrieslander [EMAIL PROTECTED] wrote:
Yes. Individually adjustable gain and bias for each gun.
I was thinking further
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]] On Behalf Of Dave King
Sent: sábado, 19 de Janeiro de 2002 4:16
To: [EMAIL PROTECTED]
Subject: [filmscanners] Re: CRTs vs LCDs
Dave King [EMAIL PROTECTED], wrote:
I'm assuming you researched the CRT situation before
On 1/17/02 1:34 AM, Robert Meier [EMAIL PROTECTED], wrote:
There is one problem I
usualy have with test reports, though. Just from words it is hard to
judge how critical a test person really is (and that is not meant in a
negative way). In other words for one test person a certain