Re: filmscanners: Rescans and archiving

2001-12-13 Thread Arthur Entlich
Eastman color negative to positive films were never designed for long term storage. They are the films used to make cine prints from color negs or neg separations which were made from the original reversal films. Those copy prints were designed to handle continual use in movie projectors under

Re: filmscanners: Rescans and archiving

2001-12-13 Thread Charles Stirling
** Reply to note from Arthur Entlich [EMAIL PROTECTED] Tue, 11 Dec 2001 15:32:33 -0800 Environmental factors and proper processing procedures are paramount to film longevity. How true. After a move I had about 2000 slides stored in what should have been a safe place but an unnoticed leaking

Re: filmscanners: Rescans and archiving

2001-12-12 Thread Rob Geraghty
Les Berkley [EMAIL PROTECTED] wrote: I have a couple rolls of Kodachrome that my father shot (Leica IIIc) when I was 3 mos old. That makes them (shudder) over fifty years old. They look like the day they came back from Kodak. (Hell to scan though.) The archival nature of Kodachrome is

Re: filmscanners: Rescans and archiving

2001-12-11 Thread Rob Geraghty
Mário Teixeira [EMAIL PROTECTED] wrote: Arthur Entlich [EMAIL PROTECTED] wrote: | Personally, I trust my film to maintain most of its integrity for many | years to come, so I'm not panicking to get everything on CD-R. Me too, I trust my color slides longevity -- I am scanning slides with near

Re: filmscanners: Rescans and archiving

2001-12-11 Thread Les Berkley
On 12/11/01 9:25 AM, Mário Teixeira [EMAIL PROTECTED] wrote: Arthur Entlich [EMAIL PROTECTED] wrote: | Personally, I trust my film to maintain most of its integrity for many | years to come, so I'm not panicking to get everything on CD-R. | | Art Me too, I trust my color slides

Re: filmscanners: Rescans and archiving

2001-12-11 Thread Arthur Entlich
Environmental factors and proper processing procedures are paramount to film longevity. Also, some films were notoriously bad for dye instability. So, here are my rules for not being forced into scanning your film to save it. 1) Buy film stock that has a known history, or of a brand name

Re: filmscanners: Rescans and archiving

2001-12-11 Thread Mário Teixeira
Les Berkley [EMAIL PROTECTED] wrote: | On 12/11/01 9:25 AM, Mário Teixeira [EMAIL PROTECTED] wrote: | | Arthur Entlich [EMAIL PROTECTED] wrote: | | | Personally, I trust my film to maintain most of its integrity for many | | years to come, so I'm not panicking to get everything on CD-R. | |

Re: filmscanners: Rescans and archiving

2001-12-11 Thread Hersch Nitikman
On the other hand, I am somewhat depressed that a number of travel and family pix that I shot between 10 and 30 years ago on Eastmacolor (5247, 5254, etc.) negative stock and slides printed therefrom have become pretty bad stored in their original boxes or in rotary trays in ordinary home

filmscanners: Rescans and archiving

2001-12-10 Thread Eric
I have a question for the group. I recently upgraded from a original Photosmart scanner for 35mm film to a Nikon LS-IV scanner. I recently scanned about 100-200 images from a trip and then changed scanners and monitors. The Photosmart was 2400DPI scanner and teh Nikon was a 2900DPI

Re: filmscanners: Rescans and archiving

2001-12-10 Thread Maris V. Lidaka, Sr.
PROTECTED] To: [EMAIL PROTECTED] Sent: Monday, December 10, 2001 10:57 AM Subject: filmscanners: Rescans and archiving | I have a question for the group. | | I recently upgraded from a original Photosmart scanner for 35mm film to a | Nikon LS-IV scanner. I recently scanned about 100-200 images

Re: filmscanners: Rescans and archiving

2001-12-10 Thread Arthur Entlich
Hi Eric, This is a dilemma you and others will be facing each time there is a technological improvement in image acquisition and storage. Is it worth rebuilding your basement when you put an addition on your home? Well, that depends... will it support the extra weight? Is it crumbling?