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hello again mr. lew,
> On the other hand, you COULD write that as 6/8 measures with quadruplets
> over the dotted-crotchet beat, and then a 2/8 measure with normal quavers.
> That's pretty much the same, right? If I'm conducting it's easy for me to
> think 6/8 to 2/8 than 2/4 to two-thirds/4.
i
At 9:10 PM 07/06/02, M. Perticone wrote:
> *some* of them can't be written differently. and
>consider this simple example:
>
>a 2/4 measure full of semiquavers then two quavers of a triplet (=2/3 of a
>crotchet), then, in a new 2/4 measure, four semiquavers (=1 crotchet) etc
>etc.
Hmm, OK, I gue
hello mr. lew,
mmm... check boulez's 'le marteau sans maitre'. there are some fractional
time signatures there, and *some* of them can't be written differently. and
consider this simple example:
a 2/4 measure full of semiquavers then two quavers of a triplet (=2/3 of a
crotchet), then, in a new
I wrote:
>Finding that font is always inconvenient, but a lot less so with
>Argeïphontes Type.
>
>
>http://shoko.calarts.edu/~akira/public/argeiphontes.htm
It has been pointed out that the URI does not lead to the desired
application. Sorry, I just took th
On Saturday, July 6, 2002, at 04:04 PM, Andrew Stiller wrote:
>>
>> In my view this is a real oversight. One shouldn't have to use
>> substitute
>> slurs for this kind of thing.
>>
>> Johannes
>
> I have always used actual ties for this purpose, and I am surprised
> that no one else has mentio
The link was changed immediately after Peter made his post. :-)
It should now be at:
http://shoko.calarts.edu/~akira/
The file mentioned is "at.sit.hqx"
HTH,
Philip
On Saturday, July 6, 2002, at 08:07 AM, Barbara Touburg wrote:
> Sorry, but your link did not work!
> Peter Casti
At 7:58 PM 07/06/02, Jari Williamsson wrote:
[answering M. Perticone]
>> i'm a new subscriber. i need some advice or guidance with this: i'm
>> transcribing a piece which uses odd time signatures as 2/3 crotchets (yes,
>> two thirds). i cannot see any way to do it although i've tried some
>> work
>
>In my view this is a real oversight. One shouldn't have to use substitute
>slurs for this kind of thing.
>
>Johannes
I have always used actual ties for this purpose, and I am surprised
that no one else has mentioned the possibility. Simply enter a tie
leading from the note in question, shor
M. Perticone writes:
> i'm a new subscriber. i need some advice or guidance with this: i'm
> transcribing a piece which uses odd time signatures as 2/3 crotchets (yes,
> two thirds). i cannot see any way to do it although i've tried some
> work-arounds using the shape designer and setting 0.6
hello list,
i'm a new subscriber. i need some advice or guidance with this: i'm
transcribing a piece which uses odd time signatures as 2/3 crotchets (yes,
two thirds). i cannot see any way to do it although i've tried some
work-arounds using the shape designer and setting 0.66/4 in the
composi
Also, in Speedy, one can make the current note the end of a tie (in
FinWin2k3) by hitting Ctrl and =, merely a modification of "=" which makes
the note start a tie. However, I believe that this is just a shortcut to
checking "Tie End" in the Edit Frame box.
-Brad
Johannes Gebauer wrote:
>
> Looks like a really good idea for a plugin...
>
Indeed, funny you should say so. Keep your eyes on this space for
further developments.
--
Robert Patterson
http://RobertGPatterson.com
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Finale mailing list
[EMAIL PROTEC
Sorry, but your link did not work!
Peter Castine schreef:
> >Date: Thu, 4 Jul 2002 23:14:53 -0400
> >From: Christopher BJ Smith <[EMAIL PROTECTED]>
> > Or what if I can't remember what font I used in which
> >example, and am left searching frantically though 250 fonts with Key
> >Caps l
At 3:54 AM -0400 7/6/02, [EMAIL PROTECTED] wrote:
>Several days ago there was a thread on this subject that made the following
>suggestion: newer Macs will format CDs for Windows.
I just tried that in the usual way...
It didn't work, but I'm exploring some other way. Floppy disks will
allow fo
>>Smart-shape slurs will stay where they are edited. <<
You know, I actually have been doing this to nudge them around a bit.
Stupid not to carry that over into this context.
Thanks.
Crystal Premo
[EMAIL PROTECTED][EMAIL PROTECTED]
__
Once they are attached, you can edit them, which includes dragging the
ending points, the arcs, etc., so you can place one as a slur from the
last note of the first ending to the first note of the second ending,
and then drag the part attached to the first note to where it is up in
the air and
>>Use smart-shape slurs on the half-notes and drag them to be the shape you
>>need to represent the last halves of ties. <<
I thought slurs have to attach to something.
Crystal Premo
[EMAIL PROTECTED][EMAIL PROTECTED]
_
MSN Phot
On 06.07.2002 1:54 Uhr, Robert Patterson wrote
> There used to be a Mac program that automatically did this for you, but
> last time I checked (yrs ago) it was not compatible w/ Finale. And now I
> don't even remember the name of it.
Looks like a really good idea for a plugin...
Johannes
--
ht
Colin Broom writes:
> > Feel free to test the "Settings Transfer" in the Forza! beta, that kind of
> > stuff simply wasn't possible to do with plug-ins in earlier Finale
> versions.
>
> Is this in v0.15b? I couldn't find this.
No, it's in the 0.16 betas (currently beta 14). The beta versions a
On 06.07.2002 13:14 Uhr, David H. Bailey wrote
> All you would need to get such a page-break to work from a plug-in would
> be to simultaneous add the measure-attribute of Begin New System with
> the plug-in as well.
>
> So such a plug-in in would actually be a good thing for multi-movement
> wo
- Original Message -
> Feel free to test the "Settings Transfer" in the Forza! beta, that kind of
> stuff simply wasn't possible to do with plug-ins in earlier Finale
versions.
Is this in v0.15b? I couldn't find this.
Colin.
Colin Broom writes:
> Also useful is the ability to set the page layout for score and
> parts from the options menu.
It was possible before as well. The dialogs was just a bit more "hidden".
> A note to anyone upgrading that I noticed Jari hadn't covered in his tips
> for upgraders: If you int
>Date: Thu, 4 Jul 2002 23:14:53 -0400
>From: Christopher BJ Smith <[EMAIL PROTECTED]>
> Or what if I can't remember what font I used in which
>example, and am left searching frantically though 250 fonts with Key
>Caps looking for a symbol?
Finding that font is always inconvenient, but
>Date: Thu, 04 Jul 2002 16:29:40 -0400
>From: Aaron Sherber <[EMAIL PROTECTED]>
>
>It is true that EPS includes more information. However, in almost every
>case a TIFF includes (more than) *sufficient* information. The extra info
>in an EPS is often not necessary.
Slanted beams.
Bezier curves (
Finale on the PC will open a file without an extension -- the problem is
that it won't show up in the Finale Open File dialogue unless you select
Show All Files. But once you can see it in the window, Finale isn't
looking for extensions to know if it is a valid Finale file, it is
looking for
Use smart-shape slurs on the half-notes and drag them to be the shape
you need to represent the last halves of ties.
Crystal Premo wrote:
> I am working on a cut version of Some Else's Story from the conductor's
> score of Chess.
>
> I have noticed that in some place, a progression of four
> You actually have to use both a repeat bracket and an "open-ended"
beginning
> bracket on the first ending, and enter the number just like for the second
> ending in the "open-ended" beginning bracket. Sounds more complicated than
> it is, and there is also an easy repeats plugin for the standa
Finally got round to upgrading from Finale 2002 to 2003, and so thought I'd
share my initial opinions (I know some of you have already had this
conversation and Jari has discussed it on his tips website, but I've just
got my copy!).
Firstly, the interface. While I have to admit some of the new p
All you would need to get such a page-break to work from a plug-in would
be to simultaneous add the measure-attribute of Begin New System with
the plug-in as well.
So such a plug-in in would actually be a good thing for multi-movement
works in a single file, where for whatever reason the clien
On 06.07.2002 11:52 Uhr, Colin Broom wrote
> Anyone happen to know why Finale doesn't allow the option of putting a
> number 1 (or other characters) in a first ending repeat, yet allows text to
> be entered into second endings? Am I missing something here? Did they do
> away with this conventio
I have a file that has lots of 16th with two repeating notes in the middle,
ie
a'f'f'a'a'f'f'a'
Now the composer wants to change this into a triplet figure, leaving out one
of the repeated notes, ie
a'f'a'a'f'a'
Is there a way to do this quickly, or do I have to delete one of the notes,
then cha
Anyone happen to know why Finale doesn't allow the option of putting a
number 1 (or other characters) in a first ending repeat, yet allows text to
be entered into second endings? Am I missing something here? Did they do
away with this convention and not tell me? Obviously there are plenty
worka
On 06.07.2002 9:27 Uhr, Mark D. Lew wrote
> This keystroke behaves exactly the same as setting Tie End in the Edit
> Frames dialog. That is: It work if you're at the beginning of a 2nd
> ending; and it works if there is a corresponding previous note (in which
> case it creates a normal tie); bu
Tammy:
The .mus extension is unlikely to be the problem. In addition to Dan Rupert's
suggestions, beware of using your AOL address for e-mail attachments--I have
had no luck receiving Finale files at mine. According to my friend Mike
Krein, AOL evidently prides itself on its firewalls, which w
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