At 2:09 PM +0200 6/22/02, Johannes Gebauer wrote:
>Should the articulation consisting of a dot and a dash (ie the "non-legato"
>sign) have the dash or the dot closer to the staff, ie, when placed above a
>note should the dash be top or bottom?
It's not a "top or bottom" thing. Generally when a d
I've always seen it with the dot closer to the staff, irrespective of
stem direction. Stravinsky often used this articulation. See, e.g., the
1953 Septet.
Johannes Gebauer wrote:
>
> Should the articulation consisting of a dot and a dash (ie the "non-legato"
> sign) have the dash or the dot clos
I am used to seeing them with the dot nearest the staff and the line to
the outside of the dot.
Johannes Gebauer wrote:
> Should the articulation consisting of a dot and a dash (ie the "non-legato"
> sign) have the dash or the dot closer to the staff, ie, when placed above a
> note should the
Should the articulation consisting of a dot and a dash (ie the "non-legato"
sign) have the dash or the dot closer to the staff, ie, when placed above a
note should the dash be top or bottom?
Johannes
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