Before you get too carried away in suppressing key changes in
percussion parts, please consider the following. As a percussionist,
it's helpful for me to know where the key changes in a piece are,
even if they don't affect any of the instruments I'm playing. Why?
- They give clues to the
I am aware of the benefits of indicating key changes to Percists. That
really wasn't the point of my question. Mark Lew explains it very well in
his response. Regards, Keith in OZMessage -
From: David Larrick [EMAIL PROTECTED]
Before you get too carried away in suppressing key changes in
Adding a drumkit part to a score I had the opportunity, on several
occasions, to mass copy the drum part. i.e. measures 1 to 32 were identical
to 32 bars later in the piece- except it was in a different key. As I mass
copied the key was changed in the later bit. No major problem to change it
back
At 3:32 PM 05/23/02, helgesen wrote:
My question is, if changing the key does NOT affect a drumkit
part, (Finale obviously knows this!) why does mass moving a drum part carry
the original key with it? I can understand Timps, but not Kit. Why doesn't
Finale know not to?
Because Finale doesn't
