On Thursday, Oct 3, 2002, at 02:57 US/Pacific, David H. Bailey wrote:
> I must say that for all the years I have been on this list I have
> never had a problem with Andrew Stiller's attributions in his post.
> It has always been clear to me, if it has ever been really important.
>
> I find tha
At 10/03/2002 05:57 AM, David H. Bailey wrote:
>I'll probably get yelled at because I had the nerve to place my reply
>ABOVE the quoted material! Flame away!
All the lists I have been on, always argue about whether quotes should be
over or under.
I think it depends on how the user's email p
I must say that for all the years I have been on this list I have never
had a problem with Andrew Stiller's attributions in his post. It has
always been clear to me, if it has ever been really important.
I find that on this list (for me, anyway) it matters less who said what
than what was sai
On Wednesday, Oct 2, 2002, at 13:19 US/Pacific, Andrew Stiller wrote:
> And BTW, apropos of another thread please note the "standard" quote
> identifier at the top of this. Looks like I'm replying to my own
> message, doesn't it? Very clear and useful--not. Pardon me if I
> refrain.
Looks li
On Wed, 2 Oct 2002 22:57:11 +0200, you wrote:
>a2 should not appear in violin parts (at least not in good ones). A correct
>phrase would be "2 soli" or similar.
Right. "a2" is typical in wind and brass parts where two parts share
a staff. Avoids double stemming notes.
Ken
___
At 4:24 PM -0400 10/2/02, Andrew Stiller wrote:
[referring to]
>>I've never, ever used "a2" to indicate that there are two parts.
>>Yikes. I'd think that would be VERY confusing.
>>
>>Linda Worsley.
>>--
>
>And wrong. But now two different people thought I was saying
>otherwise, so let me re
Christopher BJ Smith writes:
> Hmm, I will concede that you probably know what you're talking about
> more than I do, but it seems to me that a2 appearing on a violin part
> means two players only. I see a2 on staves where there are two
> clarinetists, who happen to be playing in unison at tha
>At 2:09 PM -0400 10/2/02, Christopher BJ Smith wrote:
>>At 11:12 AM -0400 10/02/02, Andrew Stiller wrote:
1,2. a2
>
>I've never, ever used "a2" to indicate that there are two parts.
>Yikes. I'd think that would be VERY confusing.
>
>Linda Worsley.
>--
And wrong. But now two different peopl
>At 11:12 AM -0400 10/02/02, Andrew Stiller wrote:
>>>1,2. a2
>>>
>>>is wrong; it would mean only two players.
>>>
>>>1,2. unis.
>>>
>>>would be more correct, n'est-ce pas?
>>>
>>>Christopher
>>
>>Well, it's debatable I suppose. To me "a2" indicates that two parts
>>(played by however many peop
At 2:09 PM -0400 10/2/02, Christopher BJ Smith wrote:
>At 11:12 AM -0400 10/02/02, Andrew Stiller wrote:
>>>1,2. a2
>>>
>>>is wrong; it would mean only two players.
>>>
>>>1,2. unis.
>>>
>>>would be more correct, n'est-ce pas?
>>>
>>>Christopher
>>
>>Well, it's debatable I suppose. To me "a2" ind
At 11:12 AM -0400 10/02/02, Andrew Stiller wrote:
>>1,2. a2
>>
>>is wrong; it would mean only two players.
>>
>>1,2. unis.
>>
>>would be more correct, n'est-ce pas?
>>
>>Christopher
>
>Well, it's debatable I suppose. To me "a2" indicates that two parts
>(played by however many people) that are
>
>1,2. a2
>
>is wrong; it would mean only two players.
>
>1,2. unis.
>
>would be more correct, n'est-ce pas?
>
>Christopher
Well, it's debatable I suppose. To me "a2" indicates that two parts
(played by however many people) that are normally separate have been
unified into a single line, whe
At 4:32 PM -0400 10/01/02, Andrew Stiller wrote:
>>What is the best way to indicating a string divisi passage where 2/3 of the
>>players are to play the top line, and 1/3 the bottom?
>>
>>- Darcy
>>
>
>The key is treat it as a triple division in which two of the three
>parts are in unison. The
>What is the best way to indicating a string divisi passage where 2/3 of the
>players are to play the top line, and 1/3 the bottom?
>
>- Darcy
>
The key is treat it as a triple division in which two of the three
parts are in unison. The instruction is "div. in 3" (not "a3" as
several other fo
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