At 01:13 AM 7/18/02 -0400, Christopher BJ Smith wrote:
>The problem with the pitch wheel is that it alters EVERY pitch being
>played on that MIDI channel, making it useless for tuning chords.
Ah, yes, absolutely right. I would have remembered this only when doing it,
and would have created a sep
At 3:38 AM -0400 7/17/02, Dennis Bathory-Kitsz wrote:
>At 12:14 AM 7/17/02 -0400, Christopher BJ Smith wrote:
>>The faint note is probably there, and it is most likely a sum tone,
>>which only are audible in the proper key when the instruments are
>>playing in tune - which is to say NOT in equal t
At 12:14 AM 7/17/02 -0400, Christopher BJ Smith wrote:
>The faint note is probably there, and it is most likely a sum tone,
>which only are audible in the proper key when the instruments are
>playing in tune - which is to say NOT in equal temperament as most
>synths and pianos. Getting the tuni
At 8:45 PM -0400 7/16/02, Dennis Bathory-Kitsz wrote:
>
>>I often find with real acoustic instruments the
>>richness of overtones and perhaps some sympathetic
>>vibrations, I may faintly hear another note which is not
>>written. For example, in a simple minor triad with
>>acoustic instruments, I
I appreciate all the comments about this ... I know that I fought against
Midi implementation 10 years ago, but I've changed my mind entirely. More
than entirely.
At 10:18 AM 7/16/02 -0700, Linda Worsley wrote:
>Don't ANY
>of you remember what it was like to make scores with ink and Ozalid?
Li
