In a message dated 10/3/02 6:07:46 PM, [EMAIL PROTECTED] writes:
<< Yeah, but they're still ahead of Harry Connick Jr., whose "idea" amounts to
little more than having everyone in the band sit in front of a Mac monitor
displaying a Finale file. >>
ActualIy I think they're PDF files but I agree
At 7:59 PM 10/02/02, Dennis Bathory-Kitsz wrote:
[answering me]
>>The real leader in this field is
>>FreeHand Systems. It's still in the early stages, but they have actual
>>products along the lines of what you describe.
>
>Hasn't this been in the "early stages" for, like, years? :)
Yeah, but t
At 04:03 PM 10/2/02 -0800, Mark D. Lew wrote:
>The real leader in this field is
>FreeHand Systems. It's still in the early stages, but they have actual
>products along the lines of what you describe.
Hasn't this been in the "early stages" for, like, years? :)
Seriously, I seem to recall an ad w
At 1:44 PM 10/02/02, Dennis Bathory-Kitsz wrote:
>Heck, I've been dreaming of these networked music stands from heaven for
>years! That pop guys whatsisname came up with something, but it really
>isn't close in terms of real flexibility, which needs touch, pen, etc., to
>be effective.
Harry Conn
At 2:26 PM +0200 10/02/02, Jari Williamsson wrote:
>Christopher BJ Smith writes:
>
>> Even if I
>> don't lay them out, I can simultaneously hold open pages 3 and 25,
>> comparing them, which I can't do in Finale.
>
>Why can't you do that? Do you use a tiny monitor or low screen
>resolution? Or
At 12:06 PM 10/2/02 -0500, John Howell wrote:
>>From: Dennis Bathory-Kitsz <[EMAIL PROTECTED]>
>>>Page view is clumsy, you can't see where the music has come and gone,
>>>phrases are broken up, and the line is broken across systems and pages.
>>
>>jeez, how do you deal with paper scores!? 8^)
>>
>
I don't see how that sort of power-outage would be any different from
what happens with paper music on stands illuminated by stand lights --
when the power goes out the music stops these days anyway.
John Howell wrote:
>>From: Dennis Bathory-Kitsz <[EMAIL PROTECTED]>
>>
>>>Page view is clumsy
Actually, you CAN open multiple pages in Finale, I believe. Just go to
the Window menu, click on New Window and it will give you an additional
window (or more) on your current document. You can leave any of the
views in scroll view or change to page view, you can tile them or
cascade them, s
Not to worry because every performer has his/her own UPS... ;)
Javier.
>> From: Dennis Bathory-Kitsz <[EMAIL PROTECTED]>
>>> Page view is clumsy, you can't see where the music has come and gone,
>>> phrases are broken up, and the line is broken across systems and pages.
>>
>> jeez, how do you de
>From: Dennis Bathory-Kitsz <[EMAIL PROTECTED]>
>>Page view is clumsy, you can't see where the music has come and gone,
>>phrases are broken up, and the line is broken across systems and pages.
>
>jeez, how do you deal with paper scores!? 8^)
>
>>I look forward to the day when every music stand is
At 08:05 AM 10/02/02, Christopher BJ Smith wrote:
>things with a pencil, connecting here, blending there. Even if I
>don't lay them out, I can simultaneously hold open pages 3 and 25,
>comparing them, which I can't do in Finale.
Sure you can -- just open a second window on the document. I do t
Christopher BJ Smith writes:
> Even if I
> don't lay them out, I can simultaneously hold open pages 3 and 25,
> comparing them, which I can't do in Finale.
Why can't you do that? Do you use a tiny monitor or low screen
resolution? Or isn't the "Window/New Window" command available in
your ve
At 1:00 AM +0200 10/02/02, shirling & neueweise wrote:
>From: Dennis Bathory-Kitsz <[EMAIL PROTECTED]>
>>Page view is clumsy, you can't see where the music has come and gone,
>>phrases are broken up, and the line is broken across systems and pages.
>
>jeez, how do you deal with paper scores!? 8^)
From: Dennis Bathory-Kitsz <[EMAIL PROTECTED]>
>Page view is clumsy, you can't see where the music has come and gone,
>phrases are broken up, and the line is broken across systems and pages.
jeez, how do you deal with paper scores!? 8^)
>I look forward to the day when every music stand is a gen
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