At 5:07 AM 06/03/03, Michael Edwards wrote:
> But in swing rhythms, even if a literally-played triplet rhythm doesn't
>swing, and even if *true* swing rhythm is very subtle, too much so to be
>notated
>exactly, it does strike me that triplet or dotted-rhythm notation is at least
>*closer* to t
This debate, while very interesting, seems to have focused on the notation
of swing music; but, using that as an example, it does seem to bring up many
different aspects of the purpose of notation and the broader philosophy behind
it. I do have a few more responses to various postings over th
