At 5:12 PM -0500 11/08/03, David W. Fenton wrote:
Is there any kind of rule of thumb for when to switch to tenor clef
in a cello part? I'm used to writing for viola da gamba with
switching between bass and alto clef, and I know by gut instinct
where to switch there, but I'm not a cellist, so don't
Is there any kind of rule of thumb for when to switch to tenor clef
in a cello part?
--
David W. Fenton
Cellists are extremely flexible about the tenor clef, so as long as
you have some kind of plausible reason to switch, you're OK. Nor need
you feel compelled to get out of the tenor clef as soon
At 5:12 PM -0500 11/08/03, David W. Fenton wrote:
Is there any kind of rule of thumb for when to switch to tenor clef
in a cello part? I'm used to writing for viola da gamba with
switching between bass and alto clef, and I know by gut instinct
where to switch there, but I'm not a cellist, so don't
Is there any kind of rule of thumb for when to switch to tenor clef
in a cello part? I'm used to writing for viola da gamba with
switching between bass and alto clef, and I know by gut instinct
where to switch there, but I'm not a cellist, so don't know what
would be confusing or not for tenor
