The thing they should work on is linking parts to a score. It's a pain
in the ass to work on something, and have to remember to change the
score and other parts. It would be great to have them linked (if you
wanted) to a score, so, a change in a part would be reflected in the
score, and vice ve
I wonder how accurate this review is in terms of speed issues. I don't work
with large scores, so it's hard for me to tell.
For the 1st time buyers, Macworld endorses Sibelius. For long time users of
Finale, they don't see a compelling reason for switching to Sibelius, not
that I was even consider
On Thursday, Jun 3, 2004, at 18:35 US/Pacific, Angela Turner wrote:
Hi to the list,
I vaguely recall a discussion - it would be some years ago now - about
the "revere" font (as used in Graphire Music Press).
Has anyone since had luck attaining this font for use within Finale?
I've not seen it
Hi to the list,
I vaguely recall a discussion - it would be some years ago now - about the
"revere" font (as used in Graphire Music Press).
Has anyone since had luck attaining this font for use within Finale? I've
not seen it available for sale individually, but perhaps I'm not looking in
the ri
Hi Michael, Brian,
Yes. Same here.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn NY
On 03 Jun 2004, at 07:02 PM, Michael Matthews wrote:
I too have experienced this, and have reported it to MacSupport. For
me it happens under the following conditions:
Have several files open, with changes in each
Qui
I too have experienced this, and have reported it to MacSupport. For me
it happens under the following conditions:
Have several files open, with changes in each
Quit Finale
Approve each of the dialog boxes that ask you if you wish to save
changes.
Upon opening the files, one will have been over
On Monday, May 24, 2004, at 11:47 US/Pacific, David W. Fenton wrote:
. . . I'd say that a large portion of a modern computer system is UI
design and implementation. . . .
Absolutely. I agree 100%.
But you don't implement a UI by copying appearance, which is what MS
is doing.
I'm not arguing tha
Was "Re: [Finale] OT: Even Randy Stokes has viruses".
On Monday, May 24, 2004, at 12:56 US/Pacific, Christopher BJ Smith
wrote:
At 2:47 PM -0400 5/24/04, David W. Fenton wrote:
On 23 May 2004 at 15:07, Philip Aker wrote:
For a company with at least 10 times the number of programmers that
Apple
Hello,
When auto-naming extracted parts, Fin2004b appends glyphs from
non-Western languages (Japanese, Chinese, Arabic) after the ".mus" in
the filename. These filenames aren't even proper filenames in OS X --
if you add a space and delete it in the Finder, it warns you that the
filename you h
On Thursday, June 3, 2004, at 02:26 PM, John Ranck wrote:
How can I get Finale (WIN2k) to playback from somewhere in the middle
of a piece instead of always starting at the beginning?
You can start from any measure, while in any tool, by holding the
spacebar while clicking the desired starting m
David Fenton,
This was: "Re: [Finale] OT: Even Randy Stokes has viruses" but I've now
changed the subject because the discussion has nothing to do with Randy
Stokes. I will be changing the subject for other replies as well. And
sorry I was not able to reply earlier.
On Monday, May 24, 2004, at
How can I get Finale (WIN2k) to playback from somewhere in the middle of a
piece instead of always starting at the beginning?
John Ranck
[EMAIL PROTECTED]
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Finale mailing list
[EMAIL PROTECTED]
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Hi Brian,
Hmm. Well I have not had any other users report this.
Christopher Smith has reported this as well -- in fact, my original
email quoted his bug report.
It is hard to try and test this without any reproduceable steps, and I
am not able to reproduce it randomly when I have several files o
No matter the form of the word:
adagio
adasio
ad agio
ad asio
They all mean 'at ease'. Agio is the modern Italian spelling; any of the
four forms above may be encountered in 17th century sources.
Since I have just rejoined this list and have not seen the original
question, I hope I am not repea
I'm working on a set of 18 songs Dvorak wrote in 1865, called Cypresses
(I think). As fas as I'm told, they've never been published in their
original setting for voice and piano, although Dvorak used most of them
in several of his later works.
I was wondering if there's anyone on this list who c
At 8:47 AM -0400 6/03/04, Giz Bowe wrote:
Jonathan's is probably the easiest solution suggested.
Yes, that is a great idea.
I was unaware of the convention of writing everything straight
through on some big band charts. Of course, the big band I play with
only plays music before 1950!
It's based
Jonathan's is probably the easiest solution suggested. I've already
completed the chart I was working on (Cold Blood's Valdez in the Country).
In my score, I did indent the coda measure, and put the coda sign to the
left of it. All I had to do with my parts was drag the coda staff to the
right,
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