I'm using Fin Mac v2k2 to open some old files I made way back in 1997.
I think they were done in Finale v97, but I'm not sure. My Mac is
automatically converting them to v2002. When the file opens, there's a
window that briefly appears and disappears. I think it's telling me
which version t
Keith Helgesen wrote:
OK thanks for that- but my question is not how to fix each part, but
how to stop Finale from defaulting to Octavo, Landscape, 75% etc as
detailed in original question.
It never has before- as I said, the parts produced used to be
generally OK, with only minor tweaks needed
On Tue, 5 Oct 2004 18:11:48, [EMAIL PROTECTED] wrote:
> For the past several days however, and for no reason that I can see, OSX has been
> presenting me the Startup Disk dialog locked. Every single time, I have to click the
> lock then enter my fershlugginer password before I can do anything wit
For months I've been zipping back and forth betw. OSX and OS9, rebooting each time (I
don't use Classic; I mean real System 9). When going from X-->9, I'd open System
Prefs/Startup Disc, click the System 9 folder in the ensuing dialog, and then the
restart button. No problem.
For the past seve
Title: Re: [Finale] Defaults?
OK thanks for that- but my question is not
how to fix each part, but how to stop Finale from defaulting to Octavo,
Landscape, 75% etc as detailed in original question.
It never has before- as I said, the parts
produced used to be generally OK, with only minor
Noel Stoutenburg wrote:
As I understand it, the gist of the ruling
> is that because computer fonts are produced by processing through
> software, they are computer programs, and eligible for copyright
> protection, where the exact same typeface, if engraved into a die, and
> cast, would not
Check out http://www.findlaw.com/casecode! It provides free access to
Federal and State court opinons and can be searched by case name,
citation, and keyword; and is not much harder to use than Lexis-Nexis or
Westlaw.
Wade Kotter
[EMAIL PROTECTED]
>>> [EMAIL PROTECTED] 10/5/2004 1:50:48 PM >>>
On
On Oct 5, 2004, at 5:56 AM, John Poole [Finale Discussion] wrote:
(It is ironic, in this era of digital publishing, that one cannot
easily obtain a court opinion without having to access a commercial
publisher who asserts copyright over publication of the opinion.)
Especially considering that cop
- Original Message -
From: "John Howell" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: "Peter Taylor" <[EMAIL PROTECTED]>
Sent: Tuesday, October 05, 2004 1:32 PM
Subject: Re: [Finale] OT: hand mute translation
> At 9:25 AM +0100 10/5/04, Peter Taylor wrote:
> >Hello Pierre
> >
> >I re
A special thank you to all of those on the Finale
list who have supported our niche endeavour of the
last five years. Here's our recent announcement,
Nick
October celebrations at npc Imaging
---
n
Darcy wrote:
> I have not used either, but my understanding is that GPO and Reason are
> completely different products, not comparable at all. GPO is a library
> of orchestral samples, and Reason is a sequencer (or "digital music
> workstation," as they say on their website).
>
> In other words,
Depends on your playback device(s)
you can either give the sound its own stave, or you can put in a text
message that sends the specific patch to the device. Percussion scores
generally are divided into pitched and nonpitched instruments, then
cymbals on top, skin drums below, arranged from hig
Dear List,
How can I get a good crash cymbals (symphonic) sound in Finale 2004 for
playback?
Jeff Cranfill
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On Oct 5, 2004, at 7:04 AM, Robert Patterson wrote:
There are two forms of hand-muting on horns. The most common is "stopped" (English) or "gestopft" (German), for which the player tightly stops up the bell. The Italian (rarely seen, at least in the USA) is "chiuso". The most common French term i
John,
H.O.B. is for trombones in a jazz band - maybe sometimes trumpets too. It's a pretty subtle effect, but you can hear it. Maybe it depends on the size of your hand :-)
Chuck
On Oct 5, 2004, at 5:32 AM, John Howell wrote:
At 9:25 AM +0100 10/5/04, Peter Taylor wrote:
Hello Pierre
I regr
In music, as in many other disciplines in life, authors: musicians,
poets, novelists, etc. take advantage of the colorful and rich universe
designed or dreamed by the ones who were there before. It is a known
fact that artists and creators continuously render tribute and homage to
the ones they
There are two forms of hand-muting on horns. The most common is "stopped" (English) or
"gestopft" (German), for which the player tightly stops up the bell. The Italian
(rarely seen, at least in the USA) is "chiuso". The most common French term is
"bouch?", but sometimes one instead sees the term
David, you're probably more correct when you write:
I thought that case found that while the font design itself was still
not copyrightable, the software used to define that font for use on a
computer WAS definable. So .ttf files are copyrightable while their
output isn't. Thus others can crea
Noel Stoutenburg wrote:
d. collins wrote:
What exactly is an open-source font?
and I would suggest that it is an extension of the idea of open-source
code, that is a font which anyone could freely alter according to one's
own whims, as one can open source code in a software program.
Presumably
Any cheap Edirol or M-Audio midi interface will do. Less than 100 bucks.
But what kind of used Mac are you buying? A double G5?
Don´t expect to run GPO in a G3 or a G4 less than 800 mhz...
[Unsolicited thought:
I´d sell all the old boxes, add the money you are paying for the used Mac
and I´d buy
At 9:25 AM +0100 10/5/04, Peter Taylor wrote:
Hello Pierre
I regret I don't know the German, but in English I use the abbreviation H.O.B.
(hand over bell). I would be keen to know if there's a more correct way.
Peter
As a player, I would not know how to interpret this. The hand goes
IN the bell,
At 9:02 AM +0200 10/5/04, Pierre Bailleul wrote:
Hi all,
On horns, do you know the english and the german translation of "la main"
or "avec la main"? Does it exist an italian word to avoid these
translations?
Thanks for your responses.
Pierre.
In English I would expect to see the term "stopped," a
Johannes Gebauer wrote:
I thought the whole idea of Xinfonia was that it was open source? Does
it no longer exist? Perhaps the project was given up? Should I write to
Blake Hodgetts to find out? He is the author not only of Xinfonia, but
also of Maestro.
Personally I have used Xinfonia to creat
gj.berg wrote:
OK now I'm getting excited -- I am anticipating all sorts of elbow room
as I toss out all my sound boxes (3rd floor to pavement) so zealously
collected since 1991 and move to software -- however I still need my
keyboard.
What will I need to adapt it to the USB chain of events? A
OK now I'm getting excited -- I am anticipating all sorts of elbow room
as I toss out all my sound boxes (3rd floor to pavement) so zealously
collected since 1991 and move to software -- however I still need my
keyboard.
What will I need to adapt it to the USB chain of events? At what price?
T
At 03:02 AM 10/05/2004, Pierre Bailleul wrote:
>On horns, do you know the english and the german translation of "la main"
>or "avec la main"? Does it exist an italian word to avoid these
>translations?
In English we say 'stopped'; the German is 'gestopft' and I think the
Italian is 'chiuso'. And
Thank you all.
Jerry
Allen Fisher wrote:
I suspect that the soundcard requirement is for PC. Mac has sound built in.
The more RAM you have, the better. I'm using 1GB with no problems here, but
if you have the opportunity to get a good deal on more, I'd say go for it...
On 10/4/04 2:35 P
Noel Stoutenburg wrote:
d. collins wrote:
What exactly is an open-source font?
and I would suggest that it is an extension of the idea of open-source
code, that is a font which anyone could freely alter according to one's
own whims, as one can open source code in a software program.
Presumably
d. collins wrote:
dhbailey écrit:
And also a different question from whether or not it is open-source.
What exactly is an open-source font? Or rather, what is the "source" of
a font. I see what the source of any piece of software is. But does a
font have a "source" other than itself?
Dennis
___
d. collins wrote:
What exactly is an open-source font?
and I would suggest that it is an extension of the idea of open-source
code, that is a font which anyone could freely alter according to one's
own whims, as one can open source code in a software program.
Presumably in the license one obtai
Hello Pierre
I regret I don't know the German, but in English I use the abbreviation H.O.B.
(hand over bell). I would be keen to know if there's a more correct way.
Peter
- Original Message -
From: "Pierre Bailleul" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, October 05
I thought the whole idea of Xinfonia was that it was open source? Does
it no longer exist? Perhaps the project was given up? Should I write to
Blake Hodgetts to find out? He is the author not only of Xinfonia, but
also of Maestro.
Personally I have used Xinfonia to create my very own personal m
Hi all,
On horns, do you know the english and the german translation of "la main"
or "avec la main"? Does it exist an italian word to avoid these
translations?
Thanks for your responses.
Pierre.
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