Thanks for all the advice on this everyone. Some of the Samsung TFTs look
good, but I'm going to spend more time thinking about it.
C.
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Karen,
Thanks very much. I'll post more specific questions as I work on this.
Don
Hi Don,
There are many ways to do this sort of thing...using layers, and by
getting to know the special tools palette as a place to start.
As far as alignment goes, I would investigate Finale's ability to
have separat
Hi Andrew,
There is a plug-inplug-ins>note, beam and rest editing>cautionary
accidentals that allows one to set the way Finale checks for
accidentals. You can specify which layers Finale checks too. I'm
thinking that you could somehow toggle between checking in layer 1
only and then check
Whatever...
Johannes
David W. Fenton schrieb:
On 8 May 2005 at 20:07, Johannes Gebauer wrote:
David W. Fenton schrieb:
Despite the fact that you quote me, reporting a very similar problem
in Windows?
Well, if there is a similar problem on this is the first time I
noticed it being mentioned. As far
Great idea, Jeff!
It will still work to perfectly align in part extraction.
Le 05-05-08 à 14:47, shirling & neueweise a écrit :
measure tool, add 75 EVPUs or so, no?
50 EVPU's is perfect for me.
define expression (time sig) to position at start of music
postitioning After clef/key/time may be even
On 8 May 2005 at 20:07, Johannes Gebauer wrote:
> David W. Fenton schrieb:
> > Despite the fact that you quote me, reporting a very similar problem
> > in Windows?
>
> Well, if there is a similar problem on this is the first time I
> noticed it being mentioned. As far as I remember the problem on
I wrote, without reading the balance of the thread.
Never mind.
ns
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To save me from repeating myself, please refer to the other postings.
Johannes
Noel Stoutenburg schrieb:
Johannes Gebauer wrote:
Situation:
Multimovement piece. Introduction goes into the first movement, here
it needs both cuationary key sig and meter. Last movement is Menuet
Trio, Trio is in min
Thanks so much to:
Christopher, Hiro, Leigh, Noel, Cecil, Larry for
all your help concerning my pdf problems. I can finally fix the
situation.
George Ports
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Johannes Gebauer wrote:
Situation:
Multimovement piece. Introduction goes into the first movement, here
it needs both cuationary key sig and meter. Last movement is Menuet
Trio, Trio is in minor key, Menuet needs cautionary key at the end but
_not_ meter (even though the meter needs to be displa
measure tool, add 75 EVPUs or so, no? define expression (time sig)
to position at start of music, right aligned, -24 horizontal.
From: Robert Patterson
TGTools Add/Remove space is really useful for making space for the phony
time sig. It's unfortunate that you can't use Fin05's system-level
spac
Thanks, David.
I know they were not new, and I know that I got them to work in 2k2 or
2k3, but I can't seem to get them to work in 2k. I'll send a sample
file to WINsupport tomorrow.
ns
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On 8 May 2005 at 13:40, Eric Dussault wrote:
> Le 05-05-08 à 13:30, David W. Fenton a écrit :
>
> > You think so, huh?
> >
> > Despite the fact that you quote me, reporting a very similar problem
> > in Windows?
>
> Am I right in saying that David uses Fin2k3 and that the skip problem
> is new t
I know that this is possible, as I said in my original post.
Johannes
Eric Dussault schrieb:
He can do it with the measure attiribute, but it will hide the key
chance cautionary that Johannes needs too.
There would be a way to do it in creating an extra bar with width of
zero with invisible ba
On the Mac side the problem started in 2k4, the first OS X version, as
far as I remember originally in the opposite manner, and then
over-corrected in a maintenance release.
Johannes
Eric Dussault schrieb:
Am I right in saying that David uses Fin2k3 and that the skip problem
is new to Fin 2k5?
David W. Fenton schrieb:
Despite the fact that you quote me, reporting a very similar problem
in Windows?
Well, if there is a similar problem on this is the first time I noticed
it being mentioned. As far as I remember the problem on the Mac side was
attributed to the change to OS X, since it s
Christopher Smith schrieb:
Can't you hide the cautionary meter in previous measure with Measure
Attributes?
Yes, but that will hide the cautionary key sig as well, but I want that
to show, hence the problem.
Johannes
--
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http://www.camerata-berolinensis.de
_
Am I right in saying that David uses Fin2k3 and that the skip problem
is new to Fin 2k5?
If it is, we are tallking of two different problems..
Éric Dussault
Le 05-05-08 à 13:30, David W. Fenton a écrit :
You think so, huh?
Despite the fact that you quote me, reporting a very similar problem
in W
Not if you want the cautionary key sig to show.
Christopher Smith wrote:
On May 8, 2005, at 12:18 PM, Johannes Gebauer wrote:
Robert Patterson schrieb:
Assuming the Trio and Menuet have different meters, set the first bar
of the Trio to Always Hide Time Sig. Then insert the time sig as a
meas-att
He can do it with the measure attiribute, but it will hide the key
chance cautionary that Johannes needs too.
There would be a way to do it in creating an extra bar with width of
zero with invisible barline. Do the key sign change one bar before
that one and check the hide cautionary clefs,
On 8 May 2005 at 18:21, Johannes Gebauer wrote:
> Andrew Stiller schrieb:
> >
> > On May 7, 2005, at 12:58 PM, David W. Fenton wrote:
> >
> >> On 7 May 2005 at 8:31, Johannes Gebauer wrote:
> >>
> >>> Well, that's definitely not the case here, even with the most
> >>> delicate clicks it will jum
On 8 May 2005 at 3:07, Noel Stoutenburg wrote:
> I spent some time, with the on-line documentation, and in
> "investigation" mode, trying to get an executable shape to function.
> After putting the project on a back burner for a bit, I'm having a bit
> of a recollection that maybe these didn't w
On May 8, 2005, at 12:18 PM, Johannes Gebauer wrote:
Robert Patterson schrieb:
Assuming the Trio and Menuet have different meters, set the first bar
of the Trio to Always Hide Time Sig. Then insert the time sig as a
meas-attached expression.
(If they are the same meter, then obviously the problem
I know for sure that Mass Edit>Respell Notes will do this, but this
will also alter any enharmonics that you may have forced in the
process, meaning that you will have to comb through the part looking
for those in any case.
A better solution is if you are TG Tools user, then TG
Tools>Accident
Oh, yeah. I forgot about that force show problem.
The meter expression method is much easier and more reliable since
Fin04. I would create two separate numeric text exps, with Horz. pos set
to "Start of Time Sig" and Vert. pos set to "reference lines" with -24
evpu and -72 evpu vertical offsets,
Andrew Stiller schrieb:
On May 7, 2005, at 12:58 PM, David W. Fenton wrote:
On 7 May 2005 at 8:31, Johannes Gebauer wrote:
Well, that's definitely not the case here, even with the most delicate
clicks it will jump at times. MM as acknowledged the problem as far as
I know.
I've always had precisely
Robert Patterson schrieb:
Assuming the Trio and Menuet have different meters, set the first bar of
the Trio to Always Hide Time Sig. Then insert the time sig as a
meas-attached expression.
(If they are the same meter, then obviously the problem does not arise.)
Well, actually, it does. I was sur
Assuming the Trio and Menuet have different meters, set the first bar of
the Trio to Always Hide Time Sig. Then insert the time sig as a
meas-attached expression.
(If they are the same meter, then obviously the problem does not arise.)
Johannes Gebauer wrote:
Situation:
Multimovement piece. Intr
I'm working on an orchl. score that follows the convention that when
two parts share a staff, the accidentals behave as if it were a
keyboard staff--that is, if one part has, say, and Eb, and later in
the measure the other part has an Eb, the second flat is not notated.
When both parts are in
On May 7, 2005, at 12:58 PM, David W. Fenton wrote:
On 7 May 2005 at 8:31, Johannes Gebauer wrote:
Well, that's definitely not the case here, even with the most delicate
clicks it will jump at times. MM as acknowledged the problem as far as
I know.
I've always had precisely the opposite problem --
Situation:
Multimovement piece. Introduction goes into the first movement, here it
needs both cuationary key sig and meter. Last movement is Menuet Trio,
Trio is in minor key, Menuet needs cautionary key at the end but _not_
meter (even though the meter needs to be displayed at the beginning of
Department of Not Seeing the Forest 'cause of all those stupid Trees in the way:
I hereby present to the list this message, which jef sent to me privately in hopes of saving me some embarrassment, as evidence of my boneheadedness and so that others may learn from my stupidity.
Thanks jef, I hope
Bruce says all good things, to which I add:
Some papers that are too smooth jam in my HP LaserJet 4, including
premium papers with the HP brand on them! Smooth paper tends to get
"ghosts" as well, that is to say, some dense item like the title on an
extracted part shows up every couple of inches
What weight are you using now? I think I will have to re-look up the
conversion factors from European to American paper, but I believe 20
pound american is plenty heavy enough. I think I've even use 18 with
decent results. I don't think I've used A3 much (or 11x17 american). I
suspect with the
Friends:
Have a project which needs to be done in WINFin 2k, for compatibility
reasons. I spent some time, with the on-line documentation, and in
"investigation" mode, trying to get an executable shape to function.
After putting the project on a back burner for a bit, I'm having a bit
of a re
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